Der Superbulle mit der Strickmütze

Ah, Record Explosion in NYC has granted me the privilege of watching this incredible piece of cinematic forte. OK, maybe not, but it was only $4.

This entertaining yarn mostly lets Nico show what he does best: catching baddies with street finesse. Tomas Milian (credited on the box as Tunas Milian) portrays a hardcore street tough turned on the good side of the law pretty well. Laughs a plenty with his pimping scene in the disco club. I believe there are 9 total motorcycle jumps and most are unnecessary and where where the ramps?? See Nico mistreat a gal who ends up coming back for more; despite his insisting on not changing his socks. And his jeans are clearly black, not blue!!

On the cover of the box is Jack Palance visage surrounded by dollar bills and is credited as starring in this. I think it should have said "Showing up on camera when the booze ran out". Jack mostly scowls and doesn't do any of the dirty work (he didn't get paid enough for it). Like in his other classic Outlaw of Gor, Jack shows up early on, then goes from bar to bar then reappears one hour and 12 minutes into it to pick up his paycheck. He really deserves a quick knee to the nether region.

THE COP IN BLUE JEANS, the US title of this film, was quite widely available in the video budget bins of the 80s and early 90s, so this may be the best known in the US of Tomas Milian's series of films as longhaired, unconventional cop Nico Giraldi. The films starts with a bang as a mini-crimewave is depicted in rapid-fire succession (the scene with the guy mooning the tourists to divert their attention as their possessions are stolen is a classic!), until after seven or eight minutes Milian jumps into action. Like most films of Bruno Corbucci, there is a serious political element in the film too, while it completely satisfies fans who just want an exciting violent action film. And of course, Tomas Milian is brilliant, creating an anti-hero (as he does so well!) who is unlike ANYONE in US cinema. I'm sure there are copies of this sitting in the 99-cent rack of video stores, so check it out if you want to see what is so good about the 1970s Italian police film genre or why Tomas Milian is one of the great icons of world film. My favorite film of this period w/ Milian is SWINDLE, where he is paired with David Hemmings. If you EVER see that offered or shown on TV, don't miss it!

A criminal fiction with suspense , intrigue , frantic action , turns , a lot of twisted incidents , at the same time charged with tension and level staging enough which the viewer could really enjoy . Nico Giraldi (Tomas Milian) is a two-fisted undercover cop acting in the violent and rude manners of the Roman periphery and confronting the heaviest situations . Here Tomas Milian performs the likable and sui-generis role of commissary Nico Giraldi , formerly a robber who decided to join on the other side of the law by enlisting in the police , without loosing his slutty and dirty appearance ; however , when he's working proceeds with seriousness and effectivity enough , regarding crime and offenders . Along the way , the unkempt , wisecrack undercover cop pursues and detains a series of purse snatchers until he discovers an American at the top of an evil ring of robbers . As a ring of pickpockets and thieves plagues Geraldi's city , he attempts to find the hoodlums and the criminal mastermind behind the thieves . Eventually , he arrests Baronetto (Guido Mannari) ; later on , and from now on , Gerardi finds out the nasty Richard Russo (Jack Palance) is the true crime boss . The latter successfully dodges the police , while he leads his criminal empire with cunning and ruthlessness . Only a cop in blue jeans can bring justice to a city gone mad. He's clever . Sadistic. Ruthless . Jack Palance is the master criminal too twisted for even the toughest cops on the force . But he's about to meet a cop who's even crazier... The Cop in Blue Jeans...is dressed to kill.

Nice first entry in cop Nico Gerardi series with noisy action , thrills , shooutous , motorcycle chases , car pursuits and brief doses of humor in charge of the main character . Formula thriller with plenty of action , crisply edition , tension , intrigue , suspenseful , skin bared and lots of violence in exploitation style . It belongs to Italian Poliziesco sub-genre , essentially developed in the Seventies and including ordinary trappings .The film is interesting enough , though it has some flaws , gaps and failures . This film results to be one of the best among the whole saga of the Tomas Milian/Nico , adding usual seasonings about the particular role Girardi. In the end , Nico must deal with Russo in a thrilling chase , causing a real pandemonium and including a surprising confrontation at an Embassy . Stars Tomas Milian , a sympathetic actor , well known for his several Spaghetti Westerns . After the tremendous success of Sergio Leone's A Fistful of dollars (1964) starring Clint Eastwood, Milian grubbed up his own image and propelled himself to stardom in similar fashion in such classic "spaghetti westerns" as The Bounty Killer (1966) , A fistful of Dollars (1966) with Lee Van Cleef , Face to Face (1967) , Django Kill... If You Live, Shoot! (1967) and ¡Corre, Cuchillo... corre ! (1968). He later turned to comedy , playing the recurrent characters of petty thief Monnezza and Serpico-like police officer Nico Giraldi a peculiar top undercover cop who often uses unofficial means to track down delinquents without avoiding his attitude of rude man, this is an attractive role who he performed in a variety of crime-comedy pictures playing in the manner of Serpico . He's well accompanied by a good cast , such as : Jack Palance during his Italian period and overacting in his regular style , Guido Mannari , Roberto Messina , Benito Stefanelli and the gorgeous Maria Rosario Omaggio as his girlfriend .

The motion picture Squadra antiscippo or Cop in Blue Jeans or Brigada Todo Terreno (1976) was professionally directed by Bruno Corbucci, Sergio Corbucci's brother . Bruno wrote and directed various Hill-Spencer films as ¨Banana Joe¨ , ¨Miami Supercops¨ , ¨Par-Impar¨ , ¨Cat and Dog¨ and ¨Aladdin¨ . He was a prolific writer and director , writing the famous cult Spaghetti : ¨Django¨ and many others . If you love the Tomas Milian's other movies, go for it , and if you've never seen one this is an acceptable start ; but being especially appointed for Milian fans .This is an acceptable entertaining juvenile that will appeal to Italian thrillers buffs .

After the spaghetti western genre died in Italy, Italian filmmakers moved to cop movies. Like with spaghetti westerns, there were good and not so good efforts, this movie belonging to the latter category. Tomas Milian, an actor who's made an impression in other movies, seems kind of helpless here, thanks to the costume department dressing him up like a homeless person, and a screenplay that gives him very few opportunities to show some kind of character. Jack Palance is pretty much wasted - he only makes two very brief appearances in the first hour, and not much more in the last half hour. But the main problem with the movie is that it feels oh so tired. There are chases, punch-ups, and guns fired, but it all feels so mechanical. Maybe that's why the musical score plays the same bars of music over and over ad nauseum. Even die hard fans of Eurocult movies would be better off skipping this one.

Enjoyed this Italian Film, which had comedy, drama and plenty of gang-buster shootings and mob torture. Women seemed to get their clothes ripped off and also slapped in the face back and forth. There was some very clever old and young thieves who managed to rip off plenty of men and woman. Some of the police were former crooks and at times used this experience in their detective plans to catch the big mob fences, who did money laundering through out the country. Jack Palance of course played the king pin and was a bad guy who hid in an American Embassy. This is definitely a very low budget film, but great to see Jack Palance trying to make a few bucks.