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IMDbPro

In Hollywood ist der Teufel los

Originaltitel: Hollywood Boulevard
  • 1976
  • 16
  • 1 Std. 23 Min.
IMDb-BEWERTUNG
5,8/10
1681
IHRE BEWERTUNG
In Hollywood ist der Teufel los (1976)
A young woman arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fair, plagued by strange deadly accidents.
trailer wiedergeben1:01
1 Video
41 Fotos
Dark ComedyParodyComedyThriller

Füge eine Handlung in deiner Sprache hinzuA young woman arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fair, plagued by strange... Alles lesenA young woman arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fair, plagued by strange deadly accidents.A young woman arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fair, plagued by strange deadly accidents.

  • Regie
    • Allan Arkush
    • Joe Dante
  • Drehbuch
    • Danny Opatoshu
  • Hauptbesetzung
    • Mary Woronov
    • Paul Bartel
    • George Wagner
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,8/10
    1681
    IHRE BEWERTUNG
    • Regie
      • Allan Arkush
      • Joe Dante
    • Drehbuch
      • Danny Opatoshu
    • Hauptbesetzung
      • Mary Woronov
      • Paul Bartel
      • George Wagner
    • 36Benutzerrezensionen
    • 36Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 1:01
    Trailer

    Fotos41

    Poster ansehen
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    Poster ansehen
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    Topbesetzung37

    Ändern
    Mary Woronov
    Mary Woronov
    • Mary McQueen
    Paul Bartel
    Paul Bartel
    • Erich Von Leppe
    George Wagner
    • Cameraman
    Jonathan Kaplan
    Jonathan Kaplan
    • Scotty
    Tara Strohmeier
    Tara Strohmeier
    • Jill McBain
    Richard Doran
    • P.G.
    Candice Rialson
    Candice Rialson
    • Candy Wednesday
    Dick Miller
    Dick Miller
    • Walter Paisley
    John Kramer
    • Duke Mantee
    W.L. Luckey
    • Rico Bandello
    Jeffrey Kramer
    Jeffrey Kramer
    • Patrick Hobby
    Rita George
    • Bobbi Quackenbush
    David Boyle
    David Boyle
    • Obnoxious Kid
    Glenn K. Shimada
    • Ubiqutious Filipino
    Joseph McBride
    Joseph McBride
    • Drive-In Rapist
    Barbara Pieters
    • Drive-In Mother
    Shawn Pieters
    • Drive-In Kid
    Sue Veneer
    • Drive-In Dyke
    • Regie
      • Allan Arkush
      • Joe Dante
    • Drehbuch
      • Danny Opatoshu
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen36

    5,81.6K
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    Empfohlene Bewertungen

    Michael_Elliott

    Not Perfect but Genre Fans Should Enjoy It

    Hollywood Boulevard (1976)

    ** 1/2 (out of 4)

    Fun homage to the trash pictures of the 70s from directors Joe Dante and Allan Arkush. Candy (Candice Rialson) arrives in Hollywood and before long she realizes that becoming a star isn't going to be so easy. After several doors are slammed in her face, she eventually picks up an agent (Dick Miller) who gets her working at Miracle Pictures but soon a maniac is knocking off their stars. Hollywood BOULEVARD's history is actually much more entertaining than the film itself so those interested in the movie should certainly hear how this picture came to be and what type of budget the directors were working with. Overall I think fans of 70's drive-in pictures should get a kick out of this but at the same time there's no question that the majority of the film is just the same note over and over. I say this because when you're spoofing the entire drive-in genre, after a while it's clear that you're just spoofing the same type of stuff only with a different setting. We get a spoof of Philapeano movies, action movies, slashers and just about every other popular thing at the drive-in. These spoofs are actually somewhat clever but I think the film works best early on when the woman first arrives in Hollywood. The scene dealing with a bank robbery is just priceless. Also priceless is the work from Dick Miller who hands down steals the picture in his role as the agent. Rialson is also extremely charming (and beautiful) in her role and she really makes you believe that she's just some young girl who gets in over her head. The supporting players all do justice to their parts. At just 82-minutes the film flies by rather quick and even with its flaws the thing is still worth watching.
    dougdoepke

    Lunacy with a Sneaky Subtext

    The flick doesn't so much satirize or parody drive-in cheapos as it mocks them. And what movie series is easier to mock than the rubber monsters, cheezy sets, and sloppy directing from the 50's. In fact those earlier flicks pretty much made fun of themselves, and I can imagine what went on behind those set-ups. Here, those behind-the-scenes come to imagined life and add up to the flick's goofy core. But no teen of that era cared what critics thought, including myself. Then too, I really liked the drive-in crowd scene here, where anything goes including make-out teens on car fenders and wholesome 50's type families who actually watch the screen.

    Anyhow, the action never stops after the first part. It's all explosions, gunfire, and production crew misfires, and shouldn't overlook the many topless actresses who are anything but misfires. Speaking of actresses, Rialson and Woronov's characters Candy and Mary are not mocked, being more abused by the quickie industry than lampooned. In fact the opening scenes of the stage-struck Candy getting taken-in by fast-talking operators like Walter (Miller) strike a more somber and realistic note than the movie's goofy remainder. In fact, despite the overlying lunacy, there's a somber subtext: namely, that Hollywood exploits the heck out of young women, making them readily dispensable like Jill and Mary. Perhaps that's not a surprising reality to most of us, but a worthwhile under-current to the tom-foolery, nevertheless.

