Taxi Driver

Not only one of Scorsese's best films, but one of the best of the 70s. It is very hard hitting, dark and still has the resonance and power to shock. The cinematography is measured and chilly, yet very atmospheric, while Bernard Hermann's swansong score is superb, yet more proof at how amazing a composer he was. The story is unsettling but wonderfully told, and the script is brilliantly written. Scorcese also directs impeccably, while the acting is just excellent. Robert DeNiro gives one of his best performances, the whole film is worth watching just for his performance, that's how good it is, but that's not to dismiss Jodie Foster, Harvey Keitel and Cybill Sheppard in the supporting cast for they are just as good while Scorsese's own cameo is genuinely frightening. There you have it, another one of Scorsese's best with a brilliant atmosphere and mesmerising central performance. 10/10 Bethany Cox

Despite what some might see as limited by technical flaws and/or as an overly simplistic plot, Taxi Driver deserves its critical reputation as a cinematic masterpiece. Some 23 years later, the existential plight of Travis Bickle, "God's lonely man," continues to pack a hard emotional punch. In fact, it's hard to know where to begin when praising the elements of this film - such elements as the dark location shots of a (now gone) seedy Times Square, the cinema verite settings of the cabbies and campaign workers, the magnificent Bernard Hermann score, Paul Schrader's fine script, the memorable performances of Jodie Foster, Harvey Keitel, and Peter Boyle all must be mentioned. However, the brilliance of this film is primarily a result of the brilliance of De Niro and Scorsese, one of the greatest actor-director teams in movie history. This is an unforgettable film and rates a 10 out of 10, in my estimation.

This is where one of the most legendary directors in history started his career!

"Taxi Driver" is a story close to many people about a real lonely man who is "tired of everything." This caustic and suspenseful thriller is rightfully considered a masterpiece that turned the cinema upside down. Such a frame structure, the manner of shooting, the music, the gorgeous Robert De Niro in the title role (but the rest of the actors must also be highlighted), the directing - everything is fine here! But it was filmed in 1976...

This movie is very important for movie lovers to watch, because you need to know the classics (especially the more interesting ones) :)

One of powerful, for its profound honesty, films. A man lost in its loneliness. Desiring love, without social abilities, example of schizoidy and full of noble intentions. Robert de Niro gives more than the role of his life but a precise, realistic portrait of a social victim. A great film.

The impact that "Taxi Driver" had in its day hasn't diminished, on the contrary, it has acquired a relevance of Shakesperean proportions. Travis's loneliness is a hyper representation of the same loneliness most humans have experienced at different times in different measures. It is always associated with a nightmare and Martin Scorsese delivers it like a nightmare. Travis, possessed by Robert De Niro at the zenith of his powers, cruises in his taxi enveloped in Bernard Herrman and we, well, we're the passengers and everything looks terrifying and familiar at the same time. Paul Schrader sensational screenplay comes to life with the jolting force of a rude awakening. Like it happens, more often than not, with masterpieces, it signed in a rather direct way the lives of the ones who live it in a movie theater and the ones who made it. Scorsese being the giant that he is, survived it and will continue startling us I'm sure but I also bet that for years everything he did was compared to this movie. De Niro and his "You looking at me" became such an iconic phrase that even he himself ended up impersonating it. Jodie Foster awoke the insane devotion of a real life would be killer and New York, the greatest city in the world was shown with its underbelly up. A work of art, a superlative reminder of what film could actually give us and very rarely does.