IMDb-BEWERTUNG
3,7/10
2308
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTwo police detectives try to catch a serial killer who is stalking a rural California drive-in theater, randomly killing people with a sword.Two police detectives try to catch a serial killer who is stalking a rural California drive-in theater, randomly killing people with a sword.Two police detectives try to catch a serial killer who is stalking a rural California drive-in theater, randomly killing people with a sword.
- Regie
- Drehbuch
- Hauptbesetzung
John F. Goff
- Police Det. Mike Leary
- (as Jake Barnes)
Steve Vincent
- Police Psychologist
- (as Adam Lawrence)
Verkina Flower
- Little Girl in Warehouse
- (as Verkina Flowers)
Robert E. Pearson
- Austin Johnson
- (as Newton Naushaus)
Norman Sheridan
- Orville Ingleson
- (as Norman Sherlock)
John Alderman
- Jim
- (as Frank Hollowell)
Jacqueline Giroux
- Arlene
- (as Valdesta)
Bruce Kimball
- Police Det. John Koch
- (as Michael Alden)
Martin Gatsby
- David
- (as Marty Gatsby)
Sandy Carey
- Lori
- (as Patricia James)
Janus Blythe
- Alan's Girl
- (as Tiffany Jones)
George 'Buck' Flower
- Suspect in Warehouse
- (Nicht genannt)
Stu Segall
- Police Captain
- (Nicht genannt)
Cheri Woods
- Murder Victim
- (Nicht genannt)
Empfohlene Bewertungen
During the first two thirds of the movie it seems that all the people involved are giving their best and despite it's evidently low budget, movie does resemble a real movie, has some decent practical effects, makes you interested in it's story and undeniably has a certain interesting atmosphere. However, in the last third of the movie whole thing breaks apart with a try at a comedy and a filler warehouse sequence which drags on for too long and is painfully boring to watch. If it continued like it's first two thirds, the movie could have been a nice mediocre movie for the fans of the genre, but like this, it's not very good. I give it 4.5/10! If you do decide to watch the movie, do keep your expectations really low!
The movie is awful, cheesy but kinda fun to watch. It's better than I expected it to be - I thought it might have been a grindhouse style of film but it's not. It's a slasher, bloody but not a lot of that going on... it's main focus is on two cops trying to solve the murders! The best thing about the film are the two cops who could pass as brothers! Really, their facial features look similar to one another and similar build to their bodies.. only real difference is one is slightly shorter than the other!! I could see these two in a spin off 1970s TV show playing the same two cops and still solving murders. LOL! It's not a film to seek out - even for a die-hard horror fan - but it is an OK watch if you happen to catch it on one night or acquire it in a film pack as I did.
3/10
3/10
Granted this isn't a classic movie, but it can be kind of fun if you catch it in the right frame of mind - or if you've been drinking heavily. Basically the title tells all: psycho on the loose at a local drive in movie theatre killing everybody, and even the filmmakers don't know who the killer is. Lame, yes, but how can you miss gems like the title being misspelled in the trailer, (as "Drive in Masacre") The musical score is almost as bad as a record by "Jandek" - if any of you know who he is. An obvious latex dummy is decapitated in the first scene, then we see two Pillsbury Doughboy-looking cops questioning the owner of the drive in (he kind of looks like he's dressed as the devil for Halloween) The audio quality is awful during the first few scenes, so it's difficult to understand what is being said (not that it really matters, though) We get soap opera clichés involving pregnancy in between the first two gory killings, until the two cops go 'undercover' by dressing in drag just like what you saw in "The Town that Dreaded Sundown" trying to catch the killer, but just providing the audience with a few laughs instead. They interrogate a suspect 'Engleson' and the first cop obviously stutters his line while speaking to Engleson ("Do you know what that Engle ... *cough* ... do you know what that is Engleson?") A brief foot chase ensues, but leads nowhere except to an opportunity for the camera man's shadow to be visible on their backs several times here, and in the next scene. This is all good cheese ball fun for about the first 55 minutes or so, but after that, a 'so bad it's good' type of movie just turns terrible as they then try to pad out the short running time by showing that little leprechaun looking guy Germy loitering around the drive in, and then another ten minutes of padding involving the cops chasing an unrelated suspect though a warehouse - and the guy they're chasing looks like the same guy playing "Austin Johnson", only he's wearing a really crappy looking wig. If this sequence, and the lengthy opening credits scene were edited out of the film, the movie's running time would barely be about 55 minutes. This is capped by a twist ending that was probably lame even in an actual drive in, and it's even worse when you see it on video.
If you're looking to kill an hour and ten minutes, you definitely could do worse than this movie, it's better than some here have said.
If you're looking to kill an hour and ten minutes, you definitely could do worse than this movie, it's better than some here have said.
I find many of the old horror movie titles as part of packaged releases from Brentwood and other companies, twelve titles for $5.99, fifty titles for $20.00, etc. Therefore, many of these films have not been remastered and have lousy sound or picture quality. This is very true for the version I saw of "Drive-in Movie Massacre". I couldn't understand most of what was being said in the opening sequence, and I had to increase the brightness of my television to figure out exactly whom was being shown at the end, and I think I know who it was -- due to the context -- but it wasn't clear.
