IMDb-BEWERTUNG
6,7/10
814
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA police commissioner forms a secret motorized brigade in order to fight a dangerous terrorist who is depositing bombs throughout the city of Turin.A police commissioner forms a secret motorized brigade in order to fight a dangerous terrorist who is depositing bombs throughout the city of Turin.A police commissioner forms a secret motorized brigade in order to fight a dangerous terrorist who is depositing bombs throughout the city of Turin.
Dino Emanuelli
- Gianni Luciano
- (as Bernardino Emanuelli)
- …
Umberto Amambrini
- Gangster
- (Nicht genannt)
Ugo Ballester
- Journalist
- (Nicht genannt)
Erminio Bianchi Fasani
- Policeman in Interrogation Room
- (Nicht genannt)
Empfohlene Bewertungen
While not the shiniest star in the euro-crime lineup, this film features lots of tense thrills and the most impressive car stunts you'll see this side of William Friedkin.
Marcel Bozzuffi makes for an interesting hero, not having the classic good looks of, say, Franco Nero, Fabio Testi, or Maurizio Merli. He DOES however know how to carry an emotional performance, playing the role perfectly of a motivated police inspector pushed even further to the edge by the cold-blooded murder of his wife.
Bozzuffi imposes a pretty heavy carbon footprint with his 4-man squad of hotshot stuntman policemen on noxious motorcycles. One of them in particular gets to play dashing playboy and involve himself with TWO women of interest who just happen to have a connection to an ex-con (Antonio Marsina) they're trying to catch before he and Ivan Rassimov succeed in blowing up the city with non-nuclear suitcase bombs. Was this hotshot hero aware of these girls' proximity to villains or just fell into relationships with them as part of a heavily unlikely coincidence? The film doesn't really ever tell you, covering up its many plot holes and contrivances with stylish chase scenes, fist fights, a couple gun battles, explosions, and a surprise gore scene for when a poor criminal tries (unsuccessfully) to grab onto an escape car.
While genre fans may be disappointed to see so few of the regular stock of Euro-henchmen get whacked this time around, we do find solace in having Ivan Rassimov take up so much screen-time in his most demented role yet as a psychopathic anarchist out to collect a heavy ransom at all costs with no qualms about murdering anyone and everyone in his way or on his own side. He becomes so tied to his detonator murder- mobile (complete with ominous and catchy Stelvio Cipriani theme) that you'll never look at a French Citroen the same way again. Between him, Marsina, and a particularly icky-looking Franco Garofalo, the villains of this film all come off as particularly loathsome, giving the audience plenty to celebrate should they be bumped off.
Fans of motorcycle exhaust, dangerous crashes, colt .38 shooting, and hand-held shots of public bomb explosion aftermath will get a kick out of this movie. Dallamano took this genre seriously and thankfully avoids most of the idiocy inherent among other films of the Italian Motorcycle Cop subgenre. Also be sure to check out the spiritual successor to this film, STUNT SQUAD, which came the next year for more of the same. Unfortunately Dallamano didn't return to direct it... 'cuz he died.
Most notable for its very prescient casting of a pre-famous Grace Jones as a nightclub singer (singing a Stelvio Cipriani song no less, only to later pop up in NIGHTMARE CITY) and far worse dubbing than usual from the regular gang of English language voice actors you'll hear in Italian movies. I suppose it was more difficult to read and match actor lip-movements while they're behind reflective glass via projector in a 1970's Roman soundbooth than it is on an HD television in 2017, so Ted Rusoff and the gang get a bit of a pass from me on this one. His stellar voice performance for Bozzuffi on the English track more than makes up for it.
Marcel Bozzuffi makes for an interesting hero, not having the classic good looks of, say, Franco Nero, Fabio Testi, or Maurizio Merli. He DOES however know how to carry an emotional performance, playing the role perfectly of a motivated police inspector pushed even further to the edge by the cold-blooded murder of his wife.
