Füge eine Handlung in deiner Sprache hinzuThe events of several travelers who stop at a sinister hostel one stormy night.The events of several travelers who stop at a sinister hostel one stormy night.The events of several travelers who stop at a sinister hostel one stormy night.
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The Strange Hostel of Naked Pleasures opens with a bizarre ritual: a coffin, some bongo players, topless men in a mosh pit, several women in their underwear performing crap dance moves, and deformed creatures (men in unconvincing rubber masks) wailing like banshees while lightning strikes. After what seems like an eternity, the coffin opens and out pops Zé do Caixão (José Mojica Marins), who stands there while his cape and hat (a natty bowler, rather than a top hat) appear out of thin air. Then Zé begins to spout his usual line of dreary philosophy while balls of black modelling clay on wires pass by, and the viewer asks themselves 'Why did they have to bring him back?' and 'What am I doing wasting my life watching this rubbish?'.
So what does Zé do next? Why, he enters the hospitality industry of course, setting up an inn for passing strangers, of which there seems to be plenty: before long, his rooms are full of gamblers, hippies, corrupt businessmen, jewel thieves and lovers, none of whom are put off by their creepy host. The gamblers gamble, the lovers get smoochy, the businessmen make dodgy deals, the jewel thieves check out their haul, and the hippies conduct an orgy just like the one in Marins' earlier surreal oddity End of Man, repeatedly chanting 'Everybody naked, great!' while they strip off—all of which proves tedious in the extreme.
After much surreal strangeness (animals and insects dying, a clock with a beating heart, a burning veil over the camera lens), the not-entirely-unexpected twist ending reveals that all of the guests are actually ghosts, having met with violent deaths before they arrived, that the inn is, in reality, a cemetery, and that the innkeeper is Death (Zé's face transforming into a skull with blood dripping from the eye sockets). Yawn!
3/10 for Marins' hilarious pearls of wisdom, which include: 'There is no redemption for those who want to be blinder than the blind one having his sight to see' and 'The one who searches for the beginning of the end will find an end with no beginning'. Right you are!
So what does Zé do next? Why, he enters the hospitality industry of course, setting up an inn for passing strangers, of which there seems to be plenty: before long, his rooms are full of gamblers, hippies, corrupt businessmen, jewel thieves and lovers, none of whom are put off by their creepy host. The gamblers gamble, the lovers get smoochy, the businessmen make dodgy deals, the jewel thieves check out their haul, and the hippies conduct an orgy just like the one in Marins' earlier surreal oddity End of Man, repeatedly chanting 'Everybody naked, great!' while they strip off—all of which proves tedious in the extreme.
After much surreal strangeness (animals and insects dying, a clock with a beating heart, a burning veil over the camera lens), the not-entirely-unexpected twist ending reveals that all of the guests are actually ghosts, having met with violent deaths before they arrived, that the inn is, in reality, a cemetery, and that the innkeeper is Death (Zé's face transforming into a skull with blood dripping from the eye sockets). Yawn!
3/10 for Marins' hilarious pearls of wisdom, which include: 'There is no redemption for those who want to be blinder than the blind one having his sight to see' and 'The one who searches for the beginning of the end will find an end with no beginning'. Right you are!
A very chilling movie, which starts with a crazy and surrealist dance, where naked women dance all over, and old men scream towards the sky. Then a coffin has dragged open, and a man (Coffin Joe?) is broad back to life. Then the story goes to an eerie hostel, where all kinds of men come in one stormy night. Coffin Joe tells the visitors some very strange stuff like "All thats nothing will be everything" (???!). The moody story ends up in a knockdown-ending, but the story still continues veery eerie for its last a couple of minutes. Lots of violence, and corny nudity, its normaly regarded as pure exploitation trash. But if you look it, in another way, its a masterpiece of eerie horror-movies. *** out of ****, or *½ out of ****. You see it, then decide.
Strange Hostel of Naked Pleasures, The (1976)
* 1/2 (out of 4)
Brazilian horror film has Jose Mojica Marins, the man behind Coffin Joe, running a hostel where a mixed group of people, ranging from hippies to gamblers, show up with nightmarish events to follow. I've heard some call this a Coffin Joe film but I don't see it as such since Marins' character, the hostel owner, is never called that nor is it ever implied that he's Coffin Joe. With that said, I found the film pretty hard to get through for a variety of reasons but the biggest being the dialogue. It really seemed like they were going for some type of Bob Dylan like lyrics because Marins' character is constantly coming up with various sayings, which are meant to be thought provoking but they left me wanting to laugh. After a while these sayings stop being funny and instead just come off as lame and this is what happened to the film as it kept going. For the most part we've got a twenty-minute movie spread out to 78-minutes and that means we get a bunch of scenes, which just replay over and over. This includes one of the dumbest orgy sequences I've ever seen where the hippies are just passing around bottles of vodka while canting an incredibly stupid line about getting naked. The final twenty-minutes is when the violence starts to kick up and we get countless more lines trying to be deep. I'm really not sure what the killings were about since the lines are so dumb but we get a wide range of events with a couple nice sequences. One such sequence is when a man is shot in the head only to have firework sparks come out before the screen turns all red in blood. We have other scenes involving the likes of a snake and crab but these add to very little. The entire movie is strange as you might expect and there's a certain level of atmosphere, especially the first ten minutes, but in the end the movie is just too dull to really work. Fans of the bizarre or surreal will want to check this out but others should certainly stay clear. Original title: A Estranha Hospedaria dos Prazeres.
