Shadow of the Hawk

Although somewhat forgotten over time, this is an entertaining film combining drama, suspense, supernatural horror, and American Indian mysticism. Jan-Michael Vincent plays Mike, the Westernized grandson of a veteran Indian medicine man, Old Man Hawk (Chief Dan George). The old man makes a very long trek to the city to enlist the grandsons' help in defeating an ancient, vengeful entity terrorizing the old mans' tribe. Marilyn Hassett plays Maureen, a freelance reporter looking for a story and who gave the old man some assistance.

There are some effective moments in this little picture, especially the harrowing one with Vincent, Hassett, and George on a rickety wooden bridge. It's also impressive when the old man erects an "invisible wall" into which a car crashes. It all takes place among some magnificent British Columbia (Canada) scenery, and is accompanied by majestic music composed by Robert McMullin. Mike will have to ultimately face the demonic Dsonoqua (played by the alluring Marianne Jones) on his own, as well as her minions and one persistent black bear. The presence of a mystery figure, who wears a creepy mask, is another solid touch, and this figure will repeatedly appear in Mikes' visions. Although, as I said earlier, Mike is very much a Westernized character, he *will* end up embracing his heritage and his heroic destiny.

Vincent is solid in one of the vehicles from the peak period of his career, when he hadn't fallen victim to his own demons. Hassett doesn't get much to do that's actually interesting, but she is likeable as well. Chief Dan George is excellent as the mystical elder who knows all the right things to do and say, and who knows that being laid up in a hospital being treated with ineffective Western medicine will do him no good.

Overall, this is a decent little picture, spooky when it needs to be and consistently atmospheric. It's worth a look.

Seven out of 10.

I really liked the first 45 minutes of this one. Usually, films made around this time come across to me anyway as pretty dated and they usually are trying so hard to be 'cool' that they come across as pretty lame. But, this director really sets a nice moody atmosphere which fits the Native American story really well. Very good use of visuals and I loved the soundtrack on this first half and felt that it was very effective.

BUT... from about the part with the guy in the bear suit... Well... that was pretty dang funny. And then they wandered around a lot during the 2nd act. The 3rd act got a bit more interesting where the Chief was preparing his grandson in order to pass his powers on to him. Again, in the cave and towards the end the effects with the faces of the Evil Ones, I thought it was fairly effective.

I'm not familiar with the woman who played the lead, but I was quite impressed with her very naturalistic and pleasant performance. Again, so many times films made during this time the characters were so artificial and irritating, but I think her character was truly one of the very best I've seen from around that time. The old Chief was pretty good too with a nice, natural, earthy style and just a shade of dry humour.

There was a scene where the Evil Witch Woman was doing this ritual to conjure the snake. It actually caught me a bit off guard with how sensual it was in a very naughty way. Many things could have come across as extremely CHEEEEZY in this film, and some do, but I honestly felt that the director particularly (although I don't think I am familiar with his work) had a good sense for what visuals, sound, and timing had the most effect.

The Blu-ray is unusually sharp and the picture quality is superb. The locations and cinematography are lovely. The sound is done very well. I really loved the soundtracks to Horror movies around that time and slightly earlier because they were more heavily used and if effectively done could really added to the mood of a film. A great example is the 1973 Telefilm 'A COLD NIGHT'S DEATH' There are only two actors, Robert Culp and Eli Wallach, and almost all the scenes take place in this one isolated research station in the Arctic. But, the use of sound is so effective that what could have been very static, boring, repetitive shots really came across as extremely dramatic and scary. The first half of this film is like that.

The 2nd half after the guy in the bear suit does start to come across more loosely and not as good. But, there are some good atmospheric moments here and there. If he had been able to sustain the same level of mood and tension in the 2nd half, then I think it would have been a really good film with nice Native American Spiritual overtones. As it is, I basically give it pretty much what the average rating most others gave it. But, overall, if you look past some of the goofier parts, there are some great, effective moments in it. Watch out for that rather sexy ritual part. It just might catch you off guard too : )

A likable enough film that didn't really grab a hold of me. Chief Dan George, previously seen in Little Big Man, made earlier and Outlaw Josey Wales, made the same year was born in 1899 on a Canadian Indian reservation and here plays an old medicine man seeking to pass on his powers (and responsibilities) to his grandson as he makes his way back to his village for the last time. There are some amazing sequences, notably a hand to hand fight with a black bear and others involving a strange car and a rope and slat bridge high above the rapids. Indeed the Canadian location shooting is ever impressive and if the tale starts to drift towards the end there is enough here to engage those looking for something a little different.

This movie like a lot of them made in the 70's contains an interesting plot and some substance. It gives a subtle touch of spirituality and some thrilling scenes of action and even creepiness. The characters seem convincing in their roles and the old man ( played by Chief Dan George) has a lot of personality in which he speaks very little being a very wise powerful medicine man. The other characters seem to pull of f their roles as well with the acting being realistic and not forced or awkward. I found the suspense in this movie to be "real" without all the special effects thrown in to make it look over the top and ridiculous like a lot of action flicks out there today. I guess you can think of this movie as one that leaves you with a good feeling at the end. The score of nine may seem a little high but I feel it really deserves it , due to it's subtle way of telling the story and leaving it up to the person watching the film to exercise their imagination. Also I think being someone who saw this film when it originally was released it brings back some memories and didn't disappoint years later when I watched it again for maybe the third or fourth time. A lot of movies that you had watched growing up appear a little different as you remember them but this one is in good standing. I also think that this movie is my favourite among the Native North American themes.

Jan Michael Vincent is very good in this role as "Hawk", the grandson of a Native American medicine man, played by the venerable Chief Dan George. The plot? He must return to his tribe to safeguard them from an evil spirit. Along the journey through absolutely beautiful Northwest woods, Hawk, his grandfather and girlfriend must face attacks from both spirit and flesh and blood foes. An exciting and sometimes rather spooky road-trip. I give it ***1/2 out of *****.