Bozzuffi imposes a pretty heavy carbon footprint with his 4-man squad of hotshot stuntman policemen on noxious motorcycles. One of them in particular gets to play dashing playboy and involve himself with TWO women of interest who just happen to have a connection to an ex-con (Antonio Marsina) they're trying to catch before he and Ivan Rassimov succeed in blowing up the city with non-nuclear suitcase bombs. Was this hotshot hero aware of these girls' proximity to villains or just fell into relationships with them as part of a heavily unlikely coincidence? The film doesn't really ever tell you, covering up its many plot holes and contrivances with stylish chase scenes, fist fights, a couple gun battles, explosions, and a surprise gore scene for when a poor criminal tries (unsuccessfully) to grab onto an escape car.
While genre fans may be disappointed to see so few of the regular stock of Euro-henchmen get whacked this time around, we do find solace in having Ivan Rassimov take up so much screen-time in his most demented role yet as a psychopathic anarchist out to collect a heavy ransom at all costs with no qualms about murdering anyone and everyone in his way or on his own side. He becomes so tied to his detonator murder- mobile (complete with ominous and catchy Stelvio Cipriani theme) that you'll never look at a French Citroen the same way again. Between him, Marsina, and a particularly icky-looking Franco Garofalo, the villains of this film all come off as particularly loathsome, giving the audience plenty to celebrate should they be bumped off.
Fans of motorcycle exhaust, dangerous crashes, colt .38 shooting, and hand-held shots of public bomb explosion aftermath will get a kick out of this movie. Dallamano took this genre seriously and thankfully avoids most of the idiocy inherent among other films of the Italian Motorcycle Cop subgenre. Also be sure to check out the spiritual successor to this film, STUNT SQUAD, which came the next year for more of the same. Unfortunately Dallamano didn't return to direct it... 'cuz he died.
Most notable for its very prescient casting of a pre-famous Grace Jones as a nightclub singer (singing a Stelvio Cipriani song no less, only to later pop up in NIGHTMARE CITY) and far worse dubbing than usual from the regular gang of English language voice actors you'll hear in Italian movies. I suppose it was more difficult to read and match actor lip-movements while they're behind reflective glass via projector in a 1970's Roman soundbooth than it is on an HD television in 2017, so Ted Rusoff and the gang get a bit of a pass from me on this one. His stellar voice performance for Bozzuffi on the English track more than makes up for it.
Captain Vanni(Marcel Bozzuffi)kills the brother of the vicious crime boss Marsiglese a.k.a. Black Angel(Ivan Rassimov)during warehouse shoot-out.Angry Marsiglese murders Vanni's wife in front of their kid.After the funeral his superiors decide to create special team of four motorcycle riding cops with Colt 38 pistols.Marsiglese returns to Torino with a gruesome plan which involves explosives hidden in suitcases plus plenty of ordinary people killed during detonations in public places.Very violent and exciting Italian polizioteschi flick with fantastic car/motorcycle chase sequences and some spectacular explosions.The acting by Marcel Bozzuffi and Ivan Rassimov is great as is the score of Stelvio Cipriani.8 Colt 38 pistols out of 10.
