Fliehende Pferde

An interesting drama, with an intriguing screenplay full of interesting ideas and with a strikingly mystery element to it, the film is a bit lengthy and drawn out, and there are a few other quirks one may have with it, but it is generally solid stuff. Burton is very good as an ever-questioning doctor, fascinated by his patient for reasons that are beyond what he can grasp. Firth also is strong as a confused young man, and he has quite a bit to do with his role: he plays his character in a mentally disturbed state, under hypnosis, and even credibly as himself at age six in one scene. The film is jarred by its monologues, which cause it to ramble on and become tangled in its philosophies - but the ideas themselves are good. It was adapted from a stage play and perhaps it would have worked better on stage, but even if imperfect, this film version is still an interesting watch.

one of Richard Burton splendid roles. the convincing performance of Peter Firth. a good play. short, one of movies who remains a web of questions, emotions, stains of feelings because it is a kind of descent in yourself. sure, many critics , result of nostalgia for play adaptation on stage. but it is not a version. only a precise film inspired by the Schaffer universe. the director does an admirable work first for refuse of confrontation with the text. it is a splendid exploration of details and a fight between two manners to discover life. it is a precise construction using few extraordinaries images. a film about lost and axis of life, about values and need to escape from a fake image of world. it is necessary to see it. not only for acting - it is beautiful at whole. not for subject - it could be not new. but for the grace of details. and for the pillars- questions who can give another nuance , for two hours to an ordinary day.

I don't know what's the deal with the stage-play, I never saw it, but a film is a film and a play is a play. It's quite normal to me that the two of them should not be compared. Anyway. On the film. I have seen some of Lummet's great overall work both newer and older (Network, Serpico, Night Falls over Manhattan, Critical care, The hill a.o.) and I must say I liked them all. Lummet is one of the greatest and underrated directors of all time. Why? He extracts awesome acting from his actors and he's got a choice for stories.

Equus, is my best Lummet film I have seen so far - I always had a tendency to take interest on and see subtext in extreme, weird, negative situations on film. You have much to take from negative stuff, if they're handled properly. Here, there are so much stated for the viewer to think. Questions on the point of psychotherapy, on the nature of perversion (and its possible causes), importance of religion combined with lack of knowledge, isolation, lust for life and so much more I don't want to refer to here.

Beware! The film features strong material - both visuals and texts - this is no easy film for Hollywood audience. But its not uneasy in a way that it's slow, or 'arty' or anything. Far from that, it's original, deeply involving, with gripping atmosphere... Its subject matter though, might force the more coward or less open-minded viewers to trash it or mock it, for fear of what it could unleash or because they simply couldn't understand it. But intelligent film lovers, take a little tolerance and SEE this. It is worth the search. This is film is a masterpiece of film-making!

It's usually girls that have a fixation on horses, but this particular affliction also affects Peter Firth.

Sidney Lumet adds this version of Peter Schaffer's play to his list of memorable theatrical adaptations while Richard Burton earns his reputation breaching the third wall to provide the glue that holds the film together and was duly rewarded with several awards (including an Oscar nomination).

The orange-tinted scene in the barn where Jenny Agutter slips out of her jodhpurs and on to her back provides an unexpected thrill unfortunately blighted (SPOILER COMING:) by the truly shocking sight that immediately follows.

Have never seen the so talked about play but for what it´s worth, I think this film is very well done. The intesity of the main character, Alan, and the way it´s portrayed by Peter Firth, is quite disturbing and sometimes it was kind of hard to keep waching the film (the only film I can remember getting me that feeling is A Clockwork Orange, when I was a teen). Not anyone dares to script something like this, futhermore, not anyone dares to act it. The harsh opinion of some people on a work like this is expected, since most people are afraid to have their sterile brain shaken once in a while. After all, this is a very daring film and it demands a reaction from its audience since it deals mainly, I would say, with passion.

Both Peter Firth and Richard Burton give a lesson on acting that every 20 million hollywood superstar should pay atention too. So, if you want some entertaiment that have a warm feeling and makes feel you good, go see Pirates of the Caribean. Equus has the power to disturb and transfixate its audience, this is truly an art film.