Nickelodeon

This expensive 70's flop is not nearly as bad as its reputation indicates. Leonard Maltin's review is pretty accurate. And it's got some fine performances by a good cast which includes- Ryan O'neal, Burt Reynolds, Tatum O neal, John Ritter, Stella Stevens and (especially) Brian Keith. Two highlights- Tatum's negotiating and Brian Keith's speech at the end. It's got some dull stretches and the slapstick gets wearying,overall not bad.

When this movie was released they had a promotion for the premiere where you could see it for a nickel. So I went to the theater, stood in a very long line, and watched a very funny, entertaining movie that the audience seemed to quite enjoy. The next day I read a review that slammed it, and then another. And I have never understood it.

Over 30 years later I took a second look, and while sometimes you can't for the life of you figure out why you liked a movie from the past, I still really liked this one. It's a very funny movie that mixes in Keystone Kops-style slapstick with Howard Hawks-style screwball comedy. There are good performances by Burt Reynolds and Ryan O'Neal, and even better ones from Tatum O'Neal and, best of all, Brian Keith.

The strong negative reactions particular surprise me because the film is similar in feel to What's Up Doc (Ryan even plays basically the same character) and yet that movie was much better received.

I found this movie funny and likable. Everyone's good in it, including the lead actress, who apparently found film work so dispiriting that she gave up on them altogether and stuck with modeling. The first half is probably stronger than the second half, but I thoroughly enjoyed it.

Just finished watching the color version on Turner Classic Movies. I loved "Paper Moon," especially the wonderful depression-era music, and "The Last Picture Show" (I grew up in Texas not so far from Archer City in the same era), so that's what I knew about Peter Bogdonovich, the director. I echo many of the reviews, without having known about the reception the film apparently received at the time. Even though I was grown when it came out, I just never got around to seeing it. Maybe I wouldn't have enjoyed it as much as now, as I approach 60.

Yes, it's filled with slapstick, sometimes goofy, but the audience is in on the jokes. I felt like I was invited to the party, with all these wonderful actors (not in the thespian sense, but in the popular sense)as friends. The magic is that it makes you feel comfortable, because loving movies and movie making is part of my life, too. It appreciates the audience and wants us to have a good time with it.

The director obviously loves the medium. In many ways, there was a Fellini-esque quality to it, as another reviewer wrote. The magic of Fellini was similar: he used the everyday strangeness of reality to make his films real. Hollywood is the make-believe; reality makes a better film.

This is art imitating life. It celebrates the birth of the industry and the magic of the universal language of moving pictures, captured beautifully and simply in Brian Keith's closing monologue. It is Peter's love letter to the industry and to the audience, as only a lover could compose. It is beautifully crafted, the acting balanced throughout the ensemble, and the message delivered with wry humor. Though I didn't see it when released, it may look better now, in nostalgic retrospect. It IS a love letter, and at my age, it is a delightful homage to an industry that just "doesn't make 'em like this anymore." Thank you, Mr. Bogdonovich and all the cast. Love you, too.

If director Peter Bogdanovich hadn't used such a heavy-handed slapstick treatment of his little epic about early film-making called NICKELODEON, there might have emerged a fond tribute to the pioneering days of silent films in the early part of the 20th Century.

But instead, he has filled NICKELODEON with a whole series of non-stop sight gags that become tiresome and repetitious, even more so because none of the characters involved really come to life. As the pretty heroine of the piece, JANE HITCHCOCK has very limited abilities beyond staring wide-eyed into the camera lens for comic effect. BURT REYNOLDS at least does derive several good chuckles from his comedy efforts as a reluctant participant in RYAN O'NEAL's troupe of silent film actors.

O'Neal has obviously chosen to play his role as though he has just watched a Harold Lloyd film, wearing spectacles for his first entrance and doing the bumbling sight gags on cue, as hapless a hero as Lloyd was in all his comedies. He's not too bad, but is never as funny as he was in WHAT'S UP DOC?, an earlier Bogdanovich film.

Tecbnically, the film is handsomely produced and pleasing to look at in color, but STELLA STEVENS is given little to do in what amounts to a supporting role. JOHN RITTER doesn't have too much opportunity to display his comic gifts. Entirely too much footage is devoted to a rough and tumble fight between Reynolds and O'Neal that takes up too much time with too many slapstick pratfalls to emerge as anything more than filler.

The film plods along without the benefit of a tight script or a really compelling story and suffers, mainly, from the heavy-handed approach to comedy.

I had no idea this film cost so much. As charming and entertaining as it is, it is a million more than STAR WARS of 1977(and even THE BETSY...., sorry,) and 3 million more than Bogdanovich's previous film AT LONG LAST LOVE. At the time it was severely criticised by purists for lifting gags from his own 1972 comedy WHAT'S UP DOC? and for not really making a funny film about a topic falling all over itself with possibilities. Viewed THIRTY years later (Jeez!) NICKELODEON is an almost masterpiece of film craft and highly evocative, and I would like to say, as maligned as some other Bogdanovich films. It does stand the test of time and for a new audience, uneducated on silent films, would be a refreshing and often hilarious comedic revelation. Well, compared with Adam Sandler films and common day multiplex cine-stupidity, NICKELODEON is hilarious. It actually has production values, sight gags, engaging characters, actors and actually IS funny and endearing. It deserves re appraisal and I recommend it above CHAPLIN ....SINGIN IN THE RAIN it ain't, but PERILS OF PAULINE it is close................... NICKELODEON is well made fun.