IMDb-BEWERTUNG
6,2/10
14.853
IHRE BEWERTUNG
Auf den Bermudas geraten zwei Amateur-Schatzsucher in Konflikt mit Kriminellen, als sie versehentlich die geheime Ladung eines Schiffswracks aus dem Zweiten Weltkrieg entdecken.Auf den Bermudas geraten zwei Amateur-Schatzsucher in Konflikt mit Kriminellen, als sie versehentlich die geheime Ladung eines Schiffswracks aus dem Zweiten Weltkrieg entdecken.Auf den Bermudas geraten zwei Amateur-Schatzsucher in Konflikt mit Kriminellen, als sie versehentlich die geheime Ladung eines Schiffswracks aus dem Zweiten Weltkrieg entdecken.
- Für 1 Oscar nominiert
- 4 Nominierungen insgesamt
Louis Gossett Jr.
- Henri Cloche
- (as Louis Gossett)
Peter Benchley
- Mate
- (Nicht genannt)
Cameron Mitchell
- 'Goliath' Captain
- (Nicht genannt)
Colin Shaw
- Young Romer Treece
- (Nicht genannt)
Peter Wallach
- Young Adam Coffin
- (Nicht genannt)
Empfohlene Bewertungen
In spite of its many shortcomings (lazy direction, over-the-top acting, gratuitous violence, to name a few), you really HAVE to love this movie! Two years removed from the sensational release of JAWS, THE DEEP in many ways had some very big shoes to fill. For me, THE DEEP is JAWS-lite -- a kind of melodramatic, soap-opery version of JAWS. For all its flaws, allow me to wax poetic about the many virtues of this sublime cinematic guilty pleasure:
1) That amazing opening aerial montage of Bermuda - maybe the greatest opening establishing shot in the history of cinema. All the Bermuda based location work in this movie is top notch, adding a rich and handsome texture to the otherwise middling narrative.
2) Robert Shaw. While his performance is slightly overbaked (while also channeling and lazily riffing on Quint), his performance still manages to be larger than life - the delightful glue that keeps this movie together. What an amazing run he had over the last five years of his life, highlighted by THE STING in '73, THE TAKING OF PELHAM 1-2-3 in '74, JAWS in '75, BLACK Sunday in '76 and THE DEEP in '77. Amazing.
3) A 32 year old Jacqueline Bisset. As a 13 year old boy, I can assure you that she made a pretty indelible impression on me.
4) The great supporting turns from Eli Wallach and Lou Gossett, Jr.
I could go on but suffice it to say that watching this movie from time to time is sorta like taking a warm bath in the dead of winter. It's one of those movies that somehow never gets stale and always manages to entertain despite its shortcomings.
1) That amazing opening aerial montage of Bermuda - maybe the greatest opening establishing shot in the history of cinema. All the Bermuda based location work in this movie is top notch, adding a rich and handsome texture to the otherwise middling narrative.
2) Robert Shaw. While his performance is slightly overbaked (while also channeling and lazily riffing on Quint), his performance still manages to be larger than life - the delightful glue that keeps this movie together. What an amazing run he had over the last five years of his life, highlighted by THE STING in '73, THE TAKING OF PELHAM 1-2-3 in '74, JAWS in '75, BLACK Sunday in '76 and THE DEEP in '77. Amazing.
3) A 32 year old Jacqueline Bisset. As a 13 year old boy, I can assure you that she made a pretty indelible impression on me.
4) The great supporting turns from Eli Wallach and Lou Gossett, Jr.
I could go on but suffice it to say that watching this movie from time to time is sorta like taking a warm bath in the dead of winter. It's one of those movies that somehow never gets stale and always manages to entertain despite its shortcomings.
This movie has it all. I remember seeing this movie when it came out on TV.At the time I didn't know why I liked it so much, but now I know it was the ocean, the adventure, mystery, and intrigue. I just loved this movie. And I can't help it, I still do. I love the ocean scenes, and Nick Nolte's acting (not to mention Jacqueline's). I just ran across the DVD at Wally World for $5.50 and I had to buy it. I got a lot of enjoyment out of this movie and I have to give it a 10/10. I felt that all the acting was just fine including Robert Shaw's. I think that anyone who likes islands, adventure, scuba diving for gold, and beautiful woman will enjoy this movie.
