IMDb-BEWERTUNG
6,0/10
2083
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDolemite flees to California, where he helps Queen Bee and her Kung Fu prostitutes battle a local gangster.Dolemite flees to California, where he helps Queen Bee and her Kung Fu prostitutes battle a local gangster.Dolemite flees to California, where he helps Queen Bee and her Kung Fu prostitutes battle a local gangster.
Gloria Delaney
- Hurricane Annie
- (as Glorya De Lani)
Sir Lady Java
- Java
- (as Java)
James R. Page
- Jimmy
- (as James Cromartie)
Ernie Hudson
- Bo
- (as Louis Hudson)
Freddie DeFox
- Maitre d' No. 1
- (as Freddie De Fox)
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Get ready to be back at seventies, those crazy days where the Blaxploitation genre explodes, in his lastest breast, The Human Tornado was a sequel of the successful Dolemite which he returns more furious than ever, track down the same steps of his predecessor, in absent of a reliable plot the movie survives in Rudy Rae Moore's humoresque style, for some taste would be a off-color, this turn he told dirty jokes, introducing many black bands and singers, also he enforces an unerring approach of sexploitation on countless sex scenes when he wildly gonna crazy made justice in your nickname Human Tornado having sexy with nympho Mrs. Cavaletti when the roof fell off in such fury, a real mind-blowing sequence, also provides a chamber of fear where two naked black girls were tortured in all worst ways by a deranged mind of the odd Mr. Cavaletti, to close the movie in high style Rudy supplies a smashing fighting, breaking all around, despite a mess this movie is really appealing, made by an autodidact black guy who follow his survival instinct , not seriously of course, however far away to be bad, in time the fine Ernie Hudson on early days!!!
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 6.25
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 6.25
Rudy Ray Moore reprises his comic character creation, Dolemite, the hyperbolic, Mohammed Ali-jive-talking, rhythmic discoursing, man of the people. The sequel to 1975's Dolemite, the film offers nothing new to the series, or to blaxploitation cinema, but simply adheres to the generic signifiers, such as female nudity, car chases, and the ubiquitous kung-fu cross-over. But significantly for the stylistic variations of the sub-genre, the subject of racism is the most evident theme - despite the fact that blaxploitation is readily accused of reverse racism (a term I have never understood, as this would suggest that racism is a purely white condition - it's all xenophobia).
Dolemite is caught in bed with the local red-neck sheriff Beaty (J. B. Baron)'s wife, who is then shot dead by his deputy. Escaping this situation, Dolemite flees to California, and the sheriff's crew follow, pinning the crime upon Dolemite. Lady Reed also reprises her role as Queen Bee, and she along with "her girls" have their club shut down by the mob, and it is up to Dolemite to settle the score.
Undoubtedly taking into account the failings of Dolemite, the sequel increases much of what makes exploitation cinema exciting. The violence is more nuanced, there is a lot more naked flesh on display, but more significantly, the comedy is far more indulgently silly, over the top ridiculousness. It's those rhythmic one-liners that Moore produces that increase the enjoyability of the film. And of course (as previously stated), no blaxploitation film would be complete without that other ethnic sub-genre, kung-fu, and here we are enthralled by the ferocious work of the Central American Nunchuck Champion, plus an early role for future Ghostbuster, Ernie Hudson. Marginally better than its predecessor, it has a strange ability to be both dull and exciting.
www.the-wrath-of-blog.blogspot.com
Dolemite is caught in bed with the local red-neck sheriff Beaty (J. B. Baron)'s wife, who is then shot dead by his deputy. Escaping this situation, Dolemite flees to California, and the sheriff's crew follow, pinning the crime upon Dolemite. Lady Reed also reprises her role as Queen Bee, and she along with "her girls" have their club shut down by the mob, and it is up to Dolemite to settle the score.
