Und Morgen wird ein Ding Gedreht

The idea was good but the outcome was bad, 2 quite stupid song and dance conmen, with the help of a printing team gang, frustrate a top bank robber and pull his heist before him, their bumbling plot worked but the film didn't. A very unlikely story.

This film has a great cast, leading was Caan & Gould, with excellent suport. mostly unused, if they had more substantial roles it could have been better, Diane Keaton was probably the best, closely followed by Jack Gilford, always a class act. Caan & Gould, and Michael Caine probably overdo their roles, possibly by direction, the film was well made apart from photography which was poor.

The trouble was with the conversion of the story to screen, and it did not work, trying to rob a bank in between doing song and dance routines was not good on the transfer to screen, so maybe a good idea, but in retrospect not, its probably why no film like it has been made since.

I gave it a 5 for the acting and intrigue.

Made on the HELLO DOLLY set, this bumbling farce looks sensational and in some ways is actually as lush as DOLLY itself. With a spectacular cast and some very funny lines - and especially the genuinely hilarious NOBODY'S PERFECT song - H&W somehow just misses being really really good. Any opportunity to see Carol Kane on screen is a must. Barely released in 1976 this film is worth seeing in glorious widescreen, just for the visuals around the DOLLY set. It actually looks as though you will see Streisand singing somewhere in the background. It is probably the only two million dollar film with a three million dollar set. Deserving of a lavish DVD release it could easily become a collectors item for many reasons...if only the comedy was genuinely one of them. The ideas are all there and the cast and the lushness, but you just fell it is all a bit forced.

A thoroughly well-made and well-paced movie, with a wonderful score, both in the lead characters' signature song "Nobody's Perfect" and in the incidental music. James Caan and Elliot Gould do a great job of playing the low comedy foils of high comedy master Michael Caine.

Excellent for kids, too...although there are touches of violence, romance, and illegal behavior, they are all mild, and it's got a delightfully old-fashioned morality to it.

"Harry and Walter Go to New York" is growing on me. It's not as good as it should have been but it does have a lot going for it. The cast is very good and they all do a nice job. The set design and the costumes are top-notch. But for some reason, "Harry and Walter..." doesn't work as well as it should have. Sometimes a movie's production values and smother it's humor. I think that might have happened here. Also, especially in the first half, the editing seemed off. A lot of the jokes were ruined with too quick cutaways. That said, I do enjoy a lot of this movie. It's not a total write-off. It's definitely worth watching.

I saw this movie when it was first released, then again on television sometime in the Eighties. Why this film is largely forgotten is beyond me. For that matter, why are some of the most entertaining films of the Seventies collecting dust, while the critics continue to insist that we bow and scrape to pretentious self-absorbed WoodyBogdanovichMazurskyAltman? Anyhoo, this film is funny -- maybe not side-splitting, but certainly a lot more entertaining than many films calling themselves comedies. It's atmospheric, with that yellow/sepia look Coppola first introduced in Godfather II. It's well-acted: James Caan is a great comic actor -- let's face it, a great actor, period. Michael Caine is especially good as the kid glove villain. Almost nothing here to offend anybody, (but kids under age 10 might have trouble following it). And after all these years, I still remember the "owls who" joke.