Die Verführung

ODE TO BILLY JOE is a humerous and touching tale of events leading up to why "Billy Joe McAllister jumped off the Tallahatchie Bridge", as related in the Bobbie Gentry hit. Director Max Baer Jr. (who would have thought "Jethro" had this kind of talent?) skillfully re-creates an atmosphere of 1950's rural Mississippi. and breathes life into characters only hinted at in the song. Scripted by Herman Raucher, with the same feeling of nostalgia he gave SUMMER OF '42, and beautifully scored by Michel Legrand, ODE TO BILLY JOE is a sweet and touching story of the awkwardness of teenage love, and the consequences of an unfortunate event, which, in today's politically correct times, would probably be scorned or laughed at. Glynnis O'Connor and Robby Benson, are re-teamed after their excellent debut in JEREMY. Another treasured film on VHS, that I hope will someday come out on DVD.

If this is truly supposed to be an adaptation of the Bobbie Gentry song, it makes utterly NO sense. I'm gay, so I'm usually sensitized toward picking gay references out of pop culture, but to make Billy Joe in the film struggle with his sexuality is fairly ridiculous.

If you read the lyrics to Bobbie Gentry's song, it seems pretty darn obvious that what the narrator and Billie Joe are throwing off the Tallahatchee Bridge is their out-of-wedlock baby.

Just Google search the lyrics, listen to the song, and see if that interpretation doesn't make much more sense than how the movie presents the story.

While this good film is no masterpiece, it certainly has earned its place in Hollywood lore. First of all, the screenplay was co-written by Bobbie Gentry. She hand picked Herman Rauncher( Summer of Forty Two) and spent weeks helping him with the screenplay Belinda( the stripper in the film) is a song from Bobbie's masterpiece album, PatchWork. Benjamin( the imaginary childhood friend) started out life as a Bobbie Gentry song too. Her vision is all over this film. Her grandparents farm in Mississippi even served as the back-drop for the story.Billie Joe is the first gay character portrayal in film history without a hint of stereotying. He is full of real depth and humanity. On a production budget of 1 million dollars, this film had a box office run of 50 million. Business savy Bobbie Gentry still owns 10% of it in her deal with Warner Brothers. Because of its success,Coal Miners Daughter would receive a huge production budget in 1979.

If this film had been directed by Truffaut or Bergman it would have swept Cannes. The fact that many viewers find it almost impossible to understand is testimony to the film's authenticity. As a life-long Southerner I feel compelled to state that anyone from the South over the age of 35 either knows or is one of these characters. The time period represented is one which lives in the memories of those alive today. Mississippi is particularly well drawn. I lived in Mississippi for four years and this film captures that distinct Mississippi flavor of charm,vindictiveness,religious observance,and sin. The bridge scene is what Southern pride and "redneck" are all about. Daddy just WON'T back up. One of the main themes of Southern art is the fact that many of the characters are so far from introspection and so close to instinctive, impulsive, animalistic behavior. When someone is "different" tragedy and/or myth tends to happen. Tennessee Williams mined that vein. Like the characters in this film, his people often dimly understood that they needed to either leave home or accept self-revelation in the confines of their environment. Most couldn't do either. The result is usually some sort of denial,death, or sacrifice. Great films/novels/short stories about the South have a sense of yearning and fatalism which I find very honest and moving. If you are into Russian literature, you are probably into Southern literature too! My thanks to Max for this beautiful film.

This comment is provoked by one made earlier by someone who seemed to feel the film unsalvageable. It might not be a masterpiece, or even particularly memorable, but this Southern boy had little trouble identifying with a boy trying to cope with his deepening feelings for a lovely young lady in the arch-conservative South, and of the young lady whose family opposed the union with the appalling callous intolerance and ignorance that seems epidemic in deep rural South. It's worth the rental fee if you find it at the video store.