Eine Reise nach Liliput

This part-animated version of Jonathan Swift's novel predictably concentrates only on the early section in Lilliput and inevitably blunts the satirical intention of the original.

One of a seventies slew of underwhelming vehicles for Richard Harris. In addition to being rather light on the charm, Harris certainly brings little subtlety to the part. But the supporting cast contains a number of surprises.

The originality, strangeness, and mild humor that turned Jonathan Swift's novel, Gulliver's Travels into a classic is not captured at all in this poorly made adaptation of the novel. Please, save the risk of runing the book, and avoid watching this film. Trust me.

I had watched this on Italian TV as a kid and recall being fond of it – in view of its mixing live-action with animation; however, it was universally panned at the time…and, catching up with it again after all these years, I have to admit that the critics were right!

What must have seemed wondrous to a child's eyes is actually very poorly done, not to mention boring for a fantasy-adventure; fatally, both star (ex-'Angry Young Man' Richard Harris) and director (action expert Hunt) are ill-suited to the material! At least, Michel Legrand's score (with lyrics provided by scriptwriter Don Black) is serviceable – if not exactly inspired. By the way, a number of well-known personalities are featured among the voice artists on this British-Belgian co-production (Julian Glover, Bessie Love, Murray Melvin, Robert Rietty, Vladek Sheybal, Graham Stark and, this being his last film work, Michael Bates).

While the essential plot points of Jonathan Swift's classic novel ('giant' Gulliver becomes the pawn in a war between the little people of two neighboring countries and, on escaping, ends up in a land of real giants) do emerge here, it's done on a strictly kiddie level (with stereotyped characters though, thankfully, little intrusion of the comic/romantic variety) – which renders the whole venture somewhat pointless, outside of its intrinsically experimental nature, since Max and Dave Fleischer had already done a splendid feature-length cartoon version of the book way back in 1939!

I have to disagree with the only comment listed. This movie is not the best adaptation of the novel by any means though it is significant in that it was one of the early movies to use animation to the effect seen in this move; that is, mixing real life actors with animated characters. It pulls this off spectacularly. The problem is more to do with the dialogue and pace which is, at times, tiring. I watched this as a child and always had a soft spot for it, as I now know other children to have the same. This isn't a horrible movie, it should certainly not be overlooked in my opinion. It certainly should be bought at a car-boot sale though!

I don't know why and what everyone is complaining about in here.. Personally as a child i loved it so much i still remember some of it and want to watch again now as an adult but of course adults would have another point of view now for a 1977 children's movie.