Skateboard

I have a weird history with this movie. When I was a kid, I came across the book adaptation of the movie in a used book store. As a young skateboarder in the early 80s, I enjoyed the book quite a bit. Then to my amazement I caught the movie played on Saturday afternoon television and also enjoyed it quite a bit.

Then about 20 years pass and I've long outgrown skateboarding, and what do I come across being played on late night TV? Skateboard! I settle in for a nostalgic return to my youth.

It's obvious that this film had to be mostly improvised by the cast, but to me that's part of the charm. It definitely feels more like a documentary than feature.

Yeah, the skateboarding is completely archaic, but sheesh, this movie is 30 years old. Vert ramps hadn't been invented yet.

If you get a chance to catch it on late-night TV, I definitely suggest a look.

Skateboarding is a pretty ancient depiction of both skateboarding culture and technology as manufacturers somehow hit upon the new, revived fad that was gaining more interest than it had when skateboards first made an appearance in the late 50s and early 60s.

The movie itself is rather stupid, especially when you have Dogtown's Z-boy Tony Alva only playing a supporting role while a wiener like Lief Garret got something of a starring role as a burgeoning member of the skate team. With Alva, they wouldn't have needed stunt men.

Manny Bloom is a washed up promoter of many failed opportunities. Owing a large debt to a bookie, he surmises that his only shot at squaring his arears is to promote a skate team. Now, being that this is the early days of skateboarding, Manny seemed like a fellow out of his mind for taking such a big risk on a sport that was still developing, never having had the extreme commercial following it does today. But Manny finds a bunch of misfit skateboarders (boys and girls) that he convinces to join a team with him as manager. As the story rolls along, Manny looks pretty pathetic, and fails to earn any respect from his team, which likewise have their own assorted problems. So, in that Mighty Ducks kind of tradition, he has to work hard with the team, so that they may win the championship that Manny has bet everything on.

Though terribly corny, the movie is a rather good look at the early days of skateboarding. More like when the sport modeled gymnastics as competitors in their goofy uniforms and flimsy protective gear rolled around on shiny maple floors with their twenty-four inch boards doing nose wheelies and hand stands. To think, Tony Alva, was part of the skating team (the Z-Boys of Dogtown) that competed against fool skateboarding like that and helped turn the entire skateboarding culture upside down (see the documentary, Dogtown and Z-Boys).

This movie is worth watching when there's skating on screen; too bad there's isn't more of it. Most of the screen time is taken up with the stupid, predictable plot, and I, too, found myself thinking that the stupid dialouge must have been improvised, plus I can't figure out how they managed to make 35mm film look so bad. Manny reminds me of the park owner from Kiss meets the Phantom, a fat loser frantically running around trying to figure out what's cool and then cash in on it. Perhaps more beer or bad behavior from the kids would improve this movie, too.

It's worth watching this just to spot Tony Alva (I can't believe he's in this turkey) and to see what skaters looked like in 1977. This movie was already a curiosity when I taped it off TV in the 80s.

The phenomenon of skateboarding which blossomed in the 70s gets a look in this G rated film about a down and out promoter who sees a bunch of kids doing their skateboard thing and turns them into a team. Allen Garfield stars as the promoter who gets to like the kids no matter how much he first sees them as just a cash cow.

Garfield's probably a decent enough guy under ordinary circumstances and considering what he does for a living. But these times aren't ordinary, Garfield is into Anthony Carbone for some bucks and then borrows some bigger bucks to promote the team. The leg breakers will be paying him a call if he doesn't succeed.

Which explains the pressures he puts on the kids to win although they don't understand it. Neither does Kathleen Lloyd, team nurse and guardian and all around confidante to Garfield though he levels with her.

Leif Garrett who was on the cusp of bubblegum stardom plays one of the kids and Garfield's eventual savior. The rest of the players are skateboarders first and barely handled the dialog.

Still it's skateboarding and Leif Garrett that people paid to see and Skateboard gives them their money's worth.

A low rent LA promoter Manny (Alan Garfield) latches onto a bunch of hotshot teenage skaters and turns them into a traveling skateboard demonstration roadshow entering lots of skating competitions to pay a debt back to Sol (Antony Carbone) his mobster type investor.

This is definitely a B movie with stilted acting and weak plot line but it is a fascinating piece of 1970's history chronicling for the first time on film the dramatic rise of the skateboarding craze. It features some of the early real life icons of skating only in their late teens who helped build the sport: Tony Alva, Richard van Der Wyk and Ellen O'Neill along with some excellent footage of skating in deep empty pools that was the forerunner to the big pipes that became a feature of the sport from the 80's on. The skating tricks pulled in the skater boys and throw in 15 year old Leif Garrett who was on the cusp of major stardom as blond eye candy for teen girls (actually Garrett did all his own skating stunts) and the movie wasn't a complete box office flop.

Anyone who grew up in the 70s is going to love the bell bottom jeans, big collared shirts, the proliferation of green and brown styles and short shorts. It also features cameos from WKRP Cincinnati star Gordon Jump and famous Hollywood 50s and 60s icon Orson Bean.