Secret Army
- Fernsehserie
- 1977–1979
- 50 Min.
IMDb-BEWERTUNG
8,5/10
1739
IHRE BEWERTUNG
Während des Zweiten Weltkriegs organisiert eine belgische Widerstandsbewegung namens Lifeline mit Sitz in Brüssel die Rückkehr der von der Luftwaffe abgeschossenen alliierten Flieger in das ... Alles lesenWährend des Zweiten Weltkriegs organisiert eine belgische Widerstandsbewegung namens Lifeline mit Sitz in Brüssel die Rückkehr der von der Luftwaffe abgeschossenen alliierten Flieger in das Vereinigte Königreich.Während des Zweiten Weltkriegs organisiert eine belgische Widerstandsbewegung namens Lifeline mit Sitz in Brüssel die Rückkehr der von der Luftwaffe abgeschossenen alliierten Flieger in das Vereinigte Königreich.
- 1 BAFTA Award gewonnen
- 2 Gewinne & 1 Nominierung insgesamt
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After seeing Secret Army recently for the first time on UK Drama, I was blown away by it's brilliance. I had read lots about it, but never realised that the show was as impressive as it is.
The characters are all very well drawn and the series views World War II from many angles. We don't only get to see the heroic and valiant efforts of the allies and resistance - the Germans, the Belgian police and ordinary citizens of the Low Countries are all represented, and more than anything else the series shows that the war affected different people in vastly differing ways. Nothing is black and white. Albert, our hero in the series, is a flawed hero: he can be greedy, dominating and possessive (Albert is a far cry from Hepton's role as a Nazi Commandant in Colditz, some years earlier). Major Brandt of the Luftwaffe is a German but not like Kessler, a Nazi. Brandt is simply a member of the armed forces who is only doing his job. Secret Army can be commended for not presenting the heroes and "villains" as mere stereotypes. Special mention must also go to Clifford Rose who play the head of the Gestapo in Belgium, Ludwig Kessler - the inspiration for Herr Flick in the spoof series Allo Allo. Rose is magnificent as Kessler and the character is written as a man who is completely and utterly devoted to the Fatherland and the Fuhrer.
Secret Army, along with other greats like Colditz and I, Claudius is an example of the great drama serials that the BBC no longer produce. These days we seem to be stuck in a never-ending cycle of police and hospital drama serials. Secret Army was transmitted at prime-time on BBC1 when it was first shown: how many period dramas do we ever see on our screens these days? At very best we get a Jane Austin type adaptation, and that would only ever be broadcast on a Sunday night.
Why don't the BBC take the chance to make something as daring as Secret Army? I'm sure that a viewing public tired of the same old shows would thank them for it.
I hope that UK Drama will show the spin-off series Kessler now!
The characters are all very well drawn and the series views World War II from many angles. We don't only get to see the heroic and valiant efforts of the allies and resistance - the Germans, the Belgian police and ordinary citizens of the Low Countries are all represented, and more than anything else the series shows that the war affected different people in vastly differing ways. Nothing is black and white. Albert, our hero in the series, is a flawed hero: he can be greedy, dominating and possessive (Albert is a far cry from Hepton's role as a Nazi Commandant in Colditz, some years earlier). Major Brandt of the Luftwaffe is a German but not like Kessler, a Nazi. Brandt is simply a member of the armed forces who is only doing his job. Secret Army can be commended for not presenting the heroes and "villains" as mere stereotypes. Special mention must also go to Clifford Rose who play the head of the Gestapo in Belgium, Ludwig Kessler - the inspiration for Herr Flick in the spoof series Allo Allo. Rose is magnificent as Kessler and the character is written as a man who is completely and utterly devoted to the Fatherland and the Fuhrer.
Secret Army, along with other greats like Colditz and I, Claudius is an example of the great drama serials that the BBC no longer produce. These days we seem to be stuck in a never-ending cycle of police and hospital drama serials. Secret Army was transmitted at prime-time on BBC1 when it was first shown: how many period dramas do we ever see on our screens these days? At very best we get a Jane Austin type adaptation, and that would only ever be broadcast on a Sunday night.
Why don't the BBC take the chance to make something as daring as Secret Army? I'm sure that a viewing public tired of the same old shows would thank them for it.
