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Smash-Up on Interstate 5

  • Fernsehfilm
  • 1976
  • Not Rated
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
6,0/10
556
IHRE BEWERTUNG
Smash-Up on Interstate 5 (1976)
Drama

Füge eine Handlung in deiner Sprache hinzuFlashbacks profile California motorists involved in a disastrous 39-car smash-up over a holiday weekend.Flashbacks profile California motorists involved in a disastrous 39-car smash-up over a holiday weekend.Flashbacks profile California motorists involved in a disastrous 39-car smash-up over a holiday weekend.

  • Regie
    • John Llewellyn Moxey
  • Drehbuch
    • Eugene Price
    • Robert Presnell Jr.
    • Elleston Trevor
  • Hauptbesetzung
    • Robert Conrad
    • Sian Barbara Allen
    • Buddy Ebsen
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    556
    IHRE BEWERTUNG
    • Regie
      • John Llewellyn Moxey
    • Drehbuch
      • Eugene Price
      • Robert Presnell Jr.
      • Elleston Trevor
    • Hauptbesetzung
      • Robert Conrad
      • Sian Barbara Allen
      • Buddy Ebsen
    • 28Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos31

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    Topbesetzung24

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    Robert Conrad
    Robert Conrad
    • Sergeant Sam Marcum
    Sian Barbara Allen
    Sian Barbara Allen
    • Barbara Hutton
    Buddy Ebsen
    Buddy Ebsen
    • Al Pearson
    Herb Edelman
    Herb Edelman
    • Danny
    David Groh
    David Groh
    • Dale
    Scott Jacoby
    Scott Jacoby
    • Lee Bassett
    Joe Kapp
    Joe Kapp
    • Officer Estevez
    Sue Lyon
    Sue Lyon
    • Burnsey
    Vera Miles
    Vera Miles
    • Erica
    Donna Mills
    Donna Mills
    • Laureen
    Harriet Nelson
    Harriet Nelson
    • June Pearson
    George O'Hanlon Jr.
    George O'Hanlon Jr.
    • Pete
    Terry Moore
    Terry Moore
    • Trudy
    Bonnie Ebsen
    Bonnie Ebsen
    • Penny
    Tommy Lee Jones
    Tommy Lee Jones
    • Officer Hutton
    David Nelson
    David Nelson
    • Berman
    Joel Parks
    • Andy
    Barry Hamilton
    • Randy
    • Regie
      • John Llewellyn Moxey
    • Drehbuch
      • Eugene Price
      • Robert Presnell Jr.
      • Elleston Trevor
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen28

    6,0556
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    Empfohlene Bewertungen

    7Brando10

    Time Clock

    I was 7 when this was on TV and was so hyped by the commercials for it. My favorite thing was the time clock in the corner of the screen: 40 minutes to smashup, 30 minutes to smashup, 20 minutes to smashup, etc. Obviously trying to keep people tuned in. And it worked!! At least for a 7 year old kid. My 10

    year old brother and I were on the edge of our seats, even tho we were sitting on the floor, our eyes glued to the screen. I was so excited by it waiting for the big smashup and was in heaven when it finally happened! Being kids we just wanted to see cars smashed, not concerned about anyones welfare. Awesome!
    Dethcharm

    "When You're Out On The Open Road, You Do A Lot Of Thinking!"...

    SMASH-UP ON INTERSTATE 5 begins with a brief introduction to the various drivers involved in the catastrophe of the title, before plunging us into the vehicular mayhem, complete with slow-motion impacts!

    Next, we're shown the lives of the victims, two days before the incident. This is made up of a true, all-star cast of 1970's TV luminaries, elder stars, and future celebrities.

    Robert Conrad is a highway patrolman. Vera Miles is the lonely Erica. Scott Jacoby is a small-time crook, who got mixed up with a fugitive from justice. Buddy Ebson and Harriet Nelson are a loving, retired couple. David Groh is a trucker. Sue Lyon is a biker chick.

    Even the co-stars are great! There's an impossibly young, Tommy Lee Jones as a cop, and Donna Mills as a pediatric nurse!

    Unlike many such films, the individual backstories are actually interesting. The characters are fleshed-out well, and carry on intelligent conversations. We come to "know" and care about these people. So, when disaster strikes, it's tragic, and not just another action sequence.

    Highly recommended, especially for the 1970's TV-movie connoisseur...
    6Coventry

    People are more than holiday weekend statistics

    Have you ever been in a severe traffic accident? I have... And even though it was nearly 20 years ago, I can assure you the narrated words during the opening sequences catapulted me straight back to the exact same sentiments I felt in the first hours and days after the accident. "For the majority of people, the victims of this smash-up will be nothing more than a holiday weekend statistic". That's also how I felt after I crashed into a tree on a Friday night and miraculously came out almost unharmed. In the blink of an eye, you're nothing more than a weekend traffic statistic. But behind every traffic casualty sits a person with his/her own story to tell, and that's what this modest but more than admirable made-for-TV disaster movie wants to emphasize.