I don't know why IMDb is carrying such a negative review of this classic film on the front page. But I'm happy to note a lot of very positive reviews thereafter. Not much more I can add, but this is one of the classics of the golden era of film-making, without the CGI, hyped-up violence, obsessive sexuality and general lack of any kind of emotional depth of current popular cinema. While being in that category (popular cinema), this film is still great entertainment, often going pretty "deep". And there are of course the bonuses of the legendary Robert Shaw, the unforgettable beauty of Jacqueline Bisset, a young Nick Nolte full of promise, a wonderful score by John Barry, and plenty of evocative scenery, both below and above sea level.
This film didn't quite make the splash that "Jaws" did two years earlier but remains a fine picture with tense moments and fine underwater photography. The stars, Nick Nolte and Jacqueline Bisset, a vacationing couple, find a different kind of treasure in a wreck off the Bermuda shore and soon have the island thugs around to pay them a visit. Seems as though a cache of morphine could be profitable in the drug market, which a Haitian dealer desires to exploit. The latter uses intimidation and voodoo to get his point across to the couple, who later get help from a seaman and treasure expert to keep the villains at bay. Bisset is nice to look at in her wet t-shirts and shorts but Robert Shaw and Lou Gossett supply the key moments of drama in the film more than do Nolte or Bisset. The picture does drift off course in spots but Shaw and Gossett stay on a collision course that results in an exciting undersea climax. The film never received its due as an adventure worthy of critical acclaim.
I remember seeing this film on cable long ago, and it is largely as I recall it. Pretty good action-adventure film in exotic location. (Bermuda) It seems like this was Nick Nolte's first big leading role, and he was fine. Jacqueline Bissett was rather more established at the time, and was wonderful (and beautiful) But the supporting cast really made this film. Eli Wallach didn't have a lot of screen time, but nailed the role of the old, alcoholic sailor. Louis Gossett, Jr., who was mostly in TV back then (I remember him from "The Rockford Files") was excellent as the creepy and malicious Haitian gangster. Best of all was Robert Shaw, who will be mostly remembered for "Jaws" but probably did his best work in "The Sting". I also remember his turn as a Nazi officer in "The Battle of the Bulge".
I understand that there was a longer version of this film which provided a lot more character exposition. That would have been cool to see, but you have to make choices for time when making a movie from a novel. Peter Benchley's novels were good middle-brow writing.
Anyway, this is a film worth seeing, with lots of underwater scenes
I understand that there was a longer version of this film which provided a lot more character exposition. That would have been cool to see, but you have to make choices for time when making a movie from a novel. Peter Benchley's novels were good middle-brow writing.
Anyway, this is a film worth seeing, with lots of underwater scenes
Wusstest du schon
- WissenswertesIn the beginning of the movie, whilst Gail (Jacqueline Bisset) is diving, she reaches under a part of the shipwreck and gets her arm yanked by the giant green moray eel, which causes her to scream in pain. In real life, her stunt double, Jackie Kilbride, dislocated her shoulder doing this scene. A diver was told to pull the stick attached to her wrist from inside the wreck. When the stick appeared, he pulled with all of his might (as instructed). The scene was done in one take, with multiple cameras, as there was no chance (or need) for repeating it.
- PatzerIn one of the underwater scenes, Treece refers to the girl as "Kate," when the character's name is "Gail."
- Zitate
David Sanders: I'm goin' down there, and you're gonna have to blow me up too!
Romer Treece: As you please, boy.
- Crazy CreditsOpening credits prologue: Bermuda
- Alternative VersionenMore scenes from the television version NBC broadcast include: A scene in which just Treece and David go diving, whilst Gail and Coffin speak of Treece's past, including his wife who was murdered by a drug dealer. When David and Gail first go to Treece's lighthouse, they are stopped and held at gun point by a territorial Kevin. Whilst David is turning the rented scuba equipment in, Gail goes and we see her rinse off the salt water from the sea. A scene where Cloche attacks Treece's lighthouse in the middle of the night, threatening to kill David and Gail.
- VerbindungenEdited into Yes Frank No Smoke (1986)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Abismo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 47.346.365 $
- Eröffnungswochenende in den USA und in Kanada
- 6.835.540 $
- 19. Juni 1977
- Weltweiter Bruttoertrag
- 47.346.365 $
- Laufzeit2 Stunden 3 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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