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Curse of Bigfoot

  • Fernsehfilm
  • 1975
  • Unrated
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
1,8/10
833
IHRE BEWERTUNG
Curse of Bigfoot (1975)
Entsetzen

Füge eine Handlung in deiner Sprache hinzu"Curse of Bigfoot" tells the tale of a group of high school students on an archaeological dig who discover a centuries old mummified body in a sealed cave."Curse of Bigfoot" tells the tale of a group of high school students on an archaeological dig who discover a centuries old mummified body in a sealed cave."Curse of Bigfoot" tells the tale of a group of high school students on an archaeological dig who discover a centuries old mummified body in a sealed cave.

  • Regie
    • Dave Flocker
  • Drehbuch
    • James T. Flocker
  • Hauptbesetzung
    • Bob Clymire
    • Jan Swihart
    • Bill Simonsen
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    1,8/10
    833
    IHRE BEWERTUNG
    • Regie
      • Dave Flocker
    • Drehbuch
      • James T. Flocker
    • Hauptbesetzung
      • Bob Clymire
      • Jan Swihart
      • Bill Simonsen
    • 51Benutzerrezensionen
    • 24Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos4

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    Topbesetzung15

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    Bob Clymire
    • Johnny
    Jan Swihart
    • Sharon
    Bill Simonsen
    • Dr. Bill Wyman
    Dennis Kottmeier
    Dennis Kottmeier
    • Bob
    Ruth Ann Mannella
    • Linda
    Ken Kloepfer
    • Norman
    Mary Brownless
    • Woman Talking on Phone
    Louise Catalli
    • Student
    • (Nicht genannt)
    Phil Catalli
    • Student Danny
    • (Nicht genannt)
    Dave Flocker
    • Roger Mason
    • (Nicht genannt)
    James M. Flocker
    • Sheriff Walt
    • (Nicht genannt)
    James T. Flocker
    • Mummy
    • (Nicht genannt)
    Jackey Neyman Jones
    Jackey Neyman Jones
    • Student
    • (Nicht genannt)
    Holger Kasper
    • Student
    • (Nicht genannt)
    Augie Tribach
    • Mr. Whitmore
    • (Nicht genannt)
    • Regie
      • Dave Flocker
    • Drehbuch
      • James T. Flocker
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen51

    1,8833
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    Empfohlene Bewertungen

    1ottobud

    A so-bad-it's-good classic from the '60s AND '70s!

    A short (terrible) student film from the '60s is combined with some mid-'70s (also terrible) docudrama footage about Bigfoot and the result is this classic late-night insomniacs' favorite! The "monster" featured in the original flick is NOT Bigfoot, but rather some kind of mummy thing unearthed by a bunch of stupid teenagers digging in an Indian burial ground. A lot of very (unintentionally) funny dialogue and some of the worst acting ever committed to celluloid are highlights of the '60s footage, and make this sleep-inducing film worth watching.
    Year2889

    Uniquely different, it's two films in one.

    At some point in about 1962 a film was made which revolved around the misadventures of a group of high schoolers on a weekend field trip to Pahrump, Nevada searching for Indian artifacts. What they find is terror at the hands of an ancient mummy. Badly acted and shot poorly this film resembled a made-for-students travelogue. It moldered over the years as it sat unwatched and unappreciated in some vault somewhere. And then, like the Pahrump mummy it rose to terrorize us all again.

    It would appear that the director of the previous footage asked the main player from that film to appear in the new film as his old character being asked to tell modern (70s) kids about his experiences with "The Great Man-Beast of North America," which he reluctantly does. The older film is used in its entirety as a flashback vehicle to the supposed Bigfoot encounter. But, of course the creature isn't a Bigfoot at all, it's just an Indian mummy.

    This is a bizarre melange. Just for fun, check out the end of the film where all the students are standing around the bonfire, and note that they are all pretty much acting normally, then remember the words of Roger Mason, that, one of those students will have to spend the rest of her life in a mental institution!

    Long live paper mache monsters!!
    barneyo

    Thanks, Larry!

    My brother and I also enjoyed making fun of how bad this film was back when channel 9 showed it every two months or so in the mid to late seventies. Remember the incredible delivery of the girl talking to her dog, reminiscent of that "What? Sandwiches again?" commercial about learning to drive a tractor-trailer? I mainly recall the moment when they pull the plate covering the ancient tomb off and gas spurts out, with the leader of the expedition a full thirty seconds later surmising that the gas might be coming from a hole. I wonder if that scene was in any way an inspiration for Steven Spielberg in the equivalent scene in "Raiders of the Lost Ark" when ... never mind.
    larxcitmnt

    No talent, no direction, no rehearsing, no editing, no kidding

    How does one even begin to describe a movie this awful? I'd first seen Curse of Bigfoot one Saturday afternoon way back in the late 70's with some of my brothers and friends . Even as a dopey teenager I realized that this movie was somehow VERY different than all the other "Godzilla" and "Creature Feature" movies we would make fun of and add our own dialogue to (yes, we WERE Mystery Science Theater 3000 before it ever existed). It was just SO HORRIