Queen Gorilla

"Queen Kong" has been hard to find on DVD or even video until very recently. Sadly it really isn't worth the effort, but there are many laughs to be had at how bad it is.

The film parodies the exact same plot as the famous classic, the twist here being that all the genders have been reversed. I don't think that would ever have worked as a movie, but as the budget here is so excruciatingly low, it is doomed no matter how funny the jokes are...and they are NOT. The general tone is something along the lines of a1970's Benny Hill special, most obvious in a scene when the lady jungle explorers walk past a giant Muppet-style animated plant tendril which proceeds to grope them in the boobs and bums as they jiggle past, squealing in light hearted protest. Yes folks, it really is that low. Well maybe that's harsh, in fact "light-hearted" is quite an apt description, as nearly all of the cast behave as though they are convinced that nobody is ever going to see this movie and they all just enjoy themselves without trying to actually do any acting at all.

I'll take Rula Lenska out of that observation though, as she does actually apply herself to the thankless role of "Luce Habit" the movie director and big game hunter, even though the lines she has to say are all toe-curlingly awful. It seems to me like the whole movie script was worked out on one evening in a bar and written on a napkin. In contrast to Rula Lenska, Robin Askwith behaves like he's got no brain at all.

The giant ape herself doesn't look too bad (yes - I was surprised too!), but no real effort is made to make her look 64 feet tall...she's constantly filmed next to very ordinary bushes and shrubs that never look remotely like full sized trees. Amazingly, there are some very large and not too shabby miniature sets made up to look like Tower Bridge and other parts of London, but sadly the budget must have been used up on making Tower Bridge, as when Queen Kong climbs Big Ben, they blend her image with just a photograph of the tower, and we only ever see the pointed roof in close up! What really screws "Queen Kong" into the ground is the really, REALLY, bad jokes in the script, which honestly would have been turned down by even the lamest TV sitcom. Very funny jokes would have made the threadbare production values bearable, but as it stands there's nothing good coming at you from any angle. Only the rarity of the movie makes this DVD worth tracking down.

This gender bent spoof of King Kong was hard to see until the advent of DVD. Thats a shame because its better than the film that producers of the remake of King Kong unleashed on the unsuspecting world. Having not pretense at being anything other than a send up this film lets it all go in what is mostly a good but really dumb comedy. The problem with the film is that even at a running time of around 80 minutes this movie is way too long. There is only enough material to sustain a 20 minute short and its stretched to fill a feature. The lack of material leaves many dead spots and allows for some really bad material to creep in. Had this been shorter it would have been better (say as a sketch on SNL), but as it stands now its a very interesting side note to the debacle that was the 1976 King Kong remake.

The film stars Robin Askwith as Ray Fay, Rula Lenska's character (a film director) is called Luce Habit. There's a few other recognizable actors in the film, well I recognized them - Carol Drinkwater (The first Mrs.Herriot from the BBC TV series All Creatures Great & Small)), Robin worked with the second Mrs.Herriot Linda Bellingham in "Driving Instructor" so I guess Robin and Christopher Timothy have something in common (though I doubt Robin had an affair with Drinkwater), the other recognizable actors are Valerie Leon of Carry On fame, and Linda Hayden in a cameo role playing a Singing Nun.

Here's the plot - Luce is filming in the jungle, her lead actor can't handle the riggers of the job and storms out of the camp, which is appropriate because he plays a "Camp" character. So Luce goes to London searching for a new male lead, "he has to be gentle yet strong and manly", guess who she picks. Luce drugs Ray and takes him to the jungle Island Lazanga "where they do the Conga" to finish her film. While filming of course they discover a village of maidens led by Valerie Leon as the Bikini clad High Priestess, of course they decide Ray a perfect sacrifice for Queen Kong, so they capture him and leave him on a giant table inside a cake for Queen Kong to eat. Of course Queen Kong doesn't eat Ray, but she does fall in love with him. The rest of the story is pretty much like the original King Kong, they take Queen Kong to England and all hell breaks loose.

The opening credits song for Queen Kong has to be heard to be believed, here's the lyrics - Queen Kong, Queen Kong Queen Kong is the chick with all the hair Queen Kong comes from I don't know where Kong Kong Kong Kong Kong Kong Queen Queen Queen Queen Queen, Queen Kong She's a Queenie who aint weenie She's a Queenie Queenie Queenie for my weenie When I'm feeling mighty spunky I want to do it with my hunky monkey Queenie Queenie Queenie Queenie, Queen Kong Kong Kong Kong Kong, Queen Kong

Queen Kong is riddled with bad jokes, but Robin & Rula deliver them without batting an eyelid, here's one of the early ones in the film that made me cringe, Robin's begging for a joint from some hippies - "Hey man have you got a joint, come on just let me have one please, I won't bother you again" the Hippie says "know man you're always after a joint, you say just one, but you keep coming back for more, beat it man, I said beat it man" Robin says " I tried beating it, but the Pope said it was wrong". Here's one of Rula's, Robin says " look at that great wall, what lies behind that great wall" Rula's reply "the Chinese have always lied behind the great wall"

The special effects for Queen Kong (if you can call them special) are terrible, they quite fit the film though, I have a feeling they're extra lo w budget on purpose.

OK, I liked the film, it kinda had the same feel as a Leslie Nielson "Naked Gun" film, and there's a link, the Queen impersonator in the first Naked Gun movie also appears in Queen Kong. Queen Kong definitely deserves to be taken from the vault and released properly, I would love to one day own a special edition widescreen version on DVD, with a commentary by Robin and Rula, but that'll probably never happen. But hey! Tim Burtons doing a remake of Planet Of The Apes, maybe with all the monkey hype that's going to be hitting us next year, someone might figure let's cash in, just a fantasy I know.

