IMDb-BEWERTUNG
6,4/10
9227
IHRE BEWERTUNG
Sindbad der Seefahrer segelt, um angesichts des tödlichen Widerstands einer mächtigen Hexe einen verfluchten Prinzen auf eine gefährliche Insel zu bringen.Sindbad der Seefahrer segelt, um angesichts des tödlichen Widerstands einer mächtigen Hexe einen verfluchten Prinzen auf eine gefährliche Insel zu bringen.Sindbad der Seefahrer segelt, um angesichts des tödlichen Widerstands einer mächtigen Hexe einen verfluchten Prinzen auf eine gefährliche Insel zu bringen.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Pierre Mattocks
- Prince Kassim the Baboon
- (Nicht genannt)
Peter Mayhew
- Minoton
- (Nicht genannt)
Empfohlene Bewertungen
After having re-visited Harryhausen's Sinbad trilogy recently, I have decided that this one, overall, compares very favourably with the other two. It is the most epic of the trilogy and has the most ambitious storyline (POSSIBLE SPOILER) involving a voyage into a lost world hidden behind the ice sheets at the North Pole (no doubt an idea partly influenced by Disney's 1974 'The Island at the Top of the World').
The creatures in this one are the least spectacular of the trilogy (THE SEVENTH VOYAGE & THE GOLDEN VOYAGE have better and more spectacular ones) but Harryhausen's artistry is as great as ever and he really should have been given a special accolade for imbuing Kassim the Baboon and the Troglodyte with so much character. It really is remarkable watching them 'act'. Demanding kids may find the creatures disappointing but now that I am older I can appreciate the fine work that went into realising them. Harryhausen's puppet work possesses a tangibility that CGI is only just now coming close to emulating.
I also find that I care about the characters in this film and what happens to them. The woodenness of the acting and the dialogue of the previous 2 films in some way stopped me from caring very much. This picture does not suffer in the same way, as both acting and dialogue, while nothing special, are better here. Jane Seymour is also very easy on the eye and is the best looking Sinbad girl of them all.
Overall, highly recommended for young (but not very young) children and for adults who were kids when it first came out and want to recapture some nostalgic vibes. I feel that this one is best for a sense of epic adventure and empathetic characters, THE SEVENTH VOYAGE OF SINBAD is best for the monsters and THE GOLDEN VOYAGE OF SINBAD is quite possibly the best of the trilogy overall.
The creatures in this one are the least spectacular of the trilogy (THE SEVENTH VOYAGE & THE GOLDEN VOYAGE have better and more spectacular ones) but Harryhausen's artistry is as great as ever and he really should have been given a special accolade for imbuing Kassim the Baboon and the Troglodyte with so much character. It really is remarkable watching them 'act'. Demanding kids may find the creatures disappointing but now that I am older I can appreciate the fine work that went into realising them. Harryhausen's puppet work possesses a tangibility that CGI is only just now coming close to emulating.
I also find that I care about the characters in this film and what happens to them. The woodenness of the acting and the dialogue of the previous 2 films in some way stopped me from caring very much. This picture does not suffer in the same way, as both acting and dialogue, while nothing special, are better here. Jane Seymour is also very easy on the eye and is the best looking Sinbad girl of them all.
Overall, highly recommended for young (but not very young) children and for adults who were kids when it first came out and want to recapture some nostalgic vibes. I feel that this one is best for a sense of epic adventure and empathetic characters, THE SEVENTH VOYAGE OF SINBAD is best for the monsters and THE GOLDEN VOYAGE OF SINBAD is quite possibly the best of the trilogy overall.
I haven't seen many Sinbad movies, but this one I liked very much. I remember seeing the preview when I was younger. And I said to myself, "This movie looks like fun!" The animation in the movie gave it plenty of character. And Sinbad(Patrick Wayne) was a fine man as well. The witch(Margaret Whiting) was a very fiendish woman. She makes all other witches look like amateurs, especially when she used her sorcery. Her only flaw is when her re-transformation from a bird didn't complete itself. It's when her right foot is still a bird's. The growth formula was something when one of the bees drank it. and was later killed by Sinbad. Jane Seymour does a great job playing Princess Farah. She really knows how to control, and tame things that Sinbad couldn't do. The giant walrus, the golden minotaur, and a the vicious saber-tooth tiger gives the movie something to see. I think this movie is very watchable, and very entertaining. I wished it had gotten better reviews than it did. 3 out of 5 stars!
A film with animation by Ray Harryhausen. It's a pity he couldn't have animated Patrick Wayne, who's bland performance means he comes across as the least interesting Sinbad. It is Patrick Troughton's excellently enigmatic Melanthius and Margaret Whiting's icy Zenobia who are the real stars of this show.
Sinbad travels to find a way to break the spell which has turned a prince into a baboon, but Zenobia, who has plans to ensure her son is crowned king in the prince's place, calls upon the help of various mythical creatures. The minotaur is by far the best of these and ought to have faced Sinbad and his crew rather than just being crushed in an ignoble exit. Other memorable creatures include a giant walrus, insectoid-faced demons and a sabre-toothed cat. Though the central character of the title is somewhat lacking, this is still first-rate entertainment and genuine escapism, two things somewhat lacking in more recent films.