Colt 38 special squad is a rare breed in the poliziotteschi genre. Excellent shot and filled with great casting, cinematographer/director Massimo Dallamano really comes trough on this one. Known for his outstanding camera precision on the Sergio Leone trilogy Colt 38 grapes you all the way. Of course there are a lot good examples for movies in those Italian cop/crime films.Like Milano Calibre 9 or The big racket. But Colt 38 special squad belongs among those films. Rather than just focusing on the usual violence this one delivers also a other angle, those of the mental-pain and struggle. Like a real pro Massimo let's you get involved in those characters and start to care form them. With all well paced storytelling we follow French crime lord Ivan Rassimov as the Dark angel in his mad rage against the city and his cops. Expeccialy against Marcel Bozzuffi as hard boiled Capitan Vanni. An old beef is going on between the two of them. Personal as can be, Vanni and his special crew of cops now not only arresting the locals bastards but are also mix up in the personal vendetta between Vanni and the crew of Dark Angel. The result is well packed storytelling with some brutal, but subtle action. Colt 38 is a well crafted movie with memorable scenes. Think in the line of city bombing and care chases. Rassimov is one's of the most cool killers. But really, Vanni is stealing the show in my opine that is. Of course also in real life those guys competing. Both are die hard actors. Dirty rotten by all those amazing scripts in there carrier. Kinda like De Niro and Pacino in Heat. Do not make the mistake of thinking less about this movie in budget ways. It's great cinema and a prime example of Polliziotesschi madness. Not to be missed
Quelli della calibro 38 (1976) turns out to be interesting and plenty of vivid action , suspense and thriller . Marcel Bozzuffi's nice performance as two-fisted Inspector Vanni, the brave and taciturn inspector who utilizing his long pistol kills baddies , acting as a judge , jury and executioner . It packs intrigue , violence, action-filled and being a really effective film. A nail-biting thriller in which Inspector Vanni (Marcel Bozzuffi) attempts to bring Turin's most powerful crime lord and psychotic murderer to justice. That's why the police commissioner forms a well-trained secret motorized brigade in order to fight a dangerous terrorist who is depositing bombs throughout the city of Turin. Vanni attepts to track down Marsigliese/Black Angel (Ivan Rassimov), his henchman Guido Pugliese (Antonio Marsina) and other hoodlums in an effort to catch them at whatever cost, as he'll stop at nothing to get it . Vanni pursues the revenge-obsessed series killer and encounters he has more problems with him than he expected and eventually taking the law into his own hands . Rule-breaking Vanni strides grimly throughout Turin in pursuit the murderous, including thrilling pursuits, motorcycles and car chases . Whatever your reservations about Vanni's expeditious methods we know he'll always vanquish, shooting in cold blood with his pistol: 'calibro 38'. Inspector Vanni makes Dirty Harry look like Mr. Clean! .He lives by the law - Vanni's Law .Vigilante enforcers - lurking in the dark... waiting to kill!
Effective installment in Poliziesco genre is still gripping and moving. 'Poliziesco' or Poliziottesco' was an Italian popular genre from Seventies , whose main representatives were: Maurizio Merli, Franco Nero, Fabio Testi or Tomas Milian, that include notorious films as Street Law (1973), High Crime (1974), Milano odia: la polizia non può sparare (1974), Free Hand For a Tough Cop (1976) , Brothers Till We Die (1978) , From Corleone to Brooklyn (1979), Poliziotto solitudine e rabbia (1979), Speed cross (1980), Speed driver (1980), they were the most successful and brutal of these kinds of thrillers. Quelli della calibro 38 (1976) stars Marcel Bozzuffi who plays adequately the two-fisted, rule-bending Inspector Vanni, while seeks vengeance, chases mobsters and a maniacal, trigger-happy assassin called Black Angel. Bozuffi already played a classic thriller: 'William Friedkin's French Connection', performing a nasty mobster. As iconoclast , tough cop Vanni/Bozuffi) tries to detain the vicious killer and other cronies who are kidnapping, exploding bombs in markets, bus station and other public places, he takes on criminals determined to bring them to justice, even if he has to break some rules. Co-starring as a ruthless villain is Ivan Rassimov. Italian of Croatian origin Ivan had a fruitful career until his early death, although he was often cast as villains, from Nazi soldiers and gunmen to tough guys suspected of murder. Rassimov also occasionally played the good guys and saw it as a novelty in his bad guy roles. From playing a police detective, a cowboy, an archaeologist and even a psychiatrist in Mario Bava's last theatrical film Shock or Beyond the Gate (1977). Ivan starred in Giallos: Perversa Señora Ward, Vicios Forbiddenes and some Spaghetti Westerns like Django If You Want to Live... Shoot, Cowards Don't Pray, Non Spettare Django, Spara and Cjamango. He was most often seen as a male hero of Italian cannibal films acting alongside Me Me Lai in three of them, the most notable being Man from Deep River, Jungle Holocaust and Eaten Alive. Fine main and support cast giving acceptable , tough some exaggerated interpretations . Good secondary cast -usual in B Italian genres- gives cool performance, such as: Carole André (of Kabir Bedi's Sandokan series), Riccardo Salvino, Antonio Marsina , Franco Garofalo and brief apperance from Grace Jones singing a a disco-song.
