Die Liebesbriefe einer portugiesischen Nonne

Father Vicente (William Berger) catches pretty 15-year-old Maria (Susan Hemingway) flirting with her boyfriend, and has her sent to a convent where he can keep a closer eye on her. No sooner than she is cloistered, Maria is subjected to abuse, ultimately being forced to take part in a Satanic orgy, Vicente and the nuns all being followers of the devil (who makes a special personal appearance to take Maria's virginity!).

I admit it: sometimes—okay, quite a lot of the time—I'm just not in the mood to labour over a really in-depth and informative movie review, and am just happy to rattle off some old rubbish to get it out of the way. I imagine this is how director Jess Franco must have tackled a lot of his films… just get the bloody thing in the can and start the next one. Sod the quality!

Not so, however, with Love Letters From A Portuguese Nun, which feels like the director actually tried to make something a little more stylish than his usual dross: the locations and scenery are beautiful, the cast are half decent (there's no Lina Romay, whose 'beauty' I simply cannot comprehend), and the cinematography is classier than usual (fewer rapid zooms and out of focus shots). Hell, even the title is fancy schmancy.

Unfortunately, at the end of the day, behind this semblance of style, it's business as usual for Franco, his film ultimately being another predictable slice of sleaze, with the vaguest of plots to string together the obligatory scenes of lesbianism, masturbation, orgies and torture, all of which eventually gets very boring. As Franco films go, this is far from his worst, but there are far better nunsploitation films out there (School of the Holy Beast and Sister Emanuelle spring to mind).

Ken Russell's classic "The Devils" (1971) almost gave birth to a new genre of the exploits of sex starved and repressed nuns. "Love Letters Of A Portuguese Nun" is together with "Flavia The Heretic" one of best and it's also one Franco's most exciting. A teenager is caught kissing with her boyfriend by an evil priest who talks her mother into sending her sinful daughter to a convent. From the first day and all through the movie the poor teen is put through one sexual humiliation after another (incl. sex with satan who has one horn in the forehead!?!). It's sleazy as hell but also very done, beautifully shot, good locations and wellacted. "Love Letters.." could also be seen a comment on religion (Franco with a message?!?!). A must for fans of stylish European 70's smut!

Jess Franco's "Love Letters of a Portuguese Nun" is the perfect film to show anyone who thinks all that Jess Franco is capable of is zooming in and out of tasteless sex scenes. Instead of his usual epileptic zooms, the cinematography in this is measured and carefully composed. The acting is also another plus. William Berger's portrayal as the Father Confessor is the epitome of slime and pretense. Let's not forget Susan Hemingway and her effortless performance as the innocent heroine of the title. In closing, this is a MUST-SEE picture and proof that Franco could make a film that would cater to the arthouse crowd.

The first I've seen of the films Jess Franco made for producer Erwin C. Dietrich and, frankly, one of only three or four I'm really interested in (the others being DORIANA GREY [1976], JACK THE RIPPER [1976] and SEXY SISTERS [1977]). Having viewed this immediately after THE DEMONS (1972), I'm thankful it has proven to be a whole lot better, thus living up to its unanimously positive reputation online ever since it was released on DVD; definitely one of Franco's best (currently ranking at No. 7 out of only 18 I've watched so far).

From the very first moments (starting off with a much more fitting 'medieval' score than THE DEMONS' eclectic if messy soundtrack), the film conveys both its seriousness of intent (neither THE BLOODY JUDGE [1970] nor THE DEMONS could be taken as anything but fanciful peeks into this controversial yet intriguing time-frame) and its artistic bent (certainly among Franco's most gorgeous-looking films, evident even in the VHS copy I viewed). The film is very well directed for the most part: stylized but highly effective framing (notably the shot where William Berger is forcing himself onto Susan Hemingway) and positioning of actors (the orgy where Hemingway is again raped, now by Herbert Fux's devil incarnate, while all the time her head is resting on Ana Zanatti's shoulder, who seems to be getting her sexual kicks by proxy!). The nick-of-time ending is effectively handled as well, especially its fading out on the two villains' apprehension – leaving their eventual fate, as it were, to each and every member of the audience!

The acting of the three principals is terrific:

· Susan Hemingway manages both the character's inherent innocence as well as her determination to put a stop to all the evil at the Abbey (I quite liked the fact that when she finally escapes, we are not shown how she achieves this, and also the matter-of-fact yet rather moving way her 'love letters' are eventually picked up) [Brief parenthesis: I look forward to seeing more of her in Franco's SINFONIA EROTICA (1979), paired with the equally scrumptious Lina Romay who, incidentally, appeared in a remake of LOVE LETTERS OF A Portuguese NUN made by Jorge Grau in 1978!]