Sinbad travels to find a way to break the spell which has turned a prince into a baboon, but Zenobia, who has plans to ensure her son is crowned king in the prince's place, calls upon the help of various mythical creatures. The minotaur is by far the best of these and ought to have faced Sinbad and his crew rather than just being crushed in an ignoble exit. Other memorable creatures include a giant walrus, insectoid-faced demons and a sabre-toothed cat. Though the central character of the title is somewhat lacking, this is still first-rate entertainment and genuine escapism, two things somewhat lacking in more recent films.
Sinbad the Sailor voyages to the mythic northern realm of Hyperborea to restore a caliph from an evil witch's transformation.
Sinbad and the Eye of the Tiger, the follow-up to the classics The Seventh Voyage of Sinbad and The Golden Voyage of Sinbad, is an uneven conclusion to Ray Harryhausen's celebrated "Sinbad Trilogy". The troubled production began with a draggy script, budgetary restrictions and an inexperienced director; the film as released suffers from choppy editing, over-length and routine music scoring. One animation highlight (the giant walrus) is obscured by an optical snowstorm. The attractive cast performs listlessly and the villain is campy rather than truly menacing, although former "Doctor Who" Patrick Troughton is delightful as a befuddled wizard.
Yet, for all its flaws, Sinbad and the Eye of the Tiger remains an entertaining escapade in the old-fashioned Saturday-Matinée tradition. Costuming and settings are colorful and the film looks handsome in widescreen. The quest for the mystical Shrine of the Four Elements has a particularly epic quality with the usual eclectic blend of mythical elements set against the backdrop of the Arabian Nights.
Most importantly, Harryhausen's realistic stop-motion animation is as extraordinary as ever, with two of the animated-puppet creatures -- Kassim the Baboon and Trog the Troglodyte -- successfully functioning as actual communicative characters within the body of the story. Other wonders include insectoid demons, an over-sized mosquito, Minaton the Brass Minotaur and the saber-tooth tiger of the title.
Genuine movie fantasy is a rare commodity, and Ray Harryhausen's vision and conviction shine through the circumstances of production to make this a satisfying final visit to the land beyond Beyond.
Sinbad and the Eye of the Tiger, the follow-up to the classics The Seventh Voyage of Sinbad and The Golden Voyage of Sinbad, is an uneven conclusion to Ray Harryhausen's celebrated "Sinbad Trilogy". The troubled production began with a draggy script, budgetary restrictions and an inexperienced director; the film as released suffers from choppy editing, over-length and routine music scoring. One animation highlight (the giant walrus) is obscured by an optical snowstorm. The attractive cast performs listlessly and the villain is campy rather than truly menacing, although former "Doctor Who" Patrick Troughton is delightful as a befuddled wizard.
Yet, for all its flaws, Sinbad and the Eye of the Tiger remains an entertaining escapade in the old-fashioned Saturday-Matinée tradition. Costuming and settings are colorful and the film looks handsome in widescreen. The quest for the mystical Shrine of the Four Elements has a particularly epic quality with the usual eclectic blend of mythical elements set against the backdrop of the Arabian Nights.
Most importantly, Harryhausen's realistic stop-motion animation is as extraordinary as ever, with two of the animated-puppet creatures -- Kassim the Baboon and Trog the Troglodyte -- successfully functioning as actual communicative characters within the body of the story. Other wonders include insectoid demons, an over-sized mosquito, Minaton the Brass Minotaur and the saber-tooth tiger of the title.
Genuine movie fantasy is a rare commodity, and Ray Harryhausen's vision and conviction shine through the circumstances of production to make this a satisfying final visit to the land beyond Beyond.
Enjoyed seeing this film after first viewing this film in 1977 and was spellbound and enjoyed the great acting of Patrick Wayne,(Sinbad) who manages to accomplish his task against the forces of Evil vs. Good. Taryn Power, (Diane) was very beautiful in her supporting role along with Margaret Whiting, (Zednobia). Sinbad has to face the evil powers of a wicked witch who uses all her powers to prevent Sinbad from carrying out his mission. It was nice to see Jan Seymour, (Princess Farah) who was very young and just starting out on a great career on the Silver Screen. In 1974 I really enjoyed that Sinbad film and this was even better when I first viewed this in 1977, it brought back fond memories, however, I love the films today and all the great graphics. This was just a look back at movies we thought were outstanding. They STILL ARE!
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- WissenswertesAn uncredited Peter Mayhew is the live suit actor stand-in for the stop-motion Minaton (the bronze mechanical minotaur), whose name is a portmanteau of "minotaur" and "automaton." Before filming, Mayhew was a hospital attendant at King's College Hospital in London. Producer Charles H. Schneer saw Mayhew's photo, in which he was literally standing above the crowd around him. This was Mayhew's very first role, right before his more famous role of Chewbacca in Star Wars: Episode IV - Eine neue Hoffnung (1977). Both films were released in 1977, and "Star Wars" was released three months before this film.
- PatzerWhen Zenobia's son is killed and she goes down the steps to see him at the end of the film, you clearly see she is wearing two shoes and no longer has the bird's claw on her right foot.
- Crazy CreditsThe opening and closing titles appear over the crowning ceremony of Prince Kassim.
- VerbindungenFeatured in Science Fiction Film Awards (1978)
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- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Sinbad and the Eye of the Tiger
- Drehorte
- Petra, Jordanien(Melanthius' castle)
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- Budget
- 3.500.000 $ (geschätzt)
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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