Eine Frau sieht rot

First, I *have* seen this movie. It's not a great movie (most movies aren't), but it seems to me that those making negative comments "protest too much". They were clever enough to avoid openly making a charge of "Political Correctness", but I strongly suspect that the real reason for the most negative comments is that those making them are livid that that *nasty* girl (an early "feminazi, no doubt) *dared* to take it upon herself to exact retribution, a retribution that was illegal, to be sure, but which was quite just as far as I'm concerned. No doubt there are plenty of people who are quite unpleased with the idea that a mere woman might hold a male (and a white male at that) accountable for his actions in such a drastic way.

The more I see references to the psychological drama/thriller movies of the 1970's, the more I wish I could see them again.

Lipstick (1976) was made during an era that saw thrillers like Duel, Badham County, Hardcore, The Dirty Harry series and politically incorrect teen movies like Animal House. The scripts and characterisations had to be good because this was pre special effects, they actually shot films outdoors in real life settings, not just studio caverns.

This is a beautifully made film and we can appreciate the freshness of the Hemingway sisters , as well as understand the difficulties a disturbed young man faces when his desires get the better of him.

The revenge aspect would make the viewer feel good as they see justice as being done.

Though in the end no one wins, expect viewers who are treated to almost 2 hours of suspense , escapism and possibly voyeurism as the girls are so attractive.

I am tired of the franchise films of today, the TV remakes, the special effects-making actors and writers redundant when good scripts and real life locations are needed to help us identify with the situation.

"Lipstick" focuses on Chris (Margaux Hemingway), a Los Angeles model working for a lipstick company, who ends up being brutalized and raped in her apartment by her little sister's deranged music teacher/avant-garde composer (Chris Sarandon). After a feisty attorney (Anne Bancroft) fails to get a conviction, Chris is later forced to take matters into her own hands.

Decried as one of the worst films of the '70s, "Lipstick" has been condemned as everything from exploitative trash to a shameless vehicle for the Hemingway sisters. I'm going to play the devil's advocate here and say that, while, yes, the film does edge into the territory of the exploitation film (think 1973's "Thriller"), and yes, a lot of the legal jargon is dumbed down and the script set-up is at times completely arbitrary, this is not nearly as terrible a film as many would lead you to believe.

Lamont Johnson, who previously directed the superb Patty Duke thriller "You'll Like My Mother" in 1972, is behind the camera here, and the film is very stylishly shot. 1970s Los Angeles colors every frame, and the camera work is flashy and slick. Pacing is a bit of an issue here, as the film does have a bizarre narrative trajectory-it rises and falls, rises and falls, and the conclusion is a bit abrupt, which is indicative of the script needing some work. Margaux Hemingway and little sister Mariel play on screen siblings very nicely, both demonstrating considerably acting capability. Sarandon is at times a bit overacting here, but is reprehensible enough. Anne Bancroft plays the no- nonsense attorney perfectly, while Perry King appears briefly in a relatively pointless role as Hemingway's boyfriend/photographer.

The film's second-to-last scene is the real dynamite here, and the reason it's remembered above anything else, although it again is a bit awkwardly paced, and seems to arrive too late to the party. Overall though, "Lipstick" is not as awful of a film as so many have painted it to be. It's no masterpiece, but it is a mildly thrilling, entertaining revenge film, and Margaux Hemingway and Bancroft's performances lend it some serious backbone. 7/10.

This movie did get a bad rap. Chris Sarandon is excellent as a school teacher who rapes fashion model Margeaux Hemingway. There is lots of tension before the rape and we really see Chris as a big time weirdo who plays really bad music while poor Margeaux tries to make an excuse to leave the room. When he sees this as a way of her dismissing him as a person he goes berserk. The rape scene is actually not as graphic as some of the crap that passes todays censors. For a first time actress I think Margeaux was quite good. Her little sister proves natural acting talent does run in the Hemingway family. She does excel in this role an gives an understated perforamce especially after she herself is raped by the same teacher. The building used in the fashion sequences is not the Beverly Center as mentioned by another IMDb user but actually the Pacific Design Center a few blocks away. The ending is quite good as it shows the hypocrisy of our legal system. Anne Bancroft adds a bit of class to this production and the disco music is dated but it gives this movie a cool 70's feel. The ending is sensational but still believable.

This was the debut film for both Mariel and Margaux Hemingway. It was probably this film where Woody Allen saw Mariel for the first time, before casting her 3 years later as his girlfriend in 'Manhattan' (1979). I would love to hear the story about how THIS became the script that introduced the ladies to Hollywood.

The shots of Los Angeles are great, the Hemingway girls are beautiful, and the film is intense throughout.

RealReview Posting Scoring Criteria: Acting - 1/1; Casting - 1/1; Directing - 1/1; Story - 1/1; Writing/Screenplay - 1/1;

Total Base Score = 5

Modifiers (+ or -): Standout Performances: 1 ( Mariel Hemingway );

Total RealReview Rating: 6