Zwei Minuten Warnung

A lone gunman has his sights set on a sell-out crowd at a championship football game. Captain Peter Holly leads the desperate fight to try and stop the maniac from picking people off at will. Perched high on top of the Los Angeles Memorial Coliseum, the gunman has his pick of the targets, the Mayor -the President - or merely the innocent? Either way he has to be stopped before all hell breaks loose.

Much like "Rollercoaster" a year later, Two-Minute Warning is wrongly lumped in with the disaster movie genre that flooded the 1970s, and just like Rollercoaster, Two-Minute Warning is an excellently taut thriller. The build up is paced to precision, all characters are introduced to us to give us something to associate with should things go very wrong. As this is happening we get little POV snippets of our killer, accompanied by Charles Fox's harshly impacting music, the killer is never seen but we feel the dread, the impending sense of murder is a constant presence.

Once we are at the game and the authorities are aware that a sniper is on the roof, the film shifts up a gear and lays on the suspense thick and heavy. Captain Holly (Charlton Heston in authoritative scene commanding form) is joined by the SWAT team, led by the cool and serious Sgt. Chris Button (John Cassavetes), whilst stadium security manager Sam McKeever (Martin Balsam) prays that disaster can be averted. Then the final third of the picture is a ripper of heart pounding stuff, a final third that rewards the viewers patience for having invested in the film and the key characters. Filling out the cast is Gena Rowlands, Jack Klugman (brilliant interplay with Mitch Ryan's priest), Beau Bridges, Walter Pidgeon and David Jansen.

Two-Minute Warning is a quality thriller that is sadly undervalued on the big IMDb site, go on, give it a go and you might just be pleasantly surprised. 7.5/10

Footnote: I should point out that my thoughts are on the original unedited cut of this film, I have never seen the watered down TV cut and have no plans to ever do so.have never seen the watered down TV cut and have no plans to ever do so.

I remember the made for TV version as a kid. Today was the first time I'd seen the original theater version. The differences were striking. I'm amazed at how many people let their politics color their views of these movies. I also think people over think things rather than just allowing themselves to be entertained. I for one am glad they didn't tell us much of anything about the sniper. While apparently unfathomable in the 70's it seems pretty plausible today. I was not present when this happened but a gunman came into my church and killed 6 or 7 people before killing himself. The authorities came to learn a lot of useless details about the shooter but little or nothing to explain his motives or would give any type of solace to the grieving survivors. It was just random, senseless violence, like the shooter in this movie. I'd liked to have had some more sympathetic victims and I couldn't get over how ill prepared the police where, but otherwise I liked this movie.

An all-star cast led by Charlton Heston with likes of John Cassavetes, Martin Balsam, Beau Bridges, Mitchell Ryan and Jack Klugman feature in this well directed, but thinly written semi-disaster fare that never goes beyond its one-dimensional framework. Its central focus follows that of an unknown sniper planning a massacre at a championship football game at the Los Angeles Coliseum, as the coming and going personal dramas of certain people at the game intertwine. Slow to get going and rather one-note in its dramas never being as interesting as it should have been, but it opens up when the SWAT team enters and the sniper finally let's loose for a thrilling final third. As the joy and excitement of the match transforms into confusion and anxiety, where the stadium turns into a shooting pallor. I've read some people complaining about a lack of a motivation for the killer, but really one wasn't needed and the ambiguous nature only made its frenetic climax more effective. For most part it's a waiting game preying upon the inevitable build-up, even though the authorities know about the sniper they don't want to start a panic of hysteria. So it's a scary idea, exploitatively handled and director Larry Peerce creates a large scale look giving it an intense scope. The performances are stalwart, but no one really makes much of an impression.

"Lets not get too nervous about it. "

A psychotic sniper plans a massive killing spree in a Los Angeles football stadium during a major championship game. The police, led by Captain Peter Holly (Charlton Heston) and SWAT commander Sergeant Button (John Cassavetes), learn of the plot and rush to the scene.

This film probably maintains a level of popularity (if it has one) due to its cast, as the film itself is largely forgotten. But it should not be, as it takes the threat of a sniper (much like with Dirty Harry) and puts him into a crowded, confined area:a football stadium. Security today may never allow such things to happen, but the thought is scary.

There is plenty of action, but even more suspense. And that is what makes it more than just an action film. Who will be targeted? What is the sniper's motive? So much unknown.

"Two-Minute Warning" is a good, enjoyable thriller made in the style of the popular "disaster film" cycle of the 1970's, with a large cast of familiar faces, playing characters with their own little stories. Many of them, however, take a back seat to the action in this story (based on a novel by George LaFountaine) about a sniper spotted above the scoreboard in L.A. Coliseum during a championship football game. The cops can't be sure of who this person is targeting, and have to figure out how best to approach the situation. It's only towards the end, in the last half hour, when the action really gets cranked up, the stakes are raised, and things get pretty violent. One nice element of mystery is that we never get that good a look at this sniper (Warren Miller); we learn his name at the end but little else about him (although one of the characters believes that information will come out soon enough). People can take issue with the inefficient security at this place, or the fact that the cops are most often not too effective here, but the movie is basically decently made entertainment, with a very good music score by Charles Fox. Some of the actors get a good showcase: Charlton Heston as take-charge police captain Peter Holly, John Cassavetes as S.W.A.T. team commander Sgt. Button, Martin Balsam as stadium security head Sam McKeever, Beau Bridges as family man Mike Ramsay, Jack Klugman as shameless gambler Sandman, and David Janssen & Gena Rowlands as argumentative couple Steve & Janet. Other familiar faces and prominent character players in the cast include Brock Peters, David Groh, Mitch Ryan, real-life football star Joe Kapp, Robert Ginty, Tom Bower, Carmen Argenziano, Michael Gregory, and Harry Northup. Unfortunately, the great Walter Pidgeon is wasted as an elderly pickpocket. Filmmaker Andy Sidaris ("Stacey", "Malibu Express", etc.) plays the TV director, and TV personality Merv Griffin sings the national anthem! A sufficient amount of tension and excitement is created, the aerial photography is very good, and the visceral quality of the movie is undeniable; things get effectively bloody before the movie ends. There's even a touch of grim irony to the proceedings. The climactic action is both gripping and frightening, showing how bad things can get when a lot of people are in a panic. Overall, this movie is a decent diversion, if not terribly substantial, and keeps from ever getting boring. Seven out of 10.