Quelli della calibro 38 (original title) or Colt 38 Special Squad(English) or Section de choc (France) (1976) is a formula thriller with plenty of action , crisply edition , tension, intrigue , suspenseful and lots of violence in exploitation style. There are images of strong violence, bone-chilling shootouts and impressive car and motorcycle chases, with spectacular races of vehicles bouncing through the air and a 'Sinca' car at full speed going through the fields and along a transport train. Special mention for the stinging , stabbing musical score by Stelvio Cipriani. As well as atmospheric and adequate cinematography by Gábor Pogány , shot completely in Turín, Italy and Monaco . The motion picture was competently written and directed by Massimo Dallamano or ¨Max Dillman¨ in his last one, after a long career both cameraman and director. Compellingly mafde by Massimo Dallamano , he turned to cameraman to director of Spaghetti Westerns and polizieschi , which rejuvenated his confidence and his popularity . He previously photographed ¨Fistful of dollars¨and ¨For a fistful dollars more. Dallamano managed to make a fluid , witty and agreeable Giallo titled La morte non ha sesso (A Black Veil for Lisa) . He also proved his experience in thriller and other Giallo movies , such as : "What Have You Done to Solange?" , "The Cursed Medallion" ,¨Portrait of Dorian Gray ¨ , "Mafia Junction" , "What Have They Done to Your Daughters?" or "The Coed Murders" , among others . "Colt 38 Special Squad" Rating 6/10. Well worth watching . The flick will appeal to Poliziesco enthusiasts.
Effective installment in Poliziesco genre is still gripping and moving. 'Poliziesco' or Poliziottesco' was an Italian popular genre from Seventies , whose main representatives were: Maurizio Merli, Franco Nero, Fabio Testi or Tomas Milian, that include notorious films as Street Law (1973), High Crime (1974), Milano odia: la polizia non può sparare (1974), Free Hand For a Tough Cop (1976) , Brothers Till We Die (1978) , From Corleone to Brooklyn (1979), Poliziotto solitudine e rabbia (1979), Speed cross (1980), Speed driver (1980), they were the most successful and brutal of these kinds of thrillers. Quelli della calibro 38 (1976) stars Marcel Bozzuffi who plays adequately the two-fisted, rule-bending Inspector Vanni, while seeks vengeance, chases mobsters and a maniacal, trigger-happy assassin called Black Angel. Bozuffi already played a classic thriller: 'William Friedkin's French Connection', performing a nasty mobster. As iconoclast , tough cop Vanni/Bozuffi) tries to detain the vicious killer and other cronies who are kidnapping, exploding bombs in markets, bus station and other public places, he takes on criminals determined to bring them to justice, even if he has to break some rules. Co-starring as a ruthless villain is Ivan Rassimov. Italian of Croatian origin Ivan had a fruitful career until his early death, although he was often cast as villains, from Nazi soldiers and gunmen to tough guys suspected of murder. Rassimov also occasionally played the good guys and saw it as a novelty in his bad guy roles. From playing a police detective, a cowboy, an archaeologist and even a psychiatrist in Mario Bava's last theatrical film Shock or Beyond the Gate (1977). Ivan starred in Giallos: Perversa Señora Ward, Vicios Forbiddenes and some Spaghetti Westerns like Django If You Want to Live... Shoot, Cowards Don't Pray, Non Spettare Django, Spara and Cjamango. He was most often seen as a male hero of Italian cannibal films acting alongside Me Me Lai in three of them, the most notable being Man from Deep River, Jungle Holocaust and Eaten Alive. Fine main and support cast giving acceptable , tough some exaggerated interpretations . Good secondary cast -usual in B Italian genres- gives cool performance, such as: Carole André (of Kabir Bedi's Sandokan series), Riccardo Salvino, Antonio Marsina , Franco Garofalo and brief apperance from Grace Jones singing a a disco-song.
