In Hollywood ist der Teufel los

To be entirely honest, I came close to abandoning "Hollywood Boulevard" after a few minutes already, due to the exaggeratedly goofy sequence of a stunt woman crashing from a plane and leaving a person-shaped crater in the ground upon impact. That sort of stuff belongs in a "Tom and Jerry" or "Roadrunner" cartoon, but not here. But because Roger Corman and Joe Dante are involved, and mainly because the gorgeous Tara Strohmeier was standing around topless for no reason, there was a little voice inside my head encouraging me to continue. It might get better...

Overall, I'm glad I persevered. There are many more silly and downright idiotic moments like these in "Hollywood Boulevard", but also the showcasing of brilliant tongue-in-cheek satire and in-house parody. Roger Corman gave two of his canniest acolytes (Joe "Piranha" Dante and Allan "Rock & Roll High School" Arkush) 10 days, $60.000, and free access to the outtakes of his previous film-hits (notably "Death Race 2000). What they delivered in return is a bonkers but imaginative - and, yes, occasionally dreary - cocktail of comedy, sleaze, horror, and parody.

"Hollywood Boulevard" begins as a tale about a naïve young actress struggling to make it in the movie industry, continues as a portrait on how difficult it is to remain successful in that same industry, and ends (quite fantastically) as a slasher in which the sexy B-movie actresses are the targets of a maniacal killer. What makes "Hollywood Boulevard" so enjoyable is the marvelous cast of Corman-regulars and the shameless exploitation of beautiful female nudity. Paul Bartel is splendid as the unworldly director who loves himself and Dick Miller is genius as the sly talent agent. Actresses Tara Strohmeier, Candice Rialson, and Rita George also give more than admirable performances, but - who are we kidding - are most memorable for their topless appearances. The long and 200% gratuitous sequence where the three of them are sunbathing half-naked on a beach in The Philippines probably still is the highlight of Joe Dante's and Alan Arkush's careers!

Oh, and you simple have to love the fictional "Miracle Films" production company's slogan: If it's a good picture, it's a Miracle.

Ultra-cheap even by New World Pictures standards, naive go-getter with stars in her eyes Candice Rialson ("my friends call me Candy") finds herself the reluctant débutante in a z-grade Phillipino actioner when her shonky agent (Miller) signs her up for stunt work in the latest film of the "Miracle Pictures" assembly line. The last stunt girl died as a result of the paltry set conditions but Candy is willing to give almost anything a go if it means an opportunity to make it big. Initially duped into robbing a bank that she thinks is a hidden camera role, "Hollywood Boulevard" chronicles Candy's coming of age as she matures in the sordid, tempestuous industry of exploitation film.

Really just a self parody, directors Dante and Arkush have spared much expense cobbling together this endless parade of in-jokes and raunch, with dialogue to die for ("now get it up, or I'll cut if off") and enough skin to make a porn star blush. Bartel is amusing as the ultra efficient director, desperate to placate his high maintenance leading lady (Woronov) and come in under budget, while Jeffrey Kramer (fresh from "Jaws") trundles out the banal scripts like confetti at a wedding, while wooing Candy on the side.

Lots of bare flesh, flying limbs, simulated sex and corny double entendres to offend almost everybody, and, a bizarre blue grass musical number of zero relevance thrown in for good measure. If you're not a devotee of the New World Pictures experience, then doubtful "Hollywood Boulevard" will be your cup of tea; for everyone else, it's a trademark romp down to the usual standards.

Hollywood Boulevard (1976)

** 1/2 (out of 4)

Fun homage to the trash pictures of the 70s from directors Joe Dante and Allan Arkush. Candy (Candice Rialson) arrives in Hollywood and before long she realizes that becoming a star isn't going to be so easy. After several doors are slammed in her face, she eventually picks up an agent (Dick Miller) who gets her working at Miracle Pictures but soon a maniac is knocking off their stars. Hollywood BOULEVARD's history is actually much more entertaining than the film itself so those interested in the movie should certainly hear how this picture came to be and what type of budget the directors were working with. Overall I think fans of 70's drive-in pictures should get a kick out of this but at the same time there's no question that the majority of the film is just the same note over and over. I say this because when you're spoofing the entire drive-in genre, after a while it's clear that you're just spoofing the same type of stuff only with a different setting. We get a spoof of Philapeano movies, action movies, slashers and just about every other popular thing at the drive-in. These spoofs are actually somewhat clever but I think the film works best early on when the woman first arrives in Hollywood. The scene dealing with a bank robbery is just priceless. Also priceless is the work from Dick Miller who hands down steals the picture in his role as the agent. Rialson is also extremely charming (and beautiful) in her role and she really makes you believe that she's just some young girl who gets in over her head. The supporting players all do justice to their parts. At just 82-minutes the film flies by rather quick and even with its flaws the thing is still worth watching.

but probably nobody else.

A young, beautiful woman (Candice Rialson) comes to Hollywood to become a star. She starts working with Miracle Pictures ("If it's a good picture, it's a miracle") as a stunt girl. Miracle makes nothing but ultra cheap t&a movies. There's the star director (Parl Bartel) who supposedly thinks he's making art and an arrogant diva (Mary Woronov) who wants all the film to herself. Then woman are being killed on the set. Who's doing it...and why?

Film was actually shot in 10 days with directors Joe Dante and Allan Arkush using tons of footage from previous Roger Corman movies. The movie never takes itself too seriously and does have some VERY funny lines. But the plot is way too feeble even at 83 minutes (there's LOTS of padding); the acting is pretty bad (except for Bartel, Woronov and Dick Miller--all having a GREAT time); there is an unnecessary (and stupid) wet T-shirt sequence; there's a very sick rape scene played for laughs (and repeated twice); a very brutal knife slashing and plot holes galore (why DOES that guy at the end have all that stuff about victims in his little shed?).

What kept me watching is the tons of funny little injokes for movie fans. They're way too numerous to mention but they are there. Also it was just released in a 25th anniversary edition and looks just great. Most casual viewers will probably find this dull, stupid and sick--they're right, but it is fun for film fans.

Don't miss the jokes during the closing credits and one right after them.

This is a fun movie, especially if you like filmmaking you can apreciate the silly movie making gags. I wasn't expecting much when i rented this movie, but i ended up being entertained from beginning to end. It is stuffed full of nudity and silly humor to make this a sugercoated fluffy bunnyhop throught the Glitter Dome.