Billy Jack Goes to Washington

Did I just wake up on some bizarro world?! How else could you explain anyone giving this film a 10 or even scores of 9 and 8? Other than to provide unintended laughs, I just can't see the Billy Jack films as capable of earning anything close to these very respectable scores--even this one, which is probably the best in the series.

This film starts on a very, very poor note. Instead of storytelling, there is a long exposition by Pat O'Brien as he explains much of the setting for the film--and it's way too much! This long diatribe about the evils of nuclear weapons and nuclear power just seemed like sloppy film making-- like a political speech instead of a proper prologue. In addition, why not have the characters talk about this in the film itself? Having this prologue just seemed like they forgot to film these scenes and instead chose to sum it all up this way!

As for the rest of the film, it sure showed a lot of hubris for director/actor Tom Laughlin to consider remaking the Jimmy Stewart-Frank Capra classic film (currently #101 on IMDb's top 250). In this version, however, instead of appointing Jefferson Smith to the Senate (a beloved icon of children across America), the powers that be decide to appoint a man with a long history of manslaughter and possibly justifiable homicides!! I certainly remember Mr. Jack dispensing a lot of mayhem in his previous films THE BORN LOSERS, BILLY JACK and THE TRIAL OF BILLY JACK! Apparently the grafters do not remember nor do they read the newspapers, and so they decided to appoint an ex-con who is famous for fighting "the man". That sure makes sense!! What's next--appointing a member of the Manson family or a rabid dog or a tomato?!

What was likable about this silly film? Well, it was finally nice to see Delores Taylor (Laughlin's wife and co-star in the Jack films) stop being the perennial victim. Finally, after three films, Billy apparently finally taught her martial arts and she, as well as Billy, deliver some well-earned butt-kickings in one scene! This actually was well done and helped the film tremendously. Also, while the film stuck VERY close to the original material (too close if you ask me), the basic story, no matter how bastardized, is still very good--so good that Laughlin couldn't help produce a reasonably entertaining film--provided you turn off your brain and don't think too much about putting Billy Jack in this locale. Plus you gotta admit that Laughlin sure seemed sincere--and infused the film with some nice energy late in the film--and not in the form of butt-kickings (I half expected him to do this on the Senate floor)! This section of the film was, at times, too intense, but at least it was NOT an exact copy of Jimmy Stewart.

However, despite some good intentions, the premise of Billy Jack taking on and winning against the evil special interest groups is silly--and also way too idealistic--and probably will result in a few laughs. While not a terrible film, it pales in comparison to the Capra film and occasionally sinks into ridiculousness. Apparently audiences felt pretty much the way I did, as this film never even made it past preview audiences and so it never received a normal theatrical release--though the film was definitely better than THE TRIAL OF BILLY JACK (which made "The Fifty Worst Movies of All Time" book). Luckily for lovers of the bizarre and bad films (like me), BILLY JACK GOES TO WASHINGTON was finally released on DVD some time back.

By the way, because the film was never released until recently, this might explain the poorly executed edits and choppy transitions. Too often, scenes VERY abruptly change and the cuts just aren't made well. In addition, the sound track was too loud and too often dominated the film. Otherwise, Laughlin's direction actually was a bit better than usual...which still isn't saying all that much.

As a Washington, D.C. native who saw this film when it was first released (and, contrary to some other comments, it WAS released in DC, playing in several area theaters), I was interested to see how Laughlin would portray the city and its political institutions. Surprisingly, he did so very well. The debt to Jimmy Stewart is obvious throughout but, having said this, his film reflected the political temper of the city in the late 1960's-early 1970's very well indeed. The dialog was not brilliant or sparkling, but there were some good lines: "Pigs get fat, hogs get slaughtered," is one I remember, referring to bribes and corruption. No matter what one's political views are, this is a film that can be viewed as escapist entertainment and, now from a vantage of several decades, with some nostalgia as well. Worth a rental, definitely, and better if seen with someone who lived through the era.

Skipping through the sat channels the other night I stumbled across this movie and thought I might give it a look. Having seen the original Billy Jack a few years back I figured it might be worth a few laughs if it was anything like the original. To my surprise it was much better then the first film. It had some decent scripting and Laughlin is not that bad an actor, especially when working with a seasoned veteran like E.G. Marshall. Despite a somewhat contrived plot the movie did get it's point across showing the corruption in Washington and how one man can make a difference. The movie is no Mr. Smith goes to Washington, but then Laughlin is no Jimmy Stewart and for that matter Jimmy is no Billy Jack.

I saw this film in the late '70s at a preview in Oak Brook, Illinois. The movie was pretty well-received and even I was surprised that Billy Jack was a better fit in the old Jimmy Stewart role than I had expected. It wasn't great, but serviceable, and certainly better than THE TRIAL OF BILLY JACK. The film, as mentioned here, was never released, but has come out on DVD. Interested in seeing it again after all these years, I picked it up and was shocked. Normally DVDs have Director's Cut-type things -- more footage, deleted scenes, etc.. In this case Laughlin had cut the crap out of the film. Long scenes that helped the flow of the film and made it less --well, "Billy Jack-ish" had been cut. If Laughlin had used the cut I saw nearly thirty years ago, the film would still have worked. Instead it has become a mess. Come on, Tom, give us the original print.

Billy Jack Goes to Washington (1977) was the last film in the Billy Jack

series. Unlike the other films where the political posturing was kept in check, Tom Laughlin goes full tilt boogie into the subject. In this virtual remake of the classic Mr. Smith Goes to Washington, Billy Jack is

appointed the vacant senatorial seat after receiving a full pardon from the

Governor. Why did they give this man a political platform I'll never know. But they did and he tries to do his best to let the whole nation know that

he's the last and only honest man in Washington D.C.

Why do we watch Billy Jack movies. Most of you will answer because he

kicks butt and takes names. But the latter films focus more on his "acting" and the metaphysical being of one's self. If you watch Billy Jack for these

reasons raise your hand. That's what I thought.

For die-hard Billy Jack fans, others beware!

Recommended.