* 1/2 (out of 4)
Brazilian horror film has Jose Mojica Marins, the man behind Coffin Joe, running a hostel where a mixed group of people, ranging from hippies to gamblers, show up with nightmarish events to follow. I've heard some call this a Coffin Joe film but I don't see it as such since Marins' character, the hostel owner, is never called that nor is it ever implied that he's Coffin Joe. With that said, I found the film pretty hard to get through for a variety of reasons but the biggest being the dialogue. It really seemed like they were going for some type of Bob Dylan like lyrics because Marins' character is constantly coming up with various sayings, which are meant to be thought provoking but they left me wanting to laugh. After a while these sayings stop being funny and instead just come off as lame and this is what happened to the film as it kept going. For the most part we've got a twenty-minute movie spread out to 78-minutes and that means we get a bunch of scenes, which just replay over and over. This includes one of the dumbest orgy sequences I've ever seen where the hippies are just passing around bottles of vodka while canting an incredibly stupid line about getting naked. The final twenty-minutes is when the violence starts to kick up and we get countless more lines trying to be deep. I'm really not sure what the killings were about since the lines are so dumb but we get a wide range of events with a couple nice sequences. One such sequence is when a man is shot in the head only to have firework sparks come out before the screen turns all red in blood. We have other scenes involving the likes of a snake and crab but these add to very little. The entire movie is strange as you might expect and there's a certain level of atmosphere, especially the first ten minutes, but in the end the movie is just too dull to really work. Fans of the bizarre or surreal will want to check this out but others should certainly stay clear. Original title: A Estranha Hospedaria dos Prazeres.
Probably the worst of José Mojica Marins's horror films, in spite of the good general idea. There is much more noise (what a noisy film! Lots of screams and a very unfortunate music score that mostly does not fit the movie) and no good connections for a chaotic sequence of not very well shot footage (differently from Mojica's best films, despite their low budget). The film also lacks the innovative editing of other movies by Mojica. Here, his famous character Coffin Joe has some different traits, what is by far the most interesting element: his psychic powers are impressive, being able to charm, kill, cause accidents... In the very beginning, he is ressurrected in a ritual (which mixes interesting trance dark scenes of drummers with an amateur performance of beautiful girls in bikini). Then, he recruits employers and guests for his lodge, under a heavy storm. His selection clearly indicated that those who were accepted were destined to. Among them, there were gamblers (one of them being the victim of the other three), a gigolo and his women, an adulterous couple, a man wishing to commit suicide, other characters I could not understand who they were (robbers?), and the worst of them all: a numerous "party hard" group of drunk people who enjoyed to shout "todo mundo nu, oba!" ("everybody nude! Oh yeah!") while dancing naked (they only shut up when make sex!). Perhaps a new cut, shortening it a lot, could have saved the film. However, in the wat it was released, it is hard to understand (not the general trend, which is predictable, but the specific fates of each character) and to keep interested on it.
While watching this movie, my doorbell rang. I ran to the door, hoping it was Coffin Joe there to show me MY death, thereby saving me from watching the rest of this awful movie. Alas, it was the pizza guy, and he didn't have a gun that shot sparkles. I gave him a twenty and told him to keep the change, but he didn't say anything profound like "the change shall be kept, but the change kept within your soul will be your change", or anything. He just said, "thanks." What a bummer. Last time I order from that place.
Anyway, I wanted to watch until the end, but that orgy scene - the LEAST erotic scene ever shown on film (unless skinny, pale, hairy Brazilian guys in bikini briefs swilling vodka and saying sexy things like "let's make love" turns you on) - caused me to switch off. Honestly, this movie is a LITTLE bit funny...but it drags on for so long that the camp/humor is drained. And it's only 80 minutes! Just awful.
Anyway, I wanted to watch until the end, but that orgy scene - the LEAST erotic scene ever shown on film (unless skinny, pale, hairy Brazilian guys in bikini briefs swilling vodka and saying sexy things like "let's make love" turns you on) - caused me to switch off. Honestly, this movie is a LITTLE bit funny...but it drags on for so long that the camp/humor is drained. And it's only 80 minutes! Just awful.
Wusstest du schon
- Zitate
[first lines]
Zé do Caixão: Live to die or die to live? Is there an answer? No! Only doubts! Only deductions... Only the conviction of emptiness... of loneliness... the desperate search for the whole and the nothing in the vastness of the dark. The unveil of this enigma would be the end of the mystery. The end of the secret of eternity. The apogee of happiness. The mission is accomplished! Men would be facing his biggest conquest... the awakening of his own origin.
- VerbindungenFeatured in O Universo de Mojica Marins (1978)
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