Embryo

This film has aged as gracefully as Mickey Rourke. The special effects are hilariously bad, the lab equipment belongs in a museum and the plot is dubious to say the least. And yet, these are the very things that make "Embryo" such entertaining viewing.

I think it's only fair to judge special effects in old movies by the technology available to the filmmakers at the time. However, even by 1970s standards, the special effects in this film are remarkably unconvincing. The obvious use of dolls for babies, the fluffy toy that doubles for a dog and the mesmerising plastic canine foetus are all memorable. Personally, I find these kind of effects utterly charming. They inject humour into the film (albeit unintentionally) and due to their lack of authenticity, make the subject matter of experimenting on foetuses more palatable.

Technology junkies will love the bus sized computers and pre-historic lab equipment. The film's heartening lack of moralising is almost as much of its time as the outdated hardware. I hate to think how preachy this film would be if it were made today.

This film is a bizarre and amusing time capsule of 1970s technology and morality. See it, if only for the bewildering dog foetus.

i really enjoyed this movie.i thought the acting was very good,and the storyline well developed.i'm sure the movie was inspired by past literary works and movies,but i think it also inspired other movies and novels.so,obviously it's not wholly original,but it does have its own original elements to it.it's a cautionary tale for sure and it's just as relevant today, probably more so .the only negative thing i can say about it is that it can be a bit slow,and the first half has an almost clinical feel to it.by this i mean at times it's a bit dry and almost too scientific.overall,though i think it was a well done movie.i give Embryo a 7/10

Okay, I'll admit it--you need to suspend disbelief on this one--A LOT of disbelief! But, you have to do this all the time in movies so stretching this just a bit further might enable you to enjoy this film. I know that I went in with very low expectations after reading the IMDb reviews, but it turned out to be a decent little movie about yet another doctor who wanted to play God.

The film begins with a doctor (Rock Hudson) hitting a dog. He takes the pooch home and tries to save it, but he's unsuccessful. But here's the weird part--using some special serum he'd been working on, he injects the dog's surviving puppies to try to save it. That's because the puppy is WAY too young to survive. Speeding up its growth at an astronomical rate enabled the puppy to grow many weeks in a matter of hours and it survives.

A short time later, the doctor decides to play God with a human. Taking a recently dead pregnant woman, he's able to remove the small fetus and grow it in his lab at an even faster rate. The problem is that for some time he cannot stop its fast growth and the fetus ends up becoming a full-grown woman by the time he's arrested the fast growth. At first, things seem great as the woman is a sort of super-woman--with amazing learning skills and intelligence and the ability to be well-coiffed despite being raised in a lab. Plus, and here's the best part, it turns out to be an amazingly HOT young lady (Barbara Carrera). What's next? Well, I'd say more but don't want to spoil the plot. Suffice to say that the lady's moral reasoning abilities are at times VERY suspect...yet hot! Despite the prologue that makes it sound as if this technology is possible, it certainly is not! But, it did make for an interesting film with a few nice surprises (such as at the very end). A word of note--you WILL see a lot of Miss Carrera in this one, so perhaps it's best not shown to your small children or mother!

Okay, I admit, the movie theme isn't as frightening now as it might have been in the 70s when the film was made. Still, the movie was an interesting and somewhat disturbing view of a scientific experiment gone wrong.

The whole question of man tampering with genetics and life support gets a superficial and at times idiotic treatment in this sci-fi yarn. Hudson plays a research scientist who's mourning the loss of his partner and wife who died in an accident years before. One rainy night, while tipsy and distraught, he runs down a pregnant Doberman. He brings it to his mansion/laboratory and tries to revive it, while also trying to save the lives of it's three unborn pups. He decides to utilize theories he and his wife had been working on (but were shelved after her death.) When this approach is partially successful, he tries it out on a human fetus, but the results go haywire. He winds up (within days) with the fetus transformed into long-haired Carrera! He then attempts to acclimate this ready-made person into society, but it isn't as easy as he had hoped it would be. He is soon in over his head and pays dearly for his tampering. The entire first section of the movie has a sort of detached, clinical viewpoint with a rather monotone Hudson dictating endless data into a recorder so that the audience can figure out (if it wants to!) what all he's doing to the dog and then to the fetus. This gets tiresome to say the least and it isn't helped by the dull surroundings of his lab. It all seems like a forced, pay-your-dues prelude to justify having the luscious, naked Carrera pop out later and seduce Hudson. (And wouldn't Hudson be more likely to have Jack Scalia slide out of the incubator?) For some inexplicable reason, Hudson's deceased wife's sister (Ladd) lives in the house as well. Their relationship is very fuzzily detailed and her character rarely makes sense. Fortunately, despite the lame scripting, Ladd brings enough presence and authority to the role that she manages to get a few good lines and icy stares out of her thankless part. (She has one ludicrous extended scene involving the search for the planet's ugliest lamp in the attic while a fierce, threatening dog growls at her.) Hudson actually looks pretty good in many of the scenes, especially the outdoor ones where the lighting is more flattering. He does an admirable enough job with his role in spite of the complete lunacy of the subject matter and the nonsensical actions of his character. (WHY is it necessary for the unborn fetus to know how to multiply a couple of numbers before it can even talk?!) Carrera has been given an impossible role to play. Nothing about her character makes any sense at all, yet she somehow brings conviction, believability and sympathy to the role. (It is never explained, however, why she has a heavy Nicaraguan accent. The poor lady was always playing oddities at this stage of her career. See "The Island of Dr. Moreau" as well...) She has one great sequence opposite McDowall at a party. (This hilarious party full of doctors and scientists even includes Dr. Joyce Brothers as herself!!!!!) Other roles go to Elerick as Hudson's son, Baggetta as a sly wolf with designs on Carrera and Schedeen as Hudson's pregnant daughter-in-law. Schedeen capped her place in sci-fi cultdom when she went on to play the surrogate mom of "ALF". The film is moderately entertaining if one doesn't think about any of the science involved. Even so, it could have been a lot better with a higher budget, stronger script and better direction. One potentially disturbing moment involving a dogfight is rendered fall-down hilarious due to the usage of a preposterous stuffed terrier as a stunt double.