Die Verführung

This comment is provoked by one made earlier by someone who seemed to feel the film unsalvageable. It might not be a masterpiece, or even particularly memorable, but this Southern boy had little trouble identifying with a boy trying to cope with his deepening feelings for a lovely young lady in the arch-conservative South, and of the young lady whose family opposed the union with the appalling callous intolerance and ignorance that seems epidemic in deep rural South. It's worth the rental fee if you find it at the video store.

If this film had been directed by Truffaut or Bergman it would have swept Cannes. The fact that many viewers find it almost impossible to understand is testimony to the film's authenticity. As a life-long Southerner I feel compelled to state that anyone from the South over the age of 35 either knows or is one of these characters. The time period represented is one which lives in the memories of those alive today. Mississippi is particularly well drawn. I lived in Mississippi for four years and this film captures that distinct Mississippi flavor of charm,vindictiveness,religious observance,and sin. The bridge scene is what Southern pride and "redneck" are all about. Daddy just WON'T back up. One of the main themes of Southern art is the fact that many of the characters are so far from introspection and so close to instinctive, impulsive, animalistic behavior. When someone is "different" tragedy and/or myth tends to happen. Tennessee Williams mined that vein. Like the characters in this film, his people often dimly understood that they needed to either leave home or accept self-revelation in the confines of their environment. Most couldn't do either. The result is usually some sort of denial,death, or sacrifice. Great films/novels/short stories about the South have a sense of yearning and fatalism which I find very honest and moving. If you are into Russian literature, you are probably into Southern literature too! My thanks to Max for this beautiful film.

I remember seeing 'Ode to Billy Joe' when I was about twelve, and just starting to deal with the fact that I was gay. Growing up in rural Wisconsin I could relate very well to the negative attitudes towards gays, and find it very believable that a young gay person in that situation would consider killing themself. I also find it very believable that a young gay person would date a person of the opposite sex, just think about how many gay people do get married. Even though Billy Joe is a tragic figure I found the movie to be comforting, I think I took comfort in the fact that at least someone was talking about homosexuality, being Catholic my family never spoke about sex much less homosexuality and I think that is the way it was in most families in the seventies. Over the years I have thought of that movie often and I think at times it helped me keep my sanity, I would love to see it again!

Tragic movie.

The backstory on this 1976 film is interesting. 10 years earlier the country music singer Bobbie Gentry had written a song with the same title which tells of a young man committing suicide by jumping off the Tallahatchie Bridge. But Gentry's lyrics never reveal why the fictional Billy Joe killed himself and in interviews about the song she was very coy and unrevealing.

So, they made a movie about it. Robbie Benton, teen idol of the 70s, plays the title character although this movie is really about the young girl who loves hm: Bobby Joe Hartley, played by Glynnis O'Connor. I thought these two young actors were incredible in their roles and they held this otherwise flawed movie together. The subject matter can feel a little strange at times (there aren't many movies these days that delve into the sexual desires of a 15 year old girl) but if you can get past that, I think you'll enjoy this movie. It's not an all time great one but just for Benton and O'Connor's acting alone, it was worth watching.

ODE TO BILLY JOE is a humerous and touching tale of events leading up to why "Billy Joe McAllister jumped off the Tallahatchie Bridge", as related in the Bobbie Gentry hit. Director Max Baer Jr. (who would have thought "Jethro" had this kind of talent?) skillfully re-creates an atmosphere of 1950's rural Mississippi. and breathes life into characters only hinted at in the song. Scripted by Herman Raucher, with the same feeling of nostalgia he gave SUMMER OF '42, and beautifully scored by Michel Legrand, ODE TO BILLY JOE is a sweet and touching story of the awkwardness of teenage love, and the consequences of an unfortunate event, which, in today's politically correct times, would probably be scorned or laughed at. Glynnis O'Connor and Robby Benson, are re-teamed after their excellent debut in JEREMY. Another treasured film on VHS, that I hope will someday come out on DVD.