Never has a film contained so much embarrassment. Not only on the part of the directors, producers, writers and actors, but on the person who has accidentally been duped into watching it. Perhaps the first thing I should say is that I watch bad movies - BAD movies - all the time. They don't phase me, I can sometimes see things in bad films that others can't. Maybe those things aren't there. Either way, bad movies get a lot of bad rep.

Farouk (Frank) Agrama's 1976 atrocity, Queen Kong, is almost certainly the worst film I have ever seen. Worse than Plan 9. Worse than Raiders of the Living Dead. Worse than Bride of the Monster. It is about 750 billion times worse than the Dino DeLaurentiis remake of King Kong and about 984 billion times worse than Peter Jackson's over-long take on the story.

Frankly, this film was doomed from the start. It was produced by Harmony Gold, a typically useless independent company (though they managed to drag themselves out of the gutter in the 80's and are now quite reputable). The writers/producers Ronald Dobrin (Robin Dobria) and Farouk Agrama (Frank Agrama) have assembled one of the worst casts, constructed THE worst ape suit and hired the least skilled effects technicians. The result is, as you can imagine, not pretty.

Much of the film takes place in Lazanga (where they do the Konga...apparently) though you would be forgiven for mistaking it for the English countryside. Combined with the bottom rate acting of Robin Askwith (better know for "Confessions of a Window Cleaner" which is hardly Citizen Kane) and the obviously embarrassed Rula Lenska, this is indeed a depressing affair. The utterly ridiculous ape suit is beyond laughable - much like the film itself - it is just depressing.

As the location moves to London (which recreates the theater scene from the 1933 King Kong in a cheaply designed open air setup) the script descends even further and the production values crash and burn. Surprisingly, it isn't the first time London has been ravaged by a giant ape (see 1961's KONGA) but it IS the first time the ape has looked so unconvincing. Cue cut scenes of postcard London landmarks and a dire-straits intimate moment between Queen Kong and Ray Fay (like Fay Wray - geddit?). Before you know it the film is over and you have lost 90 minutes of you life.

If you want to see a bad film, watch Agrama's 1980 effort (Dawn Of The Mummy) and avoid this one. It is beyond being simple 'bad', it is a crime against cinema (it seems that Paramount Pictures agreed, they attempted to sue Harmony Gold in 1976). This film is also guilty of theft. It WILL steal 90 minutes from you which you WON'T get back. Go ahead, call the police, they won't be interested! Do yourself a favour. Don't. Just don't.

What is most profoundly remarkable about 'Queen Kong' is that as it begins, the movie demonstrates genuine promise. Over the top as everything immediately is, my reaction wavered between delight and dismay - before I had time to process one passing moment, the mood flipped with the next. Yet overall my initial response was laughing with the picture, more heartily than I have in a little while. There were some great ideas to start, and my hopes were raised.

Unfortunately, that positive first impression is not maintained after about the first ten minutes. The entertainment only ever diminishes, and watching becomes a bit of a chore well before the end credits roll.

This is unquestionably a parody, so unserious in that angle as to occasionally include humor referential or non sequitur, and break the fourth wall. More than that, of course - for whatever jokes and absurdities are included along the way, 'Queen Kong' is above all an obvious direct send-up of the 1933 classic 'King Kong,' lampooning each and every story beat for comedic effect. By all means, there's nothing inherently wrong with this; spoofs can be very funny and enjoyable.

It's hard to describe what went wrong with this particular film, but what it comes down to is that the attempts at comedy mostly just aren't funny as meager cleverness quickly gives way to tired mediocrity. It doesn't help that the writing and direction is pointedly gauche and careless. I can appreciate that for some viewers idiosyncrasies such as featuring a flubbed line in the final cut, or disregarding internal consistency and continuity, may be endearing, and part of the fun. For me, it disrupts suspension of disbelief, and so thoroughly befuddles as a film-making peculiarity as to at best distract from whatever transpires next. And then there scenes that serve no purpose whatsoever - if 'Queen Kong' were made in 2021, Linda Hayden's involvement may be chalked up to a crowdfunding stretch goal that was surpassed, and so an unnecessary moment is forced in as wish fulfillment to cast a noteworthy star. The course of events that led to her addition in 1976 are mysterious to me: Favor for a friend? Contractual obligation? Who knows.

The movie tries to ham-handedly include themes including sexism, and feminism, comparing the plight of Queen Kong to the treatment of women in contemporary society. Were the screenplay strong enough to support the argument, I could even back the thesis that the lead character of Luce Habit, in her ambition and ego, is in part a reflection of how all too often "breaking the glass ceiling" really means nothing more than writing female-coded figures in the same way that male-coded figures would be. However, these notions are not approached with any real effort, or especial sincerity - and are further undercut by writing and camerawork that illustrates the male gaze. Does 'Queen Kong' actually want to explore these themes, and just fails to do so? Does it want to cheekily play off these themes, and just isn't funny enough to show it? It's impossible to say for sure, just as it's impossible to tell the intent or awareness behind passing dialogue or moments that toe the line with racism, or homophobia.

I was genuinely excited when I first started watching, because the earliest scenes defied the poor reception this film had otherwise seemed to elicit. But disappointment soon took over, turning increasingly to a sense of embarrassment. I don't doubt for one instant that there are folks who love the sort of movie 'Queen Kong' is, and find this specific picture an absolute charm. I am glad for them. What I see, however, is a feature with varying and uncertain levels of labor, diligence, earnestness, and discretion - but a level of humor and amusement that is dependably very low, or absent.

Oh well.