Mein Name ist Gator

"Gator " marks a time in that there were not limits for the pleasure, for the happiness and for the adventure! this film is a typical turn to the seventies, and it has as the protagonist the star who reigned absolute for this time and who is finally returning: Burt Reynolds. Seen today, of course " Gator " seems a simple film and with a weak story, but if we analyze the context of the time in what it was done, Gator " is memorable and, without a doubt, an entertaining film and that deserves to be watched! Burt Reynolds offers all his charm, all his talent, interpreting Gator McKlusky, a scoundrel who is forced by the policemen to infiltrate in the criminal organization of an old childhood friend, and discover evidences that will lead him to the prison. Jerry Reed, another great icon of the seventies, is excellent as Bama McCall, the boss of the organized crime who seems to be owner of the south of Florida, Lauren Hutton was never so pretty and nice, particularly in the scene in what she and Burt Reynolds are talking at the beach, at night, near of a bonfire. Gator " is a celebration of a time where everything was simpler, truer and tasty, it is a memorable and efficient film that, even after so many years, preserves the tension and unforgettable scenes . Watch " Gator ", it is not the best film of Burt Reynolds career, but it is one of the good ones!

"Gator," Burt Reynold's feature film debut shows very brief flashes of twisted dark-comedy, but the vast majority of it just plain sucks the big one. I mean, Reynolds took the gritty, funny, sweaty, realistic character from "White Lightning" and completely threw him away, replacing the original Gator McClusky with the slick, mustachioed, urbanized, Hollywood Burt Reynolds we'd seen cracking wise on talk shows. No character, no grit, no acting--just Burt doing a caricature of himself. On top of that add a lame script that could have been adapted for any actor and any lead character, static direction, and virtually no continuity from the first hit film (now Gator has a son and no mother?). Only Jerry Reed rises above the lame-itude, beginning an acting career he was never allowed to fully develop beyond being Burt's sidekick. A waste of time. See "White Lightning" twice and you'll have a better time than watching this sequel.

I am not a man of many traditions, but I like to keep the few ones that I do have intact. One of those traditions is that I pay tribute to a deceased actor or director by watching one of his/her movies as soon as I hear the sad news. Burt Reynolds died on 5th of September 2018 and, although he's far from my favorite actor of all times, I do feel an honoring is in place since titles like "Deliverance", "White Lightening", "The Cannonball Run" and "Smokey and The Bandit" are nevertheless favorites of mine. Reviewing "Gator" is even a bit of a double tribute, since the film also marked Reynold's debut as a director.

"Gator" is exactly what you expect a pulpy and trashy sequel to the 1973 semi-classic "White Lightening" to be like, except that everything now revolves even more around the hunky & cool persona of illegal liquor runner Gator McClusky. Freshly released from prison, Gator is forced by a New York DA to help apprehend his former childhood buddy Bama McCall, who's now a big-shot Bayou crook. Gator is initially reluctant to betray his old friend and sabotages the operation, but when he finds out that Bama has become a relentless gangster who runs mafia-like protection rings and forces underaged girls into prostitution, all his sympathy quickly vanished. Like "White Lightening", the tone of "Gator" is also primarily light-headed, but with many raw and dark edges as well as unexpected moments of extreme violence. The typically hillbilly-soundtrack and the speedboat-chases through the Bayou swamps are comical, but Bama McCall's sinister henchmen and their gangster practices are grim and more reminiscent to the dark and uncompromising type of 70s grindhouse/exploitation cinema. The role of Jerry Reed is particularly and utmost surprising! I previously just knew him as a country-crooner (he also sings the title song) or as the jolly but harmless sidekick (for example in "Smokey and the Bandit") but here Reed depicts a truly evil guy with a nasty shotgun and intimidating helpers. His lieutenants are a scary giant named Bones, so tall that he has stick his head out of the open roof when driving a car, and a perverse creep named Smiley (you'll see why).

Reynolds occasionally demonstrates that he holds the potential of a competent director, and "Gator" is overall good entertainment, but the film is too long and especially the romantic interludes between Gator and love-interest Lauren Hutton are too tedious and interfere with the explosive action & spectacle during the finale. Throughout the 70s and 80s, it seemed like Burt Reynolds had a fun career with a few classics and a quite large number of genuine crowd-pleasers. He made a remarkable comeback in the 90s, with a few hits ("Boogie Nights") and more misses ("Striptease", "Cop and a Half") but always kept his Bayou bad-boy coolness. Rest in peace, Mr. Bandit.

Gator, As much as I respect Roger Ebert, I don't care what Ebert says. This is a good film. It is Funny at times, has action, and entertaining for Reynolds directorial debut. Sure there are some mistakes but Reynolds took some chances too, some subtle. Filming the chase scenes on water can prove to be difficult but it came off well.

Jerry Reed did a fine and convincing job as a corrupt antagonist without playing up to a false or cheesy southern stereotype. Lauren Hutton also did a fine job as a fresh face in this film without any clumsy or unnecessary over acting.

The ending is unexpected and without following movie formula as Ebert claims (See book titled, "I hated, hated, HATED this film"). Reed's song was a big number for him after the release of Gator and Bobby Goldsboro's music was beautiful and perfect for the films heart-breaking end. Pure entertainment.

The film starts out with a great song, sung by Jerry Reed, who also plays the villain perfectly as a foil to Gator McClusky, portrayed by Burt Reynolds. Reed is the best character in Gator, as his scenes are over the top and fun, especially the scene when he collects money owed him from one of the ghetto bars. There's a few cool boat chasing scenes, chased by helicopter in the dark swamplands, which is where Gator resides and is "hired" to help nab Reed's character, Bama McCall. He eventually joins McCall's gang and notices things he doesn't care for; soon after, he leaves the gang and trouble ensues. You can just about guess the rest. Up to this point, I thought there was decent tension and a serious war was about to take place between Gator and McCall; unfortunately, the film took a silly romantic/funny twist, as we meet Lauren Hutton's character, and soon after, her and Gator meet via a corny eye-catching moment at a public rally and shortly after, there's a forced moment at the local beach. Next up is Alice Ghostly and her cats(too much humor by now), and finally all get together to try and prove Bama's guilty past by breaking in the court house and stealing records.

Anyhow, the film rescues itself after some of Gator's crew are killed and some real tension builds up again, and the humor is ditched for good.