Second City TV

I was born after SCTV ended, but I always remember seeing re-runs that I thought were extremely hilarious. One of the best things about SCTV is if you look at the cast, they are all classic actors who's names we all know. Even better was that all these great talents and names got together in a mid sized city (my city, Edmonton) to create this amazing show. They didn't need the glitz of New York or a new guest host every week (who on SNL now probly hosted like 3 weeks ago, and 3 weeks before that) to make something that was truely great. I will always remember how all these famous people once lived and worked in my city.

The genius of not just delivering above average sketch comedy, but creating a false network and city, with repeating characters is what sets this show apart, especially from the over hyped and often comedic-ally challenged SNL. I can't believe how much enjoyment I still get out of watching these old shows and marvel at its enduring ability to make me laugh uncontrollably, a feat equaled only by Monty Python. For instance, there's a woman's prison sketch that's done as a parody of the anti-marijuana films of the 1950s. About halfway thru it, John Candy rushes in dressed as a matron, I swear I laughed for half an hour. The old original raw shows featuring and driven by Ramis were all writing and acting, almost like Harvard Lampoon. After Ramis's departure, the show evolved into a bigger more mainstream version of itself, culminating in a 90-minute late night Friday extravaganza that for a while even had major musical guests. They had done so much material, that the 90-minute shows could throw in one of the old movie parodies of the Ramis era, such as Lust for Paint. These newer shows were more about Dave Thomas's comedy, and eventually Rick Moranis, before it finally fizzled out with Martin Short, who would later go on to polish his act for a terrific stint on SNL. Just a tremendous achievement by some really funny talented people. I love how Eugene Levy and Cath OHara have carved out a place in film. Id like to see more of Thomas and Flaherty. Interesting, Ramis, Candy, Flaherty, and Thomas all appear in Ramis's 'Stripes'. Here's some free advice, do NOT watch these after having thrown out your back. You will substantially delay the recovery process. Thats a tip from LaRue, to you.

Off the wall comedy show that greatly surpasses Saturday Night Live a thousand times over, with a better assortment of performers, skits and writing. Stars such as John Candy, Catherine O'Hara, Rick Moranis and Eugene Levy went on to bigger, deservedly, and better things after the success of SCTV.

As a previous poster has said, SNL and SCTV were both comedy sketch shows, but that's where the resemblance ends. SNL far too often descended into juvenile, and sometimes even infantile, humor and its casts were way too uneven. It had the brilliant and manic John Belushi, but it also had the mediocre Garrett Morris, who really didn't do much of anything. It had the gifted Gilda Radner, who could do damn near anything, but it also had Laraine Newman, who didn't do all that much, either, and many of the cast members in its later shows really had no business being there. SNL's cast did various running characters, but, with few exceptions, each person's character wasn't really distinguishable from the actor himself. SCTV had no such problems. John Candy's Johnny LaRue, Josh Shmenge and Gil Fisher ("The Fishin' Musician") were about as different from each other and Candy himself as you could possibly get, as were Rick Moranis' Doug McKenzie and Rabbi Yitzhak Karlov, Andrea Martin's Edith Prickley and Mrs. Falbo, etc. Another big difference between the two shows was the writing. Virtually every episode of SCTV was as sharp, incisive and devastatingly funny as anything that ever came out of television; SNL on the other hand could go for weeks without having a decent show, and in fact went for several YEARS in the '80s without having any even HALFWAY decent shows. SCTV integrated all of its guest stars into the actual storyline of the episode itself, with often surprising results (musicians Dr. John, Tony Bennett and Fee Waybill of the Tubes, for example, turned out to be quite good). SNL put its guest hosts into some of the sketches--with many of them obviously reading their lines off of cue cards--and most didn't acquit themselves particularly well.

One of SCTV's main strengths was that it gave its audience credit for having the intelligence to understand what it was trying to say and do, which was something that SNL often lost sight of, especially in its later years. And how could anyone forget such brilliant pieces as "Abbott and Costello in a Turkish Prison"; "Dr. Tongue's 3-D House of Stewardesses"; the side-splitting parody of "Ocean's 11" with the monumentally untalented Vegas schlock comic Bobby Bittman and his even less talented idiot son Skip; the hapless Count Floyd of "Monster Chiller Horror Theater", who--no matter how pathetic the movie ("Tonight's film: 'Bloodsucking Monkeys from West Mifflin, Pennsylvania'!") he was showing--always stubbornly claimed, "Oooh, wasn't that scary, kids?"; "The Sammy Maudlin Show"; "Farm Film Report" ("They blowed up real good!"); the list goes on and on. Most of the sketches are so sharp, witty and clever that they don't date at all, even though they're almost 30 years old. SCTV set a high standard for sketch comedy, and so far no other show has measured up.

It's a shame so few people have seen this show, which ranks among the most brilliantly hilarious and astonishinly inventive of all television comedy series. It's important to note that the Cast List here is very misleading, noting only one character per actor. In reality, SCTV operated much like MONTY PYTHON'S FLYING CIRCUS, THE KIDS IN THE HALL, and Saturday NIGHT LIVE, programs which it is most definitely AT LEAST on a par with. All these versatile and talented performers played literally DOZENS of character roles -- often pulling off multiple roles WITHIN THE SAME SCENES! The writing and acting talent level on this show was of the highest caliber at all times and they did it all on one of the lowest budgets in modern TV history.