Ein Haar in der Suppe

I stumbled on this film on USA last night, about 15 minutes in. It was alternately comedic and touching, with Lenny Baker playing a 20-something (Larry Lapinsky) in Greenwich Village in the '50s. Shelley Winter played his mother, who had a knack for showing up at the most inopportune moments and embarrassing her son. Both of them, along with Mike Kellin as Mr. Lapinsky, give excellent nuanced performances.

The central action of the movie is around Larry's attempts to become an actor, and around his friends in the village. The dialog is generally snappy and both dialog and visuals can be out-loud funny at times. 7/10.

I'm with the room, this film has been sadly overlooked as it was at the time of it's release (even Mazursky champion Pauline Kael was Luke warm) and deserves to be seen.

I think this sort of autobiographical film had sort of been overdone, so Mazurky's film was lumped in as "one of those." What was missed, I think, was his unsentimental, adult perspective on the time and place, on what it meant to be young and bright. He gives us something of what the beak nick world might have been like, unlike the silly portrayals done AT THE TIME.

Lenny Baker, in his only major lead, is excellent along with the entire cast. Christopher Walken makes an impression without the hamming that would later endear him to so many.

I always try to see movies that aren't very well known. I do like to watch blockbusters as well, but I think that not every movie that didn't get too much attention isn't worth anything. Sometimes I discover some nice little gems. Sometimes, but not this time although it certainly isn't as bad as you might fear now...

This movie starts with a young man who is about to leave his parents home so he can live on his own and become an actor. Of course this goes hand in hand with a lot of drama, as mom doesn't want to see her 'little boy' leave the house so soon. But his mind has been made up and Larry Lapinsky moves from Brooklyn to Greenwich Village. Here he meets new people and soon he has a lot of friends, all with their own problems and worries...

This movie has some excellent moments to offer (for instance when mom shows up with a chicken, because she fears that her son doesn't get enough to eat), but sometimes it could have been a bit more subtle in my opinion. It was a bit too stereotypical to be a really great movie, but that doesn't mean it isn't worth a watch of course. I give it a 6.5/10.

During June of 1954 in New York City, I graduated junior high school and, to celebrate the event, joined three of my classmates on a forbidden sojourn to the city's famous Greenwich Village. Exiting the subway station at Christopher street, we were amazed at the apparent ordinariness of this place we'd heard so much about from older adolescents and adults.

In fact, at first glance, nothing extraordinary seemed to be happening there, with the sole exception of more White people being present than four Black teenagers from Harlem were were accustomed to seeing.

For you see, this was the mid 1950's, Dr. Martin Luthor King Jr. had as yet to lead any freedom marches, Southern schools were as yet to be integrated, and in many Southern states Black people were lynched on Saturday nights as town entertainment. But three hours later, we knew that everything we'd heard about Greenwich Village was true and more. For this was a place far ahead of it's time.

In the Greenwich Village of the 1950's, racial integration had been in place for well over two decades. But far more important, forbidden talk of sexual liberation, interracial sex, homosexuality, along with political, artistic and literary freedom at all levels were openly discussed, flouted and displayed for all to see; performed to a background mixture of new age Jazz, early Rock and Roll and Folk Music. Virtually nothing was excluded from the social or musical menu this incredible place had to offer.

I can't speak for the rest of my friends on that day, but I immediately fell in love with the place and remained so, until it's untimely demise at the hands of the high rise-high priced real estate industry toward the mid 1970's. By then, the people who had made the place justifiably famous and notorious for what it was, could no longer afford to live there. So the Village remained,in name only, as it is today: a mere shadow of what it used to be.

Joyfully, director Paul Mazursky has managed to capture on film, a moving snapshot of the social life and time of a remarkable neighborhood, in what was probably the last fifteen to twenty years of it's legitimate life. And I do remember it so well. The rent parties for starving (sometimes talented) artists, the ubiquitous book shops, the coffee houses featuring impromptu poetry readings, the fashion statements (or blatant lack thereof), the mixing and making of all sorts of colorful characters who, even in their farcical attempts to parody themselves, were more alive and real then those who would put them down. This was the Greenwich Village of the 1950's and of legend.

This magical place was for me and many others (as was for the director who produced this film as an ode to his time there), our first real awakening and taste of adult life. And far more important, a fortuitous preparation for the new social order that was, in time, to come.

The place, as it was, is truly deserving of this wonderful little gem of a film.

This is a bittersweet film about family, leaving "the nest", friendships, dreams, hope, & finding yourself. A young man from Brooklyn leaves home to become an actor in 1950's Greenwich Village. Lenny Baker is very good as Larry Lapinsky & Ellen Green is wonderful as his girlfriend. The quirky characters & situations around them add an ambiance to this movie that makes you believe it was filmed in the 1950's, & not the 70's, when it was actually made. A lot of attention was paid to detail & it shows. Shelly Winters is loud, obnoxious, funny & convincing as the typical Jewish mother (I love the scene when she shows up at his apartment with a chicken). This movie makes you wish you could jump into the film & sit with these characters, have coffee with them, ride the subway, go to one of Larry's rent parties & experience the progressive, offbeat world of New York's Greenwich Village in the 1950's.