Die Stimme des Todes

Directorial debut for Antonio Bido and it is quite good for being that. Here in this late 70s Italian Giallo we see a pharmacist is killed, but Mara (Paola Tedesco) witnesses the murderer leaving the scene. Soon she believes she is being stalked by the murderer. Good thing her chain-smoking, cigar chomping boyfriend (well played by Corrado Pani) is there to help investigate.

I found quite early in my viewing that this was influenced heavily by Dario Argento's work from the 70s. Right down to the music is heavily influenced by Goblin (most notably the DEEP RED soundtrack). Music is done by Trans Europa Express and it is quite good. One problem I found is that it is a somewhat talky film. When there should be action happening sometimes the actors start firing out dialogue. But, in the end you do get your delicious twist to cap the film off. There is one quite interesting murder I found being committed in a bath tub. Worth seeing if you can find and if you are into giallo films chances are you will enjoy.

Purely by coincidence, I found an old & dusty videotape in the horror closet of an acquaintance of mine and the cover displayed the bizarre title (in Dutch) "Revenge of the Cat". I had to perform a search on the actors' names in order to find out that it actually was "Watch me when I Kill" (a.k.a. "The Cat's Victims", a.k.a "The Cat with the Jade Eyes") and initially that was a pleasant surprise, since this Italian late 70's giallo has been on my purchase list for quite some time now! After seeing it, I'm even more glad that I didn't spend money on a fancy DVD-version, as it is quite a disappointing and overly confusing horror effort. Surely not the worst film of its kind, but pretty bleak compared to the works of Sergio Martino or, of course, Dario Argento. The main problem with Antonio Bido's film is that it makes absolutely no attempts to involve the viewer in the search for the maniacal killer. Someone, who stays off screen all the time and deforms his voice whenever he leaves messages to his next victims, is seemly randomly killing people and it nearly takes half of the movie before we get informed that all the victims sat in the same jury committee during a lawsuit against a criminal who recently escaped from prison. That still doesn't reveal the killer's identity, but at least you can guess along from this point. Due to the lack of background during the beginning, "Watch me when I Kill" often feels a bit slow and dull. There's not much atmosphere and ever fewer tension, and the private detective character isn't the least bit amiable. The murders, on the other hand, are lusciously gore, with a close-up slit throat, a woman suffocated in a dish of food and the must brutal strangulation I ever saw. The cinematography sadly is too dark, although that might have been due to poor videotape quality, but the score is terrific (probably the best thing about the entire film) and the climax is fairly surprising.

A series of brutal and bizarre killings takes place.When Mara witnesses one of the murders the black-gloved killer starts terrorizing her-she turns to her boyfriend Lukas for assistance.But will he be able to uncover the culprit before his girlfriend becomes the next victim?Antonio Bido's "Watch Me When I Kill" is an enjoyable giallo,albeit heavily influenced by Dario Argento's works,especially "Deep Red".The film is an above-average effort filled with enough suspense and shocks to satisfy fans of Italian horror.Surprisingly effective murder scenes are another reason to check this film out-in particular,the muder of Fernando Cerulli in a bathtub,set to opera music,would make Dario Argento proud.The performances are pretty good and it's nice to see Fulci's veteran Paolo Malco in one of the main roles.8 out of 10.

I just watched Watch Me When I Kill this evening and found it to be a very good film. This woman stops by a chemist to pick up some painkillers. she is told to come back another day by some voice she hears. the chemist is lying dead in the back of the shop. so she is now involved in a murder case. there were some quite gory senses with throat-slitting, and strangulations, apart from that i found it to be a very good storyline. I though that the director of the film, (Antonio Bido) did i very good job in making the film, i found the storyline to be quite gripping to watch as the story made sense more than some other Italian horrors that i have seen. Good Movie: Recommended

Not the most shocking, nor the most bloody, nor the most stylish of giallo, but it's likable enough and is just that little bit different. Much helped by a very decent performance from Corrado Pani as the cigar chomping guy who seeks to unravel one of the most complicated of tales. Far too many characters and just a few too many red herrings and yet it does keep going and if Paola Tedesco as the female lead does not match the performance of Pani, this may be the fault of the dubbers. Not awash with killings, what there are, are very good. The first one is a bit pedestrian but the fantastic bath scene killing and the one backstage with all the costume are worth the admission price and if the ending is a bit abrupt, it is conclusive and brought a smile to my face. Effective score.