Undoubtedly taking into account the failings of Dolemite, the sequel increases much of what makes exploitation cinema exciting. The violence is more nuanced, there is a lot more naked flesh on display, but more significantly, the comedy is far more indulgently silly, over the top ridiculousness. It's those rhythmic one-liners that Moore produces that increase the enjoyability of the film. And of course (as previously stated), no blaxploitation film would be complete without that other ethnic sub-genre, kung-fu, and here we are enthralled by the ferocious work of the Central American Nunchuck Champion, plus an early role for future Ghostbuster, Ernie Hudson. Marginally better than its predecessor, it has a strange ability to be both dull and exciting.
www.the-wrath-of-blog.blogspot.com
Dolemite, you heard me!!! That's right he's back, and meaner than ever as the Human Tornado. The Human Tornado doesn't have anything on the original Dolemite, although I don't really see how this is a sequel. How is Dolemite all of sudden a rich pillar of the black community? Why does Blakeley the cop from the original (he's credited as Detective Pete, but they call him Blakeley) not know who Dolemite is? Other than that, all of the new characters are instant classics, from the gay guy on down to the sheriff, and even the new "creeper" wanna-be. But no one can ever replace Mitchell and White. They should have escaped from prison and helped the sheriff hunt down Dolemite. Now can you dig that? The best part of the movie has got to be Ernie Hudson's dramatic scene when his brother is shot. "He's just playin'! He's just playin'!" Other greats include the intro and Rudy's theme song, and the brief second Dolemite is shown eating chicken during sex. Hilarious Blaxploitation. So all you no business baring, insecure, rat soup eating motha's better watch out for Dolemite!!
Dolemite (Rudy Ray Moore) opens this movie with his stand-up. He donates to a boys' home. White hillbillies call up bumbling sheriff to take care of their problem. He raises up a posse to clear out Dolemite's party. He finds his wife in bed with Dolemite. There's a shoot out. Dolemite and his boys go on the run to California. Queen Bee and her Kung Fu fighting hoes battle a local white crime-lord with Dolemite's help.
It is utterly ridiculous and fun. It's weird and silly. It's also a bit of black cultural blaxploitation. After watch Eddie Murphy and then Dolemite, I had to check this one out. It does not disappoint. In many ways, it's better than Dolemite. Rudy Ray Moore is fully committed to the character. After a great start, it does get bogged down while trying to make the story work with way too many filler musical interludes. The movie is still at its best with Dolemite on the screen. Every time he shows up. He brings a smile to my face. He is a surprisingly charismatic performer in only his second movie.
It is utterly ridiculous and fun. It's weird and silly. It's also a bit of black cultural blaxploitation. After watch Eddie Murphy and then Dolemite, I had to check this one out. It does not disappoint. In many ways, it's better than Dolemite. Rudy Ray Moore is fully committed to the character. After a great start, it does get bogged down while trying to make the story work with way too many filler musical interludes. The movie is still at its best with Dolemite on the screen. Every time he shows up. He brings a smile to my face. He is a surprisingly charismatic performer in only his second movie.
A must for any film buff of any era. How can you ignore Ernie Hudson's motion picture debut. Rudy Ray Moore, did so much, with so little. Some studio needs to put him to work again.
The film is great, Jimmy Lynch is amazing. Lady Reed is wonderful. Rudy is at his best. Bring in Howard Jackson was a great move to see real, authentic martial arts.
Far ahead of its time.
The film is great, Jimmy Lynch is amazing. Lady Reed is wonderful. Rudy is at his best. Bring in Howard Jackson was a great move to see real, authentic martial arts.
Far ahead of its time.
Wusstest du schon
- WissenswertesThe cave they pull into during the car chase is none other than Bronson Cave, known to millions for its use in such films and TV shows as Batman (1966), Die Dämonischen (1956) and It Conquered the World (1956).
- PatzerAbout 15 minutes or so into the film, as Dolemite is being chased by an Alabama county Sheriff (because he got caught in bed with said Sheriff's wife), you can see the Hollywood sign as they drive through the upper roads of Griffith Park... and then they talk about how they have to get moving out to California.
- Zitate
Mrs. Cavaletti: He made me do it!
Dolemite: Bitch, are you for real?
- Alternative VersionenTwo different video tape versions exist in box with same cover art, from same company. One version edits out the gay driver sequence and moves the opening credits sequence to where it would be.
- VerbindungenFeatured in The Best of Sex and Violence (1981)
- SoundtracksThe Human Tornado
Written and performed by Rudy Ray Moore
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Human Tornado - Der Bastard
- Drehorte
- Bronson Caves, Bronson Canyon, Griffith Park - 4730 Crystal Springs Drive, Los Angeles, Kalifornien, USA(car chase through the cave)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 200.000 $ (geschätzt)
- Laufzeit1 Stunde 36 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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