I hope that UK Drama will show the spin-off series Kessler now!
I too am "revisiting" this programme on UK Drama and it truly is a gem though you do realise where "Allo Allo" came from at times - I hope now that UK Drama have shown this twice that they show the follow up "Kessler" made in 1981 - i can vaguely recall it.
This programme is a true masterpiece; possibly the best television series ever made by the BBC.
When I watched it as a young teenager, it was totally memorable and gripping. It is probably the only TV series of its kind from which I could recall every character and many of the plots some 25 or 30 years later. Some of the episodes toward the end of the final series were utterly gripping. The acting was outstanding; the writing fantastic, and the music and intro/credits I recall to this day with total clarity.
UDATE: Having just watched it again on DVD almost 30 years later, my view hasn't changed at all. No sense of disappointment here - this really is classic television at its very best. A clever, nuanced and absorbing series in every respect.
When I watched it as a young teenager, it was totally memorable and gripping. It is probably the only TV series of its kind from which I could recall every character and many of the plots some 25 or 30 years later. Some of the episodes toward the end of the final series were utterly gripping. The acting was outstanding; the writing fantastic, and the music and intro/credits I recall to this day with total clarity.
UDATE: Having just watched it again on DVD almost 30 years later, my view hasn't changed at all. No sense of disappointment here - this really is classic television at its very best. A clever, nuanced and absorbing series in every respect.
I first saw this programme as a child watching with my parents when it was broadcast in the late 1970s. I found it compelling then, though I did not understand some of the nuances. But having watched it again recently on UKTV Gold I have to say that it is one of the very best dramas of its era, and indeed of the subsequent period.
It never took a simplistic view of the people involved, and developed the characters over time. None of the moral situations the characters find themselves in are presented in black and white terms. The very final episodes, when liberation is close and retribution is being sought against people considered to be "collaborators", are so dramatic, and I will not forgot the tone of the final episode set on the day the war in Europe ended.
Marvellous.
Sarah
It never took a simplistic view of the people involved, and developed the characters over time. None of the moral situations the characters find themselves in are presented in black and white terms. The very final episodes, when liberation is close and retribution is being sought against people considered to be "collaborators", are so dramatic, and I will not forgot the tone of the final episode set on the day the war in Europe ended.
Marvellous.
Sarah
The 1970s was undoubtedly the golden age of British television . There were so many great shows , everything from the Jon Pertwee and early Tom Baker episodes of DOCTOR WHO , THE SWEENEY , THE PROFFESIONALS , FALWTY TOWERS and a dozen other shows that I could list off the top of my head . Perhaps that's why I'd forgotten all about SECRET ARMY a show that I've just been watching again on one of the history channels on freeview and I'm instantly reminded as to how great it was and left me me wondering slightly as to how I'd forgotten it . Actually I think I know why it's unfairly forgotten but I'll explain in a moment
What's so striking is how much thought has gone in to the series . Producer and series creator Gerald Glaister spent the second world war as a bomber pilot and this brings a personal dimension to a series like this . Imagine for a second how much inferior this drama would have been if it'd been produced today by someone from an academic media studies background . It'd almost be a parody wouldn't it ? Take notice too that each and every episode was inspired by actual events that took place during the war and how much research went in to every script . It's sad that today we rarely see if ever such thought go in to a drama
SECRET ARMY is drama ith a capital D . Even if you've little interest in the second world war you can't fail to notice the rich characterisation and intelligent writing . This greatly helps the cast and draws the audience in to on screen events as the Belgian " Lifeline " resistance try to help downed allied bomber crews escape to a neutral country where they'll eventually be repatriated to Britain . It's interesting to note that there's so much moral ambiguity involved . Series hero Albert for instance isn't only painted as a Belgian freedom loving patriot , he's also someone who accepts sums of money from the Brirtish government which helps him run an exclusive restaurant and he hates communists , not as much as his right hand man and confessed thief Max Brocard , but still someone who's not got a selfless motive for helping the allies . There's also doubt in his mind after a main character is written out of the first series in a cruelly ironic way but the money sure comes handy . Likewise the series " Good German " Major Erwin Brandt almost beats an RAF airman to death , a bomb aimer who is only saved by the intervention of gestapo chief Ludwig Kessler