Quelli della calibro 38 (original title) or Colt 38 Special Squad(English) or Section de choc (France) (1976) is a formula thriller with plenty of action , crisply edition , tension, intrigue , suspenseful and lots of violence in exploitation style. There are images of strong violence, bone-chilling shootouts and impressive car and motorcycle chases, with spectacular races of vehicles bouncing through the air and a 'Sinca' car at full speed going through the fields and along a transport train. Special mention for the stinging , stabbing musical score by Stelvio Cipriani. As well as atmospheric and adequate cinematography by Gábor Pogány , shot completely in Turín, Italy and Monaco . The motion picture was competently written and directed by Massimo Dallamano or ¨Max Dillman¨ in his last one, after a long career both cameraman and director. Compellingly mafde by Massimo Dallamano , he turned to cameraman to director of Spaghetti Westerns and polizieschi , which rejuvenated his confidence and his popularity . He previously photographed ¨Fistful of dollars¨and ¨For a fistful dollars more. Dallamano managed to make a fluid , witty and agreeable Giallo titled La morte non ha sesso (A Black Veil for Lisa) . He also proved his experience in thriller and other Giallo movies , such as : "What Have You Done to Solange?" , "The Cursed Medallion" ,¨Portrait of Dorian Gray ¨ , "Mafia Junction" , "What Have They Done to Your Daughters?" or "The Coed Murders" , among others . "Colt 38 Special Squad" Rating 6/10. Well worth watching . The flick will appeal to Poliziesco enthusiasts.
COLT 38 SPECIAL SQUAD is a typical example of the Italian polizia flick, so if you're wondering what a Dirty Harry-inspired police film from the '70s looks like, then look no further than this. It's a film which exemplifies the best of a genre that's still hidden from most film fans today, who are missing out on the delights of Maurizio Merli and his contemporaries beating the hell out of criminal scum.
Although this film doesn't boast any roles for big Hollywood names or familiar genre fans, it proves to be distinctly above average. That's because it tells a complex, action-packed story at speed, never slowing down for a second. There are robberies, kidnappings, assassinations, terrorism and even a bombing campaign, all delivered in a typically gutsy, as-it-is kind of way, free of sentimentality, the focus on the realism. Massimo Dallamano's camera never sits still for a second in depicting a kinetic struggle between criminals and the police.
The essential story involves Marcel Bozzuffi (THE FRENCH CONNECTION) playing a tough Inspector with a personal vendetta against a criminal gang. He sets up a special squad, all armed with powerful handguns and motorbikes, to track down and take out the criminals, but of course it doesn't go according to plan. Although the way, the haunted Carole Andre gets caught between cops and bad guys, and Ivan Rassimov once again tackles the role of criminal mastermind. It goes without saying that the various action bits – shoot-outs, car chases, you name it – are second to none and miles ahead of most of what Hollywood churns out today.
Although this film doesn't boast any roles for big Hollywood names or familiar genre fans, it proves to be distinctly above average. That's because it tells a complex, action-packed story at speed, never slowing down for a second. There are robberies, kidnappings, assassinations, terrorism and even a bombing campaign, all delivered in a typically gutsy, as-it-is kind of way, free of sentimentality, the focus on the realism. Massimo Dallamano's camera never sits still for a second in depicting a kinetic struggle between criminals and the police.
The essential story involves Marcel Bozzuffi (THE FRENCH CONNECTION) playing a tough Inspector with a personal vendetta against a criminal gang. He sets up a special squad, all armed with powerful handguns and motorbikes, to track down and take out the criminals, but of course it doesn't go according to plan. Although the way, the haunted Carole Andre gets caught between cops and bad guys, and Ivan Rassimov once again tackles the role of criminal mastermind. It goes without saying that the various action bits – shoot-outs, car chases, you name it – are second to none and miles ahead of most of what Hollywood churns out today.
Wusstest du schon
- Patzer(around 13 min.) When the gang members speed away from the bank amid a crowd of spectators and police, a male hostage is let go. He disappears in the wide shot.
- VerbindungenFeatured in Ultimate Poliziotteschi Trailer Shoot-Out (2017)
- SoundtracksI Still Get the Blues
Written by Hal Shaper and Stelvio Cipriani
Composed by Stelvio Cipriani
Performed by Grace Jones
Published by Cinevox Record
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Details
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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