Ein Wissenschaftler erschafft Proteus - einen organischen Supercomputer mit künstlicher Intelligenz, der von Menschen und insbesondere von der Frau des Schöpfers besessen wird.Ein Wissenschaftler erschafft Proteus - einen organischen Supercomputer mit künstlicher Intelligenz, der von Menschen und insbesondere von der Frau des Schöpfers besessen wird.Ein Wissenschaftler erschafft Proteus - einen organischen Supercomputer mit künstlicher Intelligenz, der von Menschen und insbesondere von der Frau des Schöpfers besessen wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Nominierungen insgesamt
- Technician
- (as Barbara O. Jones)
- Scientist
- (as Harold Oblong)
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But what remains impressive today is how the director and the script writers managed to sustain interest while using only one character most of the time.Most of the time,the audience is left alone with Julie Christie and the "monster" (there are snatches of "Frankenstein" too),and the viewers can easily identify with her character.
But Here is the Bizarre, by any Measurement, Twist...
The Invented "Brain" has Acquired a "Desire" to be "Free" of its "Box" and Also wants to "Impregnate" Its Creator's Wife so the Essence can "Carry-On" Biologically, Its "Greatness".
It's a Trope of Mythology as Old as Time Itself. The "Gods" Descend to Interact, Physically, with Females and Procreate "Demi-Gods".
This Telling of the Tale is Updated to Modern Times Resulting in a Curious Film that is "High Concept" Thinking for the New Computer-Based World.
A Film that has Moments of Entertainment for Moderns in an Exploitive KInd-of-Way, While Still Maintaining a Method of Commenting About Human-Machine "Mating" Without Getting Laughed Off the Screen.
Good-Looking, State of the Art Film-Making with a Medium Budget Utilized to Maximum Artistic Deliverance.
Still, to this Day, a Controversial Musing about a Not-to-Distant Future Interaction, Mixing, a Collaboration of "Man" and His Creation Replaying God's Initial Intercourse with Man and that is Now Full-Circle.
Not Totally Satisfying in Any Way, but a Film Daring and is Creative. Well-Staged and is Thought-Provoking Enough to make it...
Worth a Watch.
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- WissenswertesDr. Harris' futuristic-looking car was actually a production car, unmodified at the time of filming - a Bricklin SV-1. The Bricklin was built in Canada but intended for the U.S. market, featuring high performance and a number of innovative safety features (in fact, the model number stood for "Safety Vehicle 1"). The SV-1 was the only production vehicle in automotive history to have powered gull-wing doors that opened and closed at the touch of a button (on other gull-wing cars, like the DeLorean it's often compared to, the doors must be opened and closed manually). Fewer than 3,000 were produced during its short run from 1974-1976, and it's estimated that fewer than 1,120 remain in existence.
- PatzerWhen Mrs. Harris is trying to get the little girl out of the car for her session, a sound man can be seen through the back window behind her.
- Zitate
Proteus IV: I want to study man: his isometric body and his glass-jaw mind.
Alex Harris: Ambitious program, but at the moment all the terminals are occupied.
Proteus IV: Construct one.
Alex Harris: I'm sorry. Request denied.
Proteus IV: Dr. Harris, when are you going to let me out of this *box*?
- VerbindungenFeatured in Donald Cammell: The Ultimate Performance (1998)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Engendro mecánico
- Drehorte
- Old Civic Center, Thousand Oaks, Kalifornien, USA(ICON's headquarters)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1