Jack the Ripper

In several respects, this movie seems to be a little untypical for a Franco movie. Since Franco proposed the subject himself, the film seems to be a rather personal project. Nevertheless, it is one of his most conventional movies. One could say that it is a rather tame slasher movie.

Sexual perversion is still a subject, but in "Jack the Ripper" it is confined to the madmen and is not the general background. There is also some gore which - at least on some occasions - would have better been left out.

What is equally untypical for a Franco movie are the production values. One can see that Franco worked on a higher budget. The film plays most of the time during the night, and the night photography is carried out in an excellent way. The scene when Lina Romay is killed in a foggy park is certainly one of the best Franco has ever filmed. A funny fact here is that apart from a few exteriors (like Big Ben), all the movie was shot in Zuerich Switzerland. It is much fun to see how Franco has transformed this into London (especially if you know the places in Zuerich Franco used). The interiors are also nice and colourful, and this is complemented by the costumes. Finally, the great plus of the movie is that is has Klaus Kinsky in it. Kinsky was one of the few actors who could create a certain ambiance by their mere presence. Of course, Kinsky's acting is also very subtle. Especially, his transformations from philanthrop into madman and back.

The only thing which spoiled my viewing of "Jack the Ripper" a bit where some stupid beginner's mistakes by Franco. The two most obvious ones are: 1) Klaus Kinsky standing at the wrong side of the car when he "meets" the inspector's girl friend; 2) When Lina Romay is killed, the puppet used for the (cheap looking) gore effect is lit in a completely false color (maybe this is the producer's fault who might have insisted on including some gore). One less obvious mistake occurs at the beginning: The first hooker which is killed walks (on her way home!) back half the way she came.

All in all, "Jack the Ripper" is an atmospheric, unpretentious, and well directed slasher movie with a formidable Klaus Kinsky as the madman.

One of the remarkable elements about this improbably interesting, intelligent and engaging fictionalization of the Jack the Ripper story is the fact that the amazing Klaus Kinski is not the only reason the film held my interest. Basically, this is a rather graphic horror film with a lot of perverse sexuality (all of which is too disturbing to be interesting from any prurient perspective). Yet this is not Jesus Franco's standard garbage, but rather an interesting Freudian interpretation of Jack the Ripper, which deviates far enough from the actual historical facts to allow for a few surprises along the way.

The cinematography is generally good. The editing and pace are decidedly unamerican, and will turn off mainstream audiences. the film proceeds at a steady pace, but features dialog which is more oriented toward driving the plot than elaborating the characters. The cast is pretty uneven, but strong support comes from Menkopff, Chaplin and Fux. Kinski's role, though not much of a challenge for him, is interpreted with the great actor's usual intensity. The sets, though not particularly London, and a tad anachronistic at times, are detailed and enjoyable in their own right.

What the film does successfully - and again, it's not all Kinski - is to create a tense and disturbing atmosphere, punctuated with occasionally graphic scenes of sexual and bloody violence. Along the way, the director presents an interpretation of Jack the Ripper which is straight out of Freudian pop psychology. The effect is powerful, and the film is memorable. Perhaps Franco's best work, though I've not seen them all (for good reason!)

I'm a Jess Franco fan but even I will admit that he is a frustratingly uneven director. Franco is a very intelligent guy (a child music prodigy, a student at the Sorbonne, worked with Orson Welles on 'Chimes At Midnight'), but he has been way too prolific for his own good. Almost always working with very small budgets, his movies often appear to be rushed and in some ways, unfinished. On the other hand most of us having been watching lousy prints via video, often censored and generally badly dubbed, so we haven't really been getting to see his work as he originally intended it. 'Jack The Ripper' is a case in point: it has now been digitally restored and looks fabulous, and watching it in German with subtitles, instead of a silly dubbed version, makes you appreciate it a great deal more. Ripper fans will no doubt be extremely puzzled by this movie as it has virtually nothing to do with the facts of the case, but Franco fans are sure to be entertained. The movie was filmed in Zurich instead of London and while aesthetically it doesn't entirely convince, and the whole approach is sometimes quite confusing (just who exactly is the woman in the greenhouse who talks about "pretty dolls" and dumps the bodies??), you very quickly get used to it. Klaus Kinski, in his fourth and last collaboration with Franco, plays the Ripper, and he is absolutely terrific. The bigger a fan of Kinski you are the more you will enjoy this movie. His character is named Orloff, which is not really that much of a surprise, and really this has a lot more in common with Franco's 'The Awful Dr Orloff' (1962) than any other Ripper movie I've ever seen. In Franco's world the Ripper is a well loved doctor who helps the poor of London while simultaneously leading a double life. Tormented by hallucinations of his dead mother, a prostitute, he viciously slaughters streetwalkers, chops them up and dumps their body parts in the Thames. Andreas Mannkopf plays Inspector Selby (why Selby and not Abberline? who knows...), the policeman on the trail of the Ripper, and his estranged girlfriend Cynthia (Josephine Chaplin), a dancer, uses herself as Ripper bait. Franco's wife and frequent star Lina Romay has a memorable cameo as a Ripper victim, and Hans Gaugler plays a blind man whose heightened senses prove to be invaluable help to Selby in discovering the Ripper. 'Jack The Ripper' is quite different from most of Franco's best known movies ('Vampyros Lesbos', 'Succubus', 'Eugenie De Sade'), but the more I see of his astonishing 180+ output, the more I think that he's an extremely underrated film maker who has covered a lot more territory than he is given credit for. Swiss producer Erwin C. Dietrich collaborated with Franco on fifteen(!) movies between 1975 and 1977 and has plans to re-release them all on DVD restored and uncut. I'm sure that if he does this then Franco's reputation will continue to grow.

A serial killer (Klaus Kinski) whose mother was a prostitute starts killing streetwalkers as a way of paying back his mother for her abuse.

How do we know this is a Jess Franco movie? Because it has a character named Dr. Orloff and features his muse, Lina Romay. Beyond that, I have not quite figured out what his directing trademarks are... his films range from decent to abysmal, so it is hard to pinpoint a running theme.

This happens to be one of the better ones. The copy I watched was taken from a terrible print and the dubbing is awful, but the overall mood and atmosphere is good, and the effects are above average (the eye is nasty, some of the gore is a bit gross). Maybe the one from Image Entertainment is better...

This film, starring Klaus Kinski, and directed by Jesus Franco, proves very disappointing viewing unless one has an affinity for gross-out gore (which this film delights in with numerous scenes of the Ripper dismembering his lady victims). Me I prefer the focus remain of the story at hand and this tale has been adapted better for the screen many times before.THE LODGER and MAN IN THE ATTIC being two of the better examples..Kinski does have a moment or two where he shines a little but it isn't enough to save this film.