    On a lighter note, good to see real veterans of Roger Corman's drive-in empire getting lead roles here - I'll bet they had fun mocking their past. Anyway, brace yourself for an hour-plus of nonstop action and lots of laughs from a nutzoid look at good-times past at the beloved drive-in.
    Bronco22

    Hollywood home run hits high, aims low

    This is a fun movie, especially if you like filmmaking you can apreciate the silly movie making gags. I wasn't expecting much when i rented this movie, but i ended up being entertained from beginning to end. It is stuffed full of nudity and silly humor to make this a sugercoated fluffy bunnyhop throught the Glitter Dome.
    7Quinoa1984

    all over the place in a good, zany R-rated way

    Joe Dante got his start as a director in collaboration with director Allan Arkush on this zany send-up of low-budget film-making, lampooning their own mentor/boss Roger Corman with "Miracle Pictures - if it's a good movie, it's a Miracle!" It's also an homage to an obscure Bela Lugosi flick, The Death Kiss, about a death on a horror movie set. This story takes that premise a little further by making it about a series of deaths, seemingly (at first) unrelated, but soon enough showing a pattern of the female stars being targeted. Who is the culprit isn't really as important, or as entertaining until the last few minutes anyway, as seeing the whole fun/rotten atmosphere of down-and-dirty B-movie-making.

    It's not that every joke (intended or not) always works, and some of the acting, even if intentionally, is quite pitiful. But Dante and Arkush are putting so much there on the screen via Patrick Hobby's screenplay that enough of it really does stick. Some of it attributable to the plucky can-do attitude of the character Candy Hope (and equally fun to watch, Candice Rialson) and how she observes and becomes apart of the insanity and snobish-ness of the film crew. Lines also stick out as being the kind you want to quote for weeks ("Your motivation is to kill hundreds of Philippine soldiers!"), and acting from the likes of Dick Miller as the well-meaning agent and Paul Bartel as the pretentious director Erich von Leppe.

    The jokes and gags keep coming, and often at a quick enough pace - there's a big shootout between the girls and (stock footage of) Philippene soldiers that is a lot of fun, and a car that's brakes are cut off which allows for a tremendously goofy car chase scene (the car itself possibly on loan from Death Race 2000). And there's a hysterical sequence at a drive-in movie theater for the premiere of Candy's big-screen debut that turns out horribly. It's a sometimes sloppy comedy but that's part of the charm, and a lot of ingenuity goes a long way (one sequence at the movie set after hours where a killer lurks after one of the girls is actually very well directed and moody, a sign of things to come from Dante especially).
    Vince-5

    "Hello, Hollywood"

    In the autumn of 1975, Roger Corman set out to make the fastest, cheapest drive-in movie in the history of New World Pictures. This wild, uproarious cult classic is the result. Candice Rialson is Candy Hope, a starry-eyed Midwestern beauty hoping to make it big on that street of dreams, only to find that the glitter is just glass from broken liquor bottles. Instead, she ends up as a contract starlet with Miracle Pictures, a prolific B-movie factory grinding out sleaze epics for the passion pits of America (sound familiar?). Dick Miller is her agent. The always-fantastic Mary Woronov is Mary McQueen, the studio's Amazonian leading lady who has no patience with the new crop of upstarts ("You get your boobs in front of a camera and you're ready to jump into the cement!"). Everyone is shipped to the Philipines to shoot Machete Maidens of Moratau, with Paul Bartel as the director ("Your motivation is to massacre 3,000 Asiatic soldiers."). The film is pieced together with stock footage from other New World masterpieces, particularly Death Race 2000, with Candy donning David Carradine's famous leather mask. A kid at a drive-in cries out for more sex, while his parents deride the movie as "sick" and "worse than television." A drive down Hollyweird shows the famous Pussycat Theatre and various adult bookstores and massage parlors. A romantic interlude is serenaded by Commander Cody and His Lost Planet Airmen, belting out a raucous, dirty country tune. Mary's name is superimposed onto the poster for Untamed Mistress. Robbie the Robot refuses to do nudity. B-movie in-jokes come thick and fast, including a girl stabbed to death on a bed frame a la Snuff. The whole thing looks great, especially for $60,000, and is consistently hilarious--especially Mary, complete with cigarette holder and the vocabulary of a sailor. A bona fide drive-in classic. And remember..."If it's a good picture, it's a Miracle!"

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    Handlung

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    • Wissenswertes
      Filmed in ten days in October 1975 for less than $60,000.
    • Patzer
      During one sequence, two women take out Frankenstein's "Monster" car from the film "Death Race 2000" and a lot of footage of the car from that film is used. However, one shot used from "Death Race 2000" of the car driving through a bomb field is actually Machine Gun Joe Viterbo's car, not Frankenstein's.
    • Zitate

      Candy Hope: Wow, Walter, what a neat car!

      Walter Paisley: Yeah, it's a Rolls Canardly.

      Candy Hope: A Rolls Canardly?

      Walter Paisley: Yeah, it rolls down one hill and can 'ardly get up the next.

    • Crazy Credits
      All Rights Reserved Including Zeppelins.
    • Verbindungen
      Edited from The Big Doll House (1971)

    Top-Auswahl

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    FAQ16

    • How long is Hollywood Boulevard?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 13. August 1982 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Hollywood Boulevard
    • Drehorte
      • Hollywood Sign, Hollywood Hills, Los Angeles, Kalifornien, USA(climax at the Hollywood Sign)
    • Produktionsfirma
      • New World Pictures
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    Box Office

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    • Budget
      • 60.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 23 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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