However, despite its sound and picture problems, this film couldn't have been any better in crisp shape 30 years ago. I was only 4 and 5 in 1976 and recall only one time being sneaked into a drive-in; my understanding of drive-ins, however, is that when things on the screen got boring, people honked their horns. I read that that was why Sam Raimi kept up the pace of "Evil Dead", to prevent horn-honking. I imagine that there was much honking during screenings of this film. The ending is laughably absurd; it MIGHT have worked in 1940, or 1876, and it might scare little four year olds who are still afraid of the bogeyman and have parents who try to keep them well-behaved by using his appearance as a threat, but for teenagers or adults, it's "Oh, Jesus" lame.
This is on top of the film being highly padded, with a minutes-long scene of one character's carnival-gazing and another set in a warehouse that doesn't make a lick of sense. However, I found this film mildly amusing, in a movie-night-with-your-drinking-buddies sort of way. It has touches of camp, sometimes intentional. The manager of the drive-in, filled with angrily-told stories of self-pity, amused me, and I thought that the actor playing "Germy" often hit some spot-on moments, his pathetic 'am-I-a-good-boy?' eagerness to help with the investigation and wounded reaction when finally being pushed too far helping to ground the film.
This is not the worst film of its genre, and I'd watch it again with friends who want to make fun of something while we get drunk.
However, despite its sound and picture problems, this film couldn't have been any better in crisp shape 30 years ago. I was only 4 and 5 in 1976 and recall only one time being sneaked into a drive-in; my understanding of drive-ins, however, is that when things on the screen got boring, people honked their horns. I read that that was why Sam Raimi kept up the pace of "Evil Dead", to prevent horn-honking. I imagine that there was much honking during screenings of this film. The ending is laughably absurd; it MIGHT have worked in 1940, or 1876, and it might scare little four year olds who are still afraid of the bogeyman and have parents who try to keep them well-behaved by using his appearance as a threat, but for teenagers or adults, it's "Oh, Jesus" lame.
This is on top of the film being highly padded, with a minutes-long scene of one character's carnival-gazing and another set in a warehouse that doesn't make a lick of sense. However, I found this film mildly amusing, in a movie-night-with-your-drinking-buddies sort of way. It has touches of camp, sometimes intentional. The manager of the drive-in, filled with angrily-told stories of self-pity, amused me, and I thought that the actor playing "Germy" often hit some spot-on moments, his pathetic 'am-I-a-good-boy?' eagerness to help with the investigation and wounded reaction when finally being pushed too far helping to ground the film.
This is not the worst film of its genre, and I'd watch it again with friends who want to make fun of something while we get drunk.
DRIVE IN MASSACRE was meant to scare the patrons of the actual drive-ins that dotted the landscape of it's day. Starting off with a gag-inducing theme song, the horror gets under way.
A madman is lurking among the rows of cars, and beheads a pair of amorous customers. With a sword! As usual, the cops are stumped. Cantankerous, bullet-headed manager, Austin Johnson (Newton Naushaus) is no help at all. He just hates everyone and everything. Could he be the killer? Or, could it be Germy the "halfwit" janitor? Why is he so twitchy? And, Why is he wearing Pinocchio's hat? Hmm?
Meanwhile, in spite of the gory murders, the drive-in fills up the next night. Unsurprisingly, another couple is dispatched, this time in shish kebab fashion. And, on it goes. At no time does it seem like a bad idea to keep the drive-in open. Even when someone is killed every night!
This movie's biggest problem is that in between deaths, it's an extremely dull police investigation, conducted by the world's most lackluster detectives. They're more like fast food-loving carpet salesmen. While chasing a suspect, one fears that they could drop dead at any second!
By normal standards, this is a debacle. However, on the schlock scale, this is pure gold!
P.S.- Watch for an uncredited George "Buck" Flower as a marauding, bug-eyed maniac!...
A madman is lurking among the rows of cars, and beheads a pair of amorous customers. With a sword! As usual, the cops are stumped. Cantankerous, bullet-headed manager, Austin Johnson (Newton Naushaus) is no help at all. He just hates everyone and everything. Could he be the killer? Or, could it be Germy the "halfwit" janitor? Why is he so twitchy? And, Why is he wearing Pinocchio's hat? Hmm?
Meanwhile, in spite of the gory murders, the drive-in fills up the next night. Unsurprisingly, another couple is dispatched, this time in shish kebab fashion. And, on it goes. At no time does it seem like a bad idea to keep the drive-in open. Even when someone is killed every night!
This movie's biggest problem is that in between deaths, it's an extremely dull police investigation, conducted by the world's most lackluster detectives. They're more like fast food-loving carpet salesmen. While chasing a suspect, one fears that they could drop dead at any second!
By normal standards, this is a debacle. However, on the schlock scale, this is pure gold!
P.S.- Watch for an uncredited George "Buck" Flower as a marauding, bug-eyed maniac!...
Wusstest du schon
- WissenswertesThe majority of the cast used pseudonyms because this movie was made non-union and they wanted to avoid being fined by the Screen Actors Guild.
- PatzerWhen woman is killed at the start of the movie, fake skin when her neck is penetrated is apparent.
- Zitate
Detective Larry: I talked to the manager of the drive in. His name is Austin Johnson, and you're really gonna like him. He's what you'd call your perfect asshole.
- Crazy CreditsMake up effects by: the Duke of Disguise
- VerbindungenFeatured in Nýtt líf (1983)
Top-Auswahl
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Details
Box Office
- Budget
- 30.000 $ (geschätzt)
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