Krieg im Frieden

I am a sucker for survivalist films, men caught up in a situation, especially in isolated settings. This is that type of film, or at least starts out as one, but takes different turns that at first were disappointing, then when all was said and done were appreciated for their originality. The pacing, slow and thoughtful, throws some for a loop, but so did the climax for me, which shifts gears several times and catches you off guard before the credits roll. I defy anyone to nail where this film is going at any point, or figure out its message easily. Several social issues arise. I think you can project different meanings on this film. It has stuck with me.

Another thoughtful, slow and subtle film by the same director, in the Horror genre, is The Pyx (1973), also made in Canada. Director Harvey Hart has quite an interesting TV resume, including Alfred Hitchcock, Wild Wild West, Star Trek, Starlost and Colombo.

This hard to find drama about two hunting parties that decide to wage war on each other after a party member is killed from a previous encounter, seems at first promising, but after a ponderous snail-paced middle act, patchy characters and a somewhat unbelievable story to begin with, 'Shoot' begins to lose it's credibility with each slow moving scene.

Despite a half decent cast of it's day, the likes of Ernest Borgnine and Henry Silva have little to do, the pale script seemingly stretched just a little too thin for the film's running time, in fact the film seems a lot more suited to TV of which director Harvey Hart is more accustomed to. Cliff Robertson admittedly pulls off a hard driven performance as the unhinged Major Rex, however his character's actions do seem a little unbelievable and unintentionally funny at times as do the escalating events that lead the hunting party into more conflict.

Though an interesting premise, that could be easily mistaken for a John Woo plot if there ever was one, 'Shoot' suffers the most by it's shallow unlikeable characters and it's slow yet meticulous build up to the final bitter act, which when finally surfacing leaves the viewer feeling undeniably shortchanged.

I suspect the book this Canadian indie was based on is far superior to this low-budget adaptation. Two hunting parties cross paths in the Canadian woods, which ends with a man being accidentally killed. Cliff Robertson leads a group of military veterans, and when nothing is heard after the fact about the killing, he figures in his own bent way that the other party will be coming after his men and their families. He decides to take the offensive and leads his men back into the woods, this time armed with automatic weapons and full combat gear. Dull movie, mostly guys standing around talking. A great cast is largely wasted here, including Ernest Borgnine, Henry Silva, Kate Reid and Helen Shaver. Reid steals the show midway through as horny, drunken widow. But it's not enough to redeem this flick, which might have been better offered upas a made for TV job.

I honestly never intent to touch upon political themes in my film reviews, but I can't help establishing that some of the main topics in this 42-year-old movie are still incredibly relevant today. For you see, I'm writing this review just a few days after another terribly catastrophic mass shooting took place in an American high school (Parkland, Florida on Valentine's Day 2018) and naturally the debates regarding the controversial 2nd Amendment are held across the internet. These same socially sensitive debates are also already featuring in Harvey Hart's 1976 film "Shoot" and it remains a disturbingly realistic and uncomfortable sight to see how a man, with access to a nearly unlimited weapon arsenal, grows increasingly paranoid and bloodthirsty.

The film, adapted from a novel by Douglas Fairbairn that I would love to read, has a very simple but effective premise. Six middle-aged small-town buddies, former Vietnam veterans, meet on an ordinary Sunday morning to go hunting. They're strolling through the woods and make jokes, and then they spot another hunting party across a river. They first stare at each other when, suddenly and for no apparent reason, someone in the other group fires a shot in their direction. Wild gunfire ensues in which Zeke (Henry Silva) kills a hunter on the other side. When the group is back home, they are debating whether to report the incident to the authorities and they are quite astonished to learn that the other party didn't report it either. Rex, the self-declared leader of the pack, becomes more and more convinced that the other group is preparing a bloody retaliation and urges his pals to surprise them first.

Many of my fellow reviewers are giving a lot rating to "Shoot" because of its slow pacing and uneventful middle-section. It's undeniably true that the screenplay contains too many dull and overly talkative sequences, but the uncanny atmosphere remains throughout and the macho male performances keep you glued to the screen. Even during the slow middle section there are a few extremely powerful and memorable scenes, like when Rex visits the dead hunter's widow or when Ernest Borgnine gives his solid friendship speech at the meeting. The finale is vintage 70s survivalist/warfare spectacle. "Shoot" is not quite playing in the same league as "Deliverance" or "Southern Comfort", but it's nevertheless a highly recommended drama/thriller.

With Cliff Robertson, Ernest Borgnine, and Henry Silva on board, I was expecting a lot more than "Shoot" delivered. Character development is virtually nil, and Silva's part could easily been played by a no name actor. Sandwitched between the opening ambush and the final shootout in the snow, is some filler that has no bearing whatsoever on the outcome of the movie. A chatty widow and a friend's wife throwing themselves at Cliff Robertson feels like nothing more than script stretching. "Shoot"'s similarity to "Rituals" and "Hunter's Blood", two other "Deliverance" clones is unmistakable, but they are far superior movies. A BIG letdown. - MERK