    In the weekend leading up to the 4th of July, we follow of handful of seemingly random people living in the area between Los Angeles and San Diego. Now, from the title and the opening sequences we already know these same random people will be the ones heavily impacted by the traffic accident on Interstate 5 (39 vehicles, 65 injured, 14 deaths) but before that tragedy happens, they are all "common" people dealing with versatile issues, like accepting medical diagnoses, romantic dilemmas and running from the law. It's not exactly the most exhilarating segmented film ever made, but it perfectly does what it intends, namely giving a background to usually anonymous traffic accident victims.

    "Smash-Up on Interstate 5" can rely on the competences of the best TV-movie director in history, John Llewellyn Moxy, and has quite an impressive cast, with Robert Conrad, Vera Miles, Donna Mills, Scott Jacoby and Tommy Lee Jones. For the latter, it was still a relatively small role, in the period shortly before his breakthrough.
    Sargebri

    A New Setting for Disaster

    After years of disaster films set on planes, ocean liners and even on trains, we finally got one set on the freeway. Other than that, it is just like the rest of the seemingly endless parade of mid-1970's disaster epics. Also, the characters were just like the ones in the others. You had the lonely rich middle age lady who finds love with a trucker, the older couple facing a terminal illness, the young lovers on the run and the vengeful cop looking for his partner's killer. All of these characters could have been put on the plane, train or ship but instead they are all on a collision course on a major California freeway. Also, it was pretty interesting that this film began with the "smash-up" and showed all the events leading up to it and showing it again at the end and all the aftermaths. For all its faults, it still was a pretty good film.
    uds3

    Interesting little time capsule.

    Incredible that but for one review, and even that only two months ago, no-one has seen fit to comment all through the years on this above average telemovie. Inarguably dated now, as evidenced by the vehicles themselves, the flares, hair-do's and music, SMASH UP ON INTERSTATE 5 is a reasonably faithful reconstruction (disaster-movie style) of the events leading up to the true-life pile up not so many years earlier.

    Better than average script give the cast of well known actors and actresses something to work with. Robert Conrad, still looking the part of Jim West plays the police patrol officer most closely involved in the fifty car collision. Tommy Lee Jones, also a cop, looks like a youthful long haired refugee from WOODSTOCK and Buddy Ebsen is well, Buddy Ebsen, as always!

    The film does not attempt to sensationalise the events, merely presenting them as is, albeit with considerable literary license one suspects. The actual collision is quite well done for its day, showed in stop-frame at the beginning and in full gory detail at the conclusion. I have this film in our library and decided to compile this review having watched it this evening, the first time in ten years or so. An absolute time-capsule!

    Titled COLLISION COURSE in Australia, and several European countries.

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    Handlung

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    • Wissenswertes
      The exact site of the smash up is on the westbound side of Interstate 210 in La Crescenta, California, approximately one mile before the Sunland Boulevard exit. The freeway was under construction during filming in 1976, and was not open from Lowell Avenue to Sunland Boulevard. Corvette Summer (1978) used this same section of Interstate 210 in that film's finale.
    • Patzer
      At the end they state the accident was listed as an 11-79, accident due to mechanical failure. 11-79 is the code for accident with injuries, ambulance responding. The accident was not caused by a mechanical failure, it was caused by failure to maintain lane.
    • Zitate

      Barbara Hutton: Sam... Jimmy... Where's Jimmy?... Why isn't Jimmy here?..Somebody better tell me.

      Sergeant Sam Marcum: Barbara there was a shooting incident. He was on his way here... There was a shooting incident.

      Barbara Hutton: Shot?

      Sergeant Sam Marcum: [Sergeant Marcum knods his head yes ever so slightly]

      Barbara Hutton: He's dead. He was on his way over here.

      [breaks down crying]

      Barbara Hutton: Oh God! Oh God! He never got to see the baby. He's dead. He never even got to see the baby!

    • Verbindungen
      Referenced in Supporting Characters: Amanda Reyes (2017)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 3. Dezember 1976 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Katastroflarm på Highway 5
    • Drehorte
      • Interstate 210, La Crescenta, Kalifornien, USA(site of smash-up: westbound between La Tuna Canyon and Sunland Boulevard exits)
    • Produktionsfirma
      • Filmways Television
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    Technische Daten

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    • Laufzeit
      1 Stunde 40 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1

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