· William Berger as the sickest priest ever to hit the screen (far more damaging than the befuddled monk played by Jack Palance in MARQUIS DE SADE'S JUSTINE [1968]), who immediately demonstrates he is adept at persuading virtually anyone to do his bidding (the calm way he haggles Hemingway's poor and impressionable mother out of her savings at the beginning of the film, for instance, but also the girl herself during a humiliating confession scene that just about manages not to topple over into unnecessary grossness and emerges, in fact, as one of the film's highlights)

· Ana Zanatti, however, matches Berger with her proud (and evidently possessed) Mother Superior-cum-High Priestess, creating what is perhaps one of Franco's most fascinating female villains

What I couldn't quite figure out initially about LOVE LETTERS OF A Portuguese NUN is its apparently schizophrenic nature: while it takes the utmost care in establishing period atmosphere and the mood of specific scenes, and doing so with great subtlety (as in the almost subliminal but potentially repugnant shot where Hemingway's face is hit by a rush of semen), the film then goes overboard with its frequent depiction of sexual activity among the nuns and their unmitigated devotion to Satan (as if the agenda of this so-called Abbey hadn't been made blatant already!). That said, the scene where Zanatti painfully confirms her 'faith' (which reminded me of a similarly excruciating moment in the last of the Hammer horror films, Peter Sykes' contemporaneous TO THE DEVIL…A DAUGHTER [1976]) is well done – as are, in fact, the various tortures to which lovely Susan Hemingway is subjected for her defiance of the 'house' rules. [In any case, Francesco Cesari once again came to the rescue for me, putting the sex scenes in their proper context which is that, in their pursuit to 'demonize' sexuality, the Catholic Church has rendered the Devil a sexual object leading to a general perversion in sexuality – which 'disease' actually sprang from within the convents themselves! Apart from this, Francesco has rightly observed that, before we even get to see how truly evil they are, the characters of Father Vincent and Mother Alma are themselves depicted in the film as wretched human beings – indicating, in this way, that they are as much victims of this same culture as anyone else!]

I wouldn't mind buying the film on DVD (in view of the proper Widescreen ratio and VIP's restoration efforts) though the price-tag of the Swiss DVD is set rather too highly for my tastes; I only hope, therefore, that Anchor Bay UK (a DVD is planned for a February 2004 release) can pull this one intact from under the BBFC's scrutiny…

Much as Franco's THE BLOODY JUDGE was made in the wake of the classic WITCHFINDER GENERAL (1968), his THE DEMONS and LOVE LETTERS OF A Portuguese NUN emerged from the relative success and eventual cult-status of Ken Russell's original 'nunsploitation' epic THE DEVILS (1971); I wouldn't say that Franco necessarily did a better job of it but, thankfully, his efforts did not prove so hysterical as Russell's either! (Actually, watching these two films has reminded me that I've yet to pick up Walerian Borowczyk's similar BEHIND CONVENT WALLS (1977) on R2 DVD from Nouveaux Pictures.)

P.S. The film's 'message' is still timely, especially since here in Malta a sex-scandal was recently unearthed involving priests' abusing of their young male charges(!); incidentally, the religious order involved is affiliated with the Secondary school which my brother and I attended between 1987 and 1992 – come to think of it, once we even spent a whole week-end at their convent!!

Tsk, tsk…. My poor, old and deeply religious granny should know what I'm watching here. Nunsploitation! Foxy looking nuns doing tricks with their willing and ravishing bodies, in blood-soaked and satanic-themed movies! Blasphemy, my old granny would call it…and she would be right as well. Call it what you want …it's still fun! It's pretty deranged to see a bunch of nuns bringing sacrifices to Satan. And it's even more messed up to see Lucifer actually appear then and sexually violate an innocent young disciple. Who else than Jess Franco could have been responsible for this? The Godfather of Sleaze tried out every subgenre of eurohorror in his long, fertile career and this stylish, well cinematographed film represents his bizarre nun-fantasies. A young girl named Marie – played by Susan Hemingway – is caught fooling around with her boyfriend by a frustrated priest. He intimidates her poor mother to force her into a convent. The nuns there, led by Alma Mater Ana Zanetti (who looks a lot like an exquisite version of Susan Sarandon, take unusual interest in her young and sensual body. Lovely convent this is! Mother Superior is a horny devil-worshipper and the priest is a perverted masturbator! Which brings me to the MESSAGE of this film! Yes indeed, message! Jess Franco's films don't often carry a message but this `Love Letters from a Portuguese Nun' does. Franco directly criticizes the historical hypocrisy of the Catholic Church and shows how Catholic superiors abused their powers. This really is one of Franco's finest achievements. Although the film exaggerates extremely when it comes to sleaziness and absurd situations, it also brings forward a lot of style and beauty. The acting is above average and the locations are beautifully chosen. The best aspect about the whole film is the truly magnificent music by Walter Baumgartner, who made a career out of filling exploitation soundtracks. Love Letters from a Portuguese Nun may not be top-quality cinema, but it shows a lot of goodwill and depth. And it's beautiful to look at. Hallelujah!