Füge eine Handlung in deiner Sprache hinzuRussian ballet dancer decides to defect to Britain. After he leads the authorities a merry dance, he changes his mind.Russian ballet dancer decides to defect to Britain. After he leads the authorities a merry dance, he changes his mind.Russian ballet dancer decides to defect to Britain. After he leads the authorities a merry dance, he changes his mind.
Michael Sharvell-Martin
- 2nd Russian Official
- (as Michael Sharvell Martin)
Bruce Wyndham
- Radio Announcer
- (Synchronisation)
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This has got to be one of the lowest budget films ever produced in Britain , and considering it`s a British film that is indeed saying a lot . In fact it`s somewhat insulting to consider NOT NOW COMRADE a " film " since as one contributer mentioned it`s a stage play . It`s like someone has gone into the local theartre with a film camera and started filming . The interiors resemble those you`d see in a theartre and you can clearly hear the CLUMP CLUMP CLUMP as the actors run around the wooden floors like you would in an auditorium . I guess some people might be pretentious pseudo-intellectuals and say the film has a self referential marxist theme because of the title and therefore that`s why there`s been no money spent but I`d say correctly that even in 1976 it would have been an outdated British B movie with limited appeal hence no one would want to invest money into it
Not now, Comrade (1976, Leslie Philips, Ian Lavender etc) We've just attempted to enjoy this on Talking Pictures TV, but it was an impossible task. Sadly, this is what the British film industry was reduced to in the mid-70's, although it gave a good number of fading stars and soap personalities something to do. We enjoy a good Ray Cooney farce, but this isn't one of them. It's one of those 'sex comedies' that became popular at the time and no-one comes out of this one well, although Carol Hawkins does have some fine attributes and was good to look at. It's stage roots are very obvious, with people who must not meet coming and going from various doors and asking awkward questions. The scene following the Russian ballet dancer's release from the car boot is excruciating, you just want it to be over as soon as possible. The Triumph Stag was probably the best thing in the entire film and accounts for one of my 3 points. Carol Hawkins gets the other two. Ahem.
OK, it's not nearly as funny as NOT NOW DARLING but if you enjoy a good old fashioned farce, you'll enjoy this. It's not Carry On type humour and it's definitely not one of those appalling sex comedies, it's the sort of thing you'd watch at a theatre and laugh so hard it hurts.
Like a lot of comedy plays however which work brilliantly on the stage, it loses the intimacy when put on film. Sharing the same space, being in the same room as actors makes live comedy personal and special which can't quite be captured on celluloid. Nevertheless this almost works. Despite its slow start, it builds up to the most wonderfully silly crescendo when nobody is quite sure who they're having to pretend to be, why they're there and why a policeman is chasing them.
Sophisticated subtle and thought provoking this is not. Three dimensional believable characters acted with emotion and pathos, this does not provide. None of that matters because it's just fun in the tradition of Will Hay or The Aldwych Farces of the 1930s up to the more recent ONE MAN, TWO GUVNORS. For a mid-seventies film, it's also refreshingly good clean fun - as I said, this is not one of those tawdry, smutty sex comedies popular back then. The roots of this style of comedy goes all the way back to the old music halls - the roots of this particular film was a stage play in the mid sixties.
Don't expect a traditional film with proper movie acting and traditional movie sets, except a filmed live comedy show. Expect a crazy hour and a half of traditional seaside postcard innuendo, the obligatory man losing his trousers (although not in front of the usual embarrassed vicar), exasperated people running in and out of rooms, mistaken identity and of course Leslie Phillips.
Disappointing after the first NOT NOW picture but still an absolute delight.
Like a lot of comedy plays however which work brilliantly on the stage, it loses the intimacy when put on film. Sharing the same space, being in the same room as actors makes live comedy personal and special which can't quite be captured on celluloid. Nevertheless this almost works. Despite its slow start, it builds up to the most wonderfully silly crescendo when nobody is quite sure who they're having to pretend to be, why they're there and why a policeman is chasing them.
Sophisticated subtle and thought provoking this is not. Three dimensional believable characters acted with emotion and pathos, this does not provide. None of that matters because it's just fun in the tradition of Will Hay or The Aldwych Farces of the 1930s up to the more recent ONE MAN, TWO GUVNORS. For a mid-seventies film, it's also refreshingly good clean fun - as I said, this is not one of those tawdry, smutty sex comedies popular back then. The roots of this style of comedy goes all the way back to the old music halls - the roots of this particular film was a stage play in the mid sixties.
Don't expect a traditional film with proper movie acting and traditional movie sets, except a filmed live comedy show. Expect a crazy hour and a half of traditional seaside postcard innuendo, the obligatory man losing his trousers (although not in front of the usual embarrassed vicar), exasperated people running in and out of rooms, mistaken identity and of course Leslie Phillips.
Disappointing after the first NOT NOW picture but still an absolute delight.
10Kistal3
I think its one of the most funniest films I've ever seen, makes a pleasant change to have a film with NO BAD LANGUAGE in it. Makes me laugh from start to finish,and sadly not many films do that for me these days. I would love to get a copy of it on any format I can get, preferably DVD though, but video would do. There are a lot of famous people in it which play their part perfectly, and the music is enjoyable too. I don't know why every one gives it such a bad write-up, I would sure like to see it over and over again, hence why I want a copy from somewhere. The TV stations don't even seen to want to show it, its most frustrating. Can any one help me find a copy?
How can you not like a film that has Carol Hawkins getting her kit off in the first 5 minutes?! A great little snapshot of an England that no longer exists more's the pity. Lots of cheeky British 70's humour which you'll either love or will be appalled by. A good cast too who give it their all. So often these saucy films fell flat, but this one doesn't, it's actually funny.
Wusstest du schon
- WissenswertesThis was meant to be the second in a trilogy with the planned third film being "Not Now Prime Minister". Because this one failed at the box office, the third film never happened.
- Zitate
Nancy Rimmington: She's the prospective candidate for the local council.
Commander Rimmington: Oh! What party?
Barbara Wilcox: Liberal.
Nancy Rimmington: You'd better go an decode that message, father.
Commander Rimmington: Yes, but I wouldn't mind knowing what the young lady stands for.
Gerry Buss: Practically anything.
- VerbindungenRemake of Laughter from the Whitehall: Chase Me Comrade! (1964)
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By what name was Not Now, Comrade (1976) officially released in India in English?
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