Ludwig Kessler deserves his own paragraph because he is quite simply one of the greatest characters created for British television . Again imagine if he was a character created today he'd be portrayed as one of those " Ve have vays of making you talk Englander " goose stepping stereotypes . He is a three dimensional character who is obviously capable of great cruelty but who is also very intelligent and is driven by a desire to bring order to the world . He is someone who never fails to point out to the other characters " That every hour of the day and night German women and children are being murdered in large numbers by American and British terror raids " . You're not going to like him but you can understand what's motivating him . Praise too for the acting of Clifford Rose who gives a restrained and very subtle performance . Look closely and you'll notice one of Kessler's personal flaws is that he seems very lonely . You could almost feel sorry for him if he wasn't a gestapo head
So why is this show forgotten ? One reason only and that's 'ALLO 'ALLO is directly based upon it . A comedy show that ran for ten years based upon a spoof premise and endless repetitive lines like " Good moaning ... " you stupid woman " and " the madonna with the flashing boobies " YAWN . You quickly become so bored with that comedy show that you quickly forget what inspired it . Perhaps when I say you'll forget all about Renee and the camp Nazis when you watch the repeats of SECRET ARMY you will realise what a genuinely great drama it is
What's so striking is how much thought has gone in to the series . Producer and series creator Gerald Glaister spent the second world war as a bomber pilot and this brings a personal dimension to a series like this . Imagine for a second how much inferior this drama would have been if it'd been produced today by someone from an academic media studies background . It'd almost be a parody wouldn't it ? Take notice too that each and every episode was inspired by actual events that took place during the war and how much research went in to every script . It's sad that today we rarely see if ever such thought go in to a drama
SECRET ARMY is drama ith a capital D . Even if you've little interest in the second world war you can't fail to notice the rich characterisation and intelligent writing . This greatly helps the cast and draws the audience in to on screen events as the Belgian " Lifeline " resistance try to help downed allied bomber crews escape to a neutral country where they'll eventually be repatriated to Britain . It's interesting to note that there's so much moral ambiguity involved . Series hero Albert for instance isn't only painted as a Belgian freedom loving patriot , he's also someone who accepts sums of money from the Brirtish government which helps him run an exclusive restaurant and he hates communists , not as much as his right hand man and confessed thief Max Brocard , but still someone who's not got a selfless motive for helping the allies . There's also doubt in his mind after a main character is written out of the first series in a cruelly ironic way but the money sure comes handy . Likewise the series " Good German " Major Erwin Brandt almost beats an RAF airman to death , a bomb aimer who is only saved by the intervention of gestapo chief Ludwig Kessler
Ludwig Kessler deserves his own paragraph because he is quite simply one of the greatest characters created for British television . Again imagine if he was a character created today he'd be portrayed as one of those " Ve have vays of making you talk Englander " goose stepping stereotypes . He is a three dimensional character who is obviously capable of great cruelty but who is also very intelligent and is driven by a desire to bring order to the world . He is someone who never fails to point out to the other characters " That every hour of the day and night German women and children are being murdered in large numbers by American and British terror raids " . You're not going to like him but you can understand what's motivating him . Praise too for the acting of Clifford Rose who gives a restrained and very subtle performance . Look closely and you'll notice one of Kessler's personal flaws is that he seems very lonely . You could almost feel sorry for him if he wasn't a gestapo head
So why is this show forgotten ? One reason only and that's 'ALLO 'ALLO is directly based upon it . A comedy show that ran for ten years based upon a spoof premise and endless repetitive lines like " Good moaning ... " you stupid woman " and " the madonna with the flashing boobies " YAWN . You quickly become so bored with that comedy show that you quickly forget what inspired it . Perhaps when I say you'll forget all about Renee and the camp Nazis when you watch the repeats of SECRET ARMY you will realise what a genuinely great drama it is
Wusstest du schon
- WissenswertesEach of the scripts were based on real events and thoroughly researched. On several occasions throughout the series's run, the BBC would reject a script as it was deemed too accurate and potentially upsetting to audiences or too politically sensitive.
- VerbindungenFeatured in The Return of 'Allo 'Allo! (2007)
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