Come Play with Me

this makes the worst Carry ON movie look like Classic Billy Wilder.George Harrison Marks is the most awful actor ive seen though his performance does make you laugh at him.the script is rotten and the song is one of the worst in movie history.1 out of 10

COME PLAY WITH ME is an astonishingly awful British sex comedy from George Harrison Marks, never known for making quality productions in the first place. This one's an interminable nudie feature set in a health resort, where various characters come together and butt heads in a story I can't make head nor tail of. The astonishing thing about all this is the number of well established and familiar faces they've roped into appearing; you don't expect the likes of Irene Handl and Alfie Bass to feature but here they are, dragging their reputations through the mud all the same. Non-stop nudity from the likes of Mary Millington does very little to make up for the appalling quality of this deeply unfunny production.

This movie - which amazingly was a box office smash in the UK in the late 70s and early 80s (it ran non-stop between 1977 and 1981 in London's West End) - embodies everything that was bad about British so-called `sex films' of the era - namely a lame and tedious plot, a second-rate cast of comedy has-beens and never-were's, poor acting and very little actual sex and nudity. A version of the film containing very steamy and explicit sex scenes was actually shot, but in the puritanical climate of late-70s Britain with its notoriously restrictive anti-porn legislation sometimes known as the `Limp Dick Laws' (and sadly things haven't really changed much in the intervening 20-odd years), this was deemed unacceptable for screening to UK cinema audiences and never saw the light of day (no sex please – we're British!!). Instead, the only version of this movie that has ever been released is this sorry excuse for a film, which concentrates more on the pathetic, supposedly `funny' antics of a group of elderly crooks and the septugenarian matron at a health spa, being brightened up only occasionally by stocking-clad beauties portraying nurses. These girls are the film's only redeeming feature and indeed they should have been what the movie was all about. Instead, the few (I think there are about 4) short `sex' scenes have been so brutally edited that they come to a sudden, grinding halt just as things are getting warmed up, and we're back to the silly goings-on involving the `comedy' characters. And silly they truly are. It's almost painful to watch sometimes, encapsulting stupid, slapstick `mucky postcard'-style antics in the very worst traditions of the equally lamentable `Confessions' and `Carry On' movie series of the same era. The publicity blurb surrounding the movie at the time of its release claimed that it was `entertainingly funny and blushingly saucy', `fantastically erotic', `the sexiest sex comedy screened' and `of a highly explicit nature'. The makers should have been hauled before the courts on charges of multiple violations of the Trade Descriptions Act, because it is nothing of the sort. According to a recently published book about one of the film's more glamorous stars, the late and sadly missed Mary Millington, only one print of the uncut and unseen version is known to still exist, which is a pity. It's perhaps being a little optimistic to hope that this will one day appear on DVD as a more fitting testimony to the Mary Millington legacy.

As a child of the seventies I grew up with the Myth that this movie was a great porn classic. I first managed to see "Behing the Green door" first and was both as excited and impressed as a young teen could be. I then soon saw this steaming pile of dog excrement and I think it almost put me off sex for a decade. There is nothing that isn't terrible about this movie, (except for Mary Millington who was lovely to look at but was to acting what Dom Deluise is to gymnastics.) I once met the Great Alfie Bass and after enquiring about "The Fearless Vampire Killer" and working with The Goodies I bravely mentioned this. He shook his head in shame and told stories of George Harrison Marks being so drunk he directed most of the movie asleep or vomiting.It shows. The songs are so awful I think I would chose a slow death than ever hear them again. A movie to avoid at all costs.

Given that this film ran for years in certain London cinemas, I'm intrigued as to what spectators were expecting (and I can only assume that many were mightily disappointed). While the US's Deep Throat constructed a skeletal plot on which to hang its extreme sexual action, Come Play with Me does the reverse: it is plot heavy on its focus on two forgers on the run (and how the government attempts to counter the flood of their fake notes into the UK), pursued by London gangsters to a failing Scottish Spa, run by Irene Handel. Like many 1970s sex films, this one features many veteran British actors (Alfie Bass, Henry McGee, Bob Todd, and Ronald Fraser), but it also boasts (fairly lengthy) musical numbers and general farce-like scenarios (and an awful recurring song on the soundtrack). However, such nonsense is punctuated by the periodic appearances of scantily-clad or disrobed 'nurses,' all of whom are (for some reason - it is not that clear why they go along with it) charged with revitalising the spa. In this regard, there are sex scenes, but nothing that much beyond the likes of the Confessions films (bar one or two scenes), and compared to its American counterparts, Come Play with Me is pretty tame (which again fails to explain its four-year run in one London cinema - clearly the hype machine was well operated). The writing is weak (and features a strange subplot focused on the government official, Podsnap, that goes nowhere as he tries (in disguise) to track down the forgers). In terms of performances, they are hammy (such as actor/director George Harrison Marks in a bizarre wig and fake teeth), or just on an amateur level (although Alfie Bass is good, but he always was), and if the draw of Mary Millington is the magnet to seek out this film, prepare to be disappointed, as she is not in many scenes. So, a curio from a curious cinematic British age, but its reputation far exceeds its delivery.