Das Monster von London

This film got little coverage in horror books or magazines I collected growing up, and I only became aware of its availability in the internet age. The premise was intriguing, although I assumed it to be more of a comedy and probably cheaply made. As a fan of Crain's Blacula I was pleasantly surprised to discover his involvement-even more so when "Big Skillet" Ji-Tu Cumbuka shows up--playing a straight talking police detective who reminds one of Samuel Jackson. The film does appear cheaper than Blacula and has less dramatic tension--on the other hand it manages to give its central character a bit more depth than one would expect from the Jekyll and Hyde story having been done so many times previously. The scene where Casey tells the prostitute about his childhood and mother is poignant, and makes his request to her all the more chilling since we realize he has some sincere reason to do his research and wont take no for an answer. A mad scientist with a twist.

The makeup by future fx star Stan Winston who had worked with Casey on the TV movie Gargoyles isn't a big deal by today's standards and despite the title he doesn't really look caucasian but more like a Haitian voodoo zombie. Whether Winston was hampered by budget or it was a conscious decision to make him more of a ghoul is an open question.

There are some story lapses and the ending seems rather abrupt and too basic for a story that had established such a dramatic impetus for the main character--but it has a few amusing lines and is probably worth a look for people seeking an alternative drive-in horror film. 6 1/2 out of 10.

This film opens with a socially conscious physician named Dr. Henry Pride (played by Bernie Casey), who strives to alleviate suffering in the inner city of Los Angeles. When he is not assisting those in need of medical attention, he devotes nearly all of his waking hours to working on a cure for liver disease that he hopes to finalize soon. Unfortunately, when he cannot find any willing volunteers for his research, he decides, in a moment of desperation, to use himself as a guinea pig- with disastrous results, as he becomes a homicidal maniac targeting prostitutes living and working nearby. Rather than reveal any more, I will simply say that, although the overall plot has been used numerous times in the past, I found the idea of using it within the framework of a blaxploitation setting to be quite compelling. Admittedly, the low-budget production values did limit the film to some extent; however, it still managed to entertain me for the most part, and I have rated it accordingly. Average.

--Don't take it seriously and you'll have a great time with this film.--

Here's another point of view about the "quality" of this movie. If you're the kind who doesn't take life too seriously, enjoys b-movies and/or blaxploitation flicks, and doesn't mind a classic bad movie every now and then for a good laugh, then you'll enjoy this film. But the point is to not take the film seriously. After all, what film do you know of with a character named Silky the pimp will be a contender for an Academy award!

No, this movie is not *that* scary, though there is lots of suspense. But it *is* funny (make your own jokes as the movie rolls), with lots of action, crazy blaxploitation-style music, kitschiness. . . did I mention Silky the pimp? It is not meant to be a commentary on race relations. It's bad film entertainment at it's worse, er, I mean best! It ranks up there with "Blacula;" it's quality comes from the fact that it is played so "straight."

I recommend this to all other fans of bad b-movies and blaxploitation films like myself. Kick back with this film, some friends, some snacks, and laugh all night!

Henry Pride (Bernie Casey) is a successful yet altruistic black doctor who develops a serum that he hopes will cure liver disease; when he tests the formula on himself, he transforms into a white psycho who kills prostitutes and pimps.

Although, at face value, Dr. Black, Mr. Hyde is a trashy example of blaxploitation horror, it does attempt to explore deeper themes that would have resonated with its intended black audience. With Dr. Pride transforming into a bestial white man, the film equates whiteness with power and corruption, a belief understandably held by many in the black urban underclass; it also explores the idea of black guilt over attaining success and status in a predominantly white profession, and likens the doctor's repeated use of his serum to drug addiction, an issue that affects the poor and underprivileged. There's plenty to dig into if you enjoy films with social commentary...

But what about the more 'fun' aspects of the film?

Let's start with the obvious: Mr. Hyde's appearance. White face paint and some light prosthetics work does not convincingly turn a black man into a caucasian, and the scenes in which the transformed Dr. Pride is mistaken for a 'honky' are hilarious. The make-up was created by FX legend Stan Winston, but it is far from his best work.

Mr. Hyde throwing people around like rag dolls: extremely comical, but hugely entertaining.

Silky the pimp: I love a stereotypical pimp and Silky ticks all of the boxes.

The nudity, courtesy of Marie O'Henry as Linda, the hooker with a heart: no exploitation film is complete without gratuitous T&A and Linda's completely naked health checks at the free clinic are about as gratuitous as it gets. If Dr. Pride wasn't so kind and upstanding, I'd be questioning his ethics...

Johnny Pate's funky soundtrack.

The King Kong inspired finalé that sees Mr. Hyde scaling the Watts Towers (one of LA's more unusual landmarks).

Better than Blackenstein and Scream Blacula Scream, but not as enjoyable as Abby or Blacula, this is mid-tier blaxploitation horror that can be commended for addressing social issues along with its escapism. 5.5/10, rounded up to 6 for IMDb.

If anyone actually takes this as a serious commentary on race relations, they need counseling. Immediately.

The tale, as you can probably take from the title, is more or less a riff on the "Dr. Jekyll and Mr. Hyde" storyline, only this time a black doctor's (Casey's) experiments turn him into a rampaging albino-skinned monster!

Pretty thinly-veiled commentary, eh?

The monster attack scenes look like they should be played for laughs. The ZAZ (Zucker, Abrahams, Zucker) brothers would have had a field day with this. Indeed, if you watch this, you'll find yourself laughing at every scary and/or racially-motivated moment.

But no, it's played straight and all the sadder. Casey is a good actor, an important actor, even. Unless he was intentionally playing this for laughs, there's just no excuse for such inanity.

The least they could have done was have Casey morph into Leslie Nielsen. Now THERE we would have known where we stood.

One star.

Great; I probably just gave Hollywood an idea for a remake.