Der Mann mit der eisernen Maske

I had never read Dumas' novel, or made it through any filmed versions before, so only had the vaguest notion of what the story was about. What a sumptuous production it is. The scenes of the Sun Kings' soirées at his châteaux were splendidly staged and, one can only hope, historically accurate. Could he really have been so rude to his wife in public? It was so outrageous that 'you couldn't make it up'! So it must be true! The main attraction was of course McGoohan and he did not disappoint. I knew things were going to be good when he made no attempt at one of those dodgy accents he is prone to. His clipped, calculating tones were brilliant as the scheming Fouquet. For me, the first half of the production was by far superior. The scene between Richard Chamberlain and McGoohan in the coach was superb and only topped by the sequence of Chamberlain being fitted with his mask as McGoohan regards him like a cat does, its victimised mouse.

I'm probably wrong but I also felt McGoohan must have had a hand in the terrific sequence of Chamberlain thrashing about in his cell, trying to reason why he was being picked on. The anguish of his Kafkaesque imprisonment was superbly executed and that shot of the departing boat through the squares of the barred window…..I expected to see McGoohan's stern face approaching at light speed with a clanging crash at any second!

Lew Grade and Patrick McGoohan – funny how good they were together. It would be nice to think they did meet during the course of the filming process, even if Mr. McGoohan had to get out of bed at 5am to get to Lord Grade's office in time for his 6am appointment!

Pure excellence. Wonderful script. Production, directing and acting was superb. Great ensemble cast. What more can one ask from a made for t.v. movie? This one had all the qualities of a big budget film. Highly recommended.

On my school days I had read some novels from the French creative genius Alexandre Dumas, what a time immersed in those pages, revisiting this fine movie on DVD with the same leading actor of Count of Monte Cristo, Richard Chamberlain on dual role of Phillip and Louis XIV of France, nevertheless who really shines is Patrick McGooran as the greedy Fouquet, embodying the evil character optimally, cold, smirking and manipulative.

The angelical beauty of Jenny Agutter as Louise is another high point, adorning the picture, also Louis Jourdan as D'Artagnan who doesn't stay clear if was one of Three Musketeers, but very possible, shot on several palaces on France provide a natural authenticity to improve the movie, as expect the Dumas's wit the changing of Louis for Phillip is cunning, good portrait of seventeen century, compressed Dumas's novel, however overall an enjoyable TV picture!!

Resume:

First watch: 1987 / How many: 4 / Source: TV-DVD / Rating: 7.25.

There seems to be an inferiority complex about this version of THE MAN IN THE IRON MASK but why ? Mike Newall is a competent director and he's assembled a fine cast in something that doesn't resemble a made for television movie . The story itself is based upon a Dumas swashbuckling classic but there's a fly in the ointment that is an obvious giveaway that this version lacks confidence .

What am I talking about ? Why the music of course . Whenever the film wants us to feel something Allyn Ferguson's score dictates how the audience should be feeling . Certainly the score for THE MAN IN THE IRON MASK goes with the visuals but did it need to be so obvious ? It's almost like listening to PETER AND THE WOLF where the music itself is the narrative and I'm not sure if that's a good thing in cinema

Dumas' classic wonderful vivid novel sucks you in with its intrigue at the highest levels, the moral contrasts, the cleverness, the adventure.

I was very surprised at just how fine this was - the cast is of the highest caliber - Ian Holm, Patrick McGoohan, Ralph Richardson, Louis Jourdan - an extraordinary Richard Chamberlin and a very pretty Jenny Agutter (though her character is rather one note).

Note the movie is directed by Mike Newell - who would go on to direct Enchanted April, Four Weddings and a Funeral and many other fine movies.

I was also floored by the producers' settings: four chateaus, the real island referenced in the novel, Fontainebleau - this movie (though made for television) must have cost a fortune to produce!

I think the Frenchman's comment below is a bit sniffy.

First, this was not an American production - but an English one.

Second, this was not a distortion of French history -- Alexandre Dumas pere himself took many (wonderfully imagined) liberties in his novel - does anyone REALLY think Louis XIV was one of identical twins? Come on -this is a novel!

Thus, the complaint that Louis XIV did not after all remain faithful to this mistress (as one would expect from the movie) is an objection to the historical truth of the novel, not its faithful adaptation to the screen. This movie well captures the flavor and spirit of the novel (except, as one reviewer notes, for the character of Philippe, made far more sympathetic here - but then most viewers (myself included) want a sympathetic central character).

I also find the reviewer who says this was poor except for the wonderful acting of all the actors - to be a bit strange. They ARE the movie.

This was very well done, so engrossing and so much fun. Patrick McGoohan is particularly wonderful, as is Chamberlin. Well worth your time - it's efficient, clear, amusing, horrifying, romantic, and gives plenty for those interested in history.

It's also the perfect exciting family movie (well, except having to explain mistresses serving at the royal pleasure - that could be tricky) with something for everyone.