Das Trauma

The sedate, middle class couple who adopted delightful poppet Janie (Danielle Briseboise) shockingly have their suburban quietude thrown into roiling existential turmoil after, Janie's increasingly anxious mother, Sheri (Sharon Farrell) strongly suspects her child is in mortal danger. Distressed by the discovery of pretty, yet emotionally disturbed Andrea (Ellen Barber)in Janie's bedroom, she later believes, Andrea is using witchcraft to wish them additional spiritual harm! Sheri's disturbing 'visions' suggest a tangible telekinetic ability, but her pragmatic scientist husband, Edward (Miles Bennet) is reluctant to accept that the danger encroaching upon them has a preternatural origin! Clearly disturbed, there's no doubting the entirely corporeal threat of, Jude (Richard Lynch) a charismatic carny whose benign clowning exterior belies a volatile nature capable of manifesting fearsome acts of bestial violence!

Maverick filmmaker, Robert Allen Schnitzler's off-beat, genuinely unsettling Para-psychological horror oddity is steeped in preternatural weirdness and rewardingly eschews graphic gore for intense emotional discords which cut deeper than, Michael Myers crimson-slathered knife! While teasingly oblique, Schnitzer's haunting, compellingly strange psychodrama 'The Premonition' is a beautifully structured, handsomely photographed, strikingly original independent feature. The exceptionally fine cast is complemented with Henry Mollicone & Pril Smiley's especially beguiling score. Schnitzler's iconoclastic, extra sensory perception warping cult classic is both a fascinating 70s cinematic time capsule and wholly timeless nightmare. The eerie, darkly evocative themes of macabre metaphysical realms are certainly no less captivating when viewed today! I predict a great number of new fans shall willingly succumb to the hypnotic allure of this hallucinatory mystery.

A fantastic, intriguing, fascinating sprawling mess, but a mess of the best kind - full of ideas and avenues and thoughts and musings. Don't believe the low rating on here, this film displays some of the great things that genre-crossing films can manage, things that more straight- laced and disciplined films can't. Hopping from thriller to horror to near avant-garde musical fantasy, this is a brilliant rediscovery and while it might not be the tidiest of films, it is free and explorative and brave and should be seen. That it sometimes tries for more than it achieves is testament to its ambition.

This film had a very good idea, and some good visual stuff, and a good story to tell, and great acting by Richard Lynch and Ellen Barber as kidnappers of Sharon Farrels adopted girl (she is the birth mother of the adopted child) but ultimately the film is bogged down with slowness, and also Richard Lynch's character's later motives on why he still wants to kidnap and keep the child is rather unclear, and despite winning the viewers some sympathy to Barbers character, and how she wants to reunite with her birth child, they make her into a super crazed loonie in the middle of the film, whcih defeats the set up earlier. A good rewrite would have helped. Good ending though! This is a good example of low budget "regional, local" filming in far away states with Hollywood actors that Avco Embassy was picking up for release back in the 70's. (similar to SCALPELS)

A neurotic Andrea Fletcher(Ellen Barber)returns from a mental institution.The woman is looking for her daughter Janie.With the help of a circus employee Jude(Richard Lynch)Andrea wants to kidnap the girl from her adoptive parents.But the plan goes wrong and the supernatural visions begin...I can't believe that Robert Allen Schnitzer's "The Premonition" is rated so low.The script is imaginative as it delves into the bond of motherhood,telepathy and precognition.The acting is strong,the direction by Schnitzer is competent and there is some powerful suspense.The shock moments are very effective for example the scene where Andrea in a red evening gown slips into Janie's bedroom is very eerie and sad.A must-see for fans of "The Brood" and "Don't Look Now".8 out of 10.

If you view this as some occult B flick, you can't enjoy much and maybe couldn't get the point. About me, I almost cried at the end of the film, because of the beauty of this directors vision for distressed people. I got surprised, because he sure knew how to express! It's a joy to find these underrated artists from B flicks. There're so many of them really. Well ,about the film, this is the story of a woman who wants to love her own child but who can't. That's very sad. Not only the direction and the plot. You can't forget the actors in this films. Considering how low the budget was, but they're acting was so full of enthusiasm. Well no wonder most American actors are great so maybe that's not the consideration though. However, this is the most underrated film I ever saw.