Phantastische Reise zum Mittelpunkt der Erde

Oh, it's okay. I guess. Maybe. As has already been stated, it is very much a recast version of the 1950s version with James Mason. There are some

unusual twists, mostly toward the end. The special effects are on par with Kevin Connor's assorted 1970s monster flicks (e.g. The Land That Time Forgot,

People that Time Forgot, At the Earth's Core, Warlords of Atlantis). While many find those films to be entertaining and campy cheese, this film lacks their humor and spark. Nevertheless, it is a decent enough time killer, but is probably not worth recommending to the vast majority of viewers. For what it's worth,

Kenneth More is a credible Lindenbrock. The rest of the cast is at least okay save for Pep Munne who plays Axel. During an extensive rafting trip, I was

really hoping to see Axel slip overboard for the duration.

"Where Time Began" is an adaptation of Jules Verne's "Journey to the Center of the Earth", with some variations to make it more salable (such as a love interest). It seems to have been aimed at a juvenile audience and is in the same vein as the Kevin Connors/Amicus Studios adaptations of Edgar Rice Burroughs. Like many genre films, "Where Time Began" has very hokey characters and dialogue. The ineptitude with which the journey to the center of the earth is conducted is quite startling, in fact. The stupidity of their dialogue (especially the exchanges between Glauben and her idiotic fiancee Axel) gives the film a strong tone of campiness and unintentional humor. When Olsen shows up to rescue them midway through and complains that he's had to listen to their stupid chatter for the past ten miles, the viewer can commiserate. However, given the fact that it is a low budget film, the sets, photography and giant creature special effects are actually pretty good, and they manage to maintain some atmosphere throughout the production. Once the characters arrive in the pseudo-prehistoric world at the center of the earth, the film especially picks up, and the revelation of the origin of Olsen provides an interesting twist. For this reason, "Where Time Began" is a reasonable entry in the journey-to-a-lost-world genre.

Very nearly qualifying for 'so bad, it's good' status, Spanish director Juan Piquer Simon's take on Jules Verne's classic tale is poorly acted, has some truly awful effects, and features the most inept bunch of explorers ever to be committed to celluloid. With a touch more manky monster action, and its tongue a bit further in cheek, this one could have rivalled 70s favourite At the Earth's Core for schlock value; as it stands, it is a fairly entertaining low budget adventure flick that is just about enough fun for it to warrant a viewing.

Kenneth More plays Prof. Otto Lindenbrock, a geologist who sets out on an expedition after discovering a secret route to the centre of the Earth. Together with his niece Glauben (Ivonne Sentis), a Prussian soldier, Axel (Pep Munné), and a shepherd named Hans (Frank Braña), Otto braves dangerous cave-ins, poisonous mushrooms, a perilous sea journey and prehistoric creatures.

Unlike James Mason's more than capable Oliver Lindenbrook (in the far superior 1959 movie Journey to the Center of the Earth), More's character is something of a bumbling fool. He is totally unprepared for the trip he undertakes and doesn't seem at all fazed by any setbacks (he loses his guidebook and water supply along the way, but continues regardless). His companions, who all seem quite happy to tag along, are equally irresponsible; they frequently wander off on their own with absolutely no regard for their own safety.

On discovering a huge underground ocean, the travellers build a raft, bump into some sea monsters (rubber glove puppets filmed in a bath), visit an island full of man-eating tortoises (the world's slowest predators) and get attacked by a giant ape (played by a man in a fancy-dress monkey suit). They eventually emerge from an erupting Stromboli, none the worse for wear.

All of this, believe it or not, is fairly faithful to Verne's novel, but Juan Piquer Simon, apparently not content with its level of silliness, ramps up the ridiculousness even further. Halfway through their journey, our intrepid gang meet a mysterious stranger called Olsen, who eventually turns out to be a time-travelling scientist! Fans of bad monster movies and silly 70s sci-fi cinema will probably want to check this film out; everyone else would be better off giving it a miss.

.Adventure tale full of colorful scenarios and pretty fierce monsters . Amusing and lighthearted romp for kids and teenagers based upon the Jules Verne novel . A scientist (Kenneth Moore), his niece (Ivonne Sentis) and boyfriend (Pep Munne) undergo a hazardous voyage to the center of earth , along the way they face numerous dangers and risks. During the trip , the scientific and his niece hire a wealthy scout (Frank Braña) for an expedition to the centre of the world . As four persons attempt to get to center of the earth by entering into an environment of caves by a volcano located in Iceland. The trio descend into deep caverns and discover a tunnel system leading to the planet's center. On their way they find among other things also prehistoric animals like some dinosaurs. They have to deal with lightning storms, endure torrential floods, volcanic eruptions, turtles, a big gorilla, and discover a forest of giant mushrooms, but not the lost city of Atlantis as happens in the classic novel.

This average adaptation is a special version of the Jules Verne adventure yarn . There're rip-roaring action, spirit of adventure, derring-do, thrills and results to be pretty entertaining . It's a brief fun with average special effects by Emilio Ruiz Del Rio and Francisco Prosper, passable set decoration , functional art direction and none use of computer generator. Fantastic adventures full of monsters in a lost continent on the center of earth . The rubber monsters are the real stars of this production , however being middling made . The fable is silly and laughable , and the effects and action are regularly made . Among the most spectacular of its visuals there are some deeply shrouded caverns , several monsters roaring menacingly towards the camera , a little tableau comprising attack and fighting two giant monsters and the colorful backgrounds of the lost land . Some monsters are clumsily but the movie has some good moments here and there . Some illogical parts in the argument are more than compensated for the excitement provided by the monsters, though sometimes are a little bit cheesy. It's a great fun with naive special effects , passable set decoration and functional art direction without use of computer generator. Highlights of the voyage includes a roller-coaster trip, strong storms, magnetic rocks, a terrifying odyssey in sailing, prehistoric reptile, a Tiranosaurius Rex, and many others. The motion picture is professionally realized by Juan Piquer Simon. Piquer who recently passed away was a craftsman expert on all kind of genres as Terror ( Slugs,Piezes, Cthulhu) and Sci-fi (The rift , The new Extraterrestres, Supersonic man) .Other renditions about this know story are the following : Classic version (1959) by Henry Levin with James Mason as Lindenbrook, Pat Boone,Diane Baker and Arlene Dahl; and TV adaptation by George Miller with Treat Williams, Jeremy London and Bryan Brown.

Essentially a recasting of the 1959 version as opposed to a remake (think a traveling version of your favorite Broadway play and you get the picture). Now that video allows us to experience the original over and over again, this film becomes less unique. The overall film is not so bad (considering the genre) if it weren't for the fact that this film was done so much better twenty years earlier. As far as casting Kenneth More in the James Mason role...what can I say? More is Less. This film was made during the time when films such as THE LAND THAT TIME FORGOT, THE PEOPLE THAT TIME FORGOT, and AT THE EARTH'S CORE were successful, and this version shares much with those films regarding style. I think if I were a kid in 1977 watching this in a theater and never seeing the original I would have thought it would be great. If only the director would have introduced new themes or viewpoints to the familiar story it could be enjoyed today. The film can be recommended however for a great gimmick for it's opening credits...a montage of the original Georges Melies silent films of Jules Verne's works set to the film's theme song. I've never seen them used in any other adaptation and it was a nice tribute.