Tochter des Bösen

Alicianne is hired to look after creepy 11-year-old Rosalie in her family's remote and gloomy house.It soon becomes clear that Rosalie has psychic powers and can make things move just by thinking about it-and she can also use those same powers to raise the dead,reanimating corpses in a nearby cemetery to take revenge after her mentally ill mother dies...A spooky and atmospheric opening scene gives way to a sluggish and wholly predictable zombie movie that has little new to add to an already over-crowded sub-genre.Technically,it's a mess and the acting is as dire as you'd expect,yet it does occasionally manage to display flashes of that creepiness that informed the opening scene."The Child" was released by exploitation king Harry Novak("Axe"),so fans of low-budget 70's horror should be pleased.This film has its share of flaws,but give it a chance.7 out of 10.

Despite an interesting premise, this film doesn't deliver. Attempted as a period piece(probably because someone was able to get a-hold of some vintage 1930's cars)set in the 30s/40s, this flick involves a young housekeeper hired by a farmer to care for his house and young daughter after his wife's death. The daughter, Rosalie, apparently shares a penchance for telekenesis with her departed mother, and uses her unusual mental powers to reanimate putrid corpses and use them to hack apart people she doesn't like. The naive young housekeeper gradually becomes aware of Rosalie's strange abilities and eventually runs afoul of the little girl's graveyard friends!

This film doesn't really succeed in the period detail department, primarily because the housekeeper spends nine-tenths of the movie in peasant dresses, not exactly the going fashion in 1939 or whenever this movie was supposed to be set. A quibble to be sure, but come on, the wardrobe people could have tried more. The flick does have some nice atmosphere, with dark woods, brooding sunsets, and lots of dark interior shots. And there is a half-baked attempt to establish a romance between the housekeeper and the farmer's adult son. Nothing in the way of camp or bad acting to recommend it, but probably not a bad way to kill ninety minutes

Rosilan (Rosalie Cole) is a girl with some problems-like her psychic abilities that allow her to talk to her dead mother, levitate objects, and raise the dead.

From producer Harry ("Axe","Rituals", "Hitch-Hike To Hell" and plenty of soft core flicks) Novak comes "The Child", an uneven but still watchable take on the Zombie movie. The movie itself takes a while to get going, and like many movies of this type, the acting is terrible (especially Rosalie Cole, whose character is too much of a brat to be interesting or threatening), and the electronic score by Rob Wallace is grating.

Still, when the final 20 minutes kick in, the movie kicks up. There's some nice moments, and the zombies themselves, while not Romero or Fulci levels, are still pretty creepy. The make up effects are also pretty good, especially considering the movie's budget.

"The Child" is an alright Bad Seed movie, only with the supernatural and the living dead instead of a killer kid. Don't go into it expecting much, and you might sort of enjoy it. It would make a nice double bill movie with "Children Shouldn't Play With Dead Things", I'll tell you that.

In spite of its ultra-low budget, clunky, overdubbed dialogue, and not-so convincing "acting", THE CHILD still manages to cultivate a cold atmosphere of constant dread. There are also some fairly gory set pieces.

As for the titular terror tot, Rosalie Nordon (Rosalie Cole), she's not a bad representative of the "killer kid" sub-genre. How can you go wrong with an eeevil girl who can create a murderous scarecrow AND raise the dead to form a mob of undead ghouls?

Add this to your horror roster...

If you can get around the horrible soundtrack and cheap special effects you might actually like this movie. I did.

It's sort of a Carrie meets The Night Of The Living Dead clone about a little girl who lives with her father and brother in some isolated backwoods community. She spends her nights at the graveyard deep in the woods behind her house.

A sitter arrives from the big city to help take care of the little girl and soon discovers the rash of killings in the community might have something to do with the 12-year old. When the sitter realizes that the little girl has the power to move and animate inanimate objects it becomes crystal clear about just what she has been doing at the graveyard all those nights.

I adored this movie. The title Kill and Go Hide conjured up so many idea's in my mind that I just had to see it and I wasn't disappointed. It is heavy on the cheese factor in some scenes and actually quite frightening in others. There is a scene where the babysitter awakens from a slumber at four a.m. and looks out her window at a scarecrow hanging on a post. What came next kind of gave me a chill. I also enjoyed the stormy grave side promise from the little girl to her deceased mother. "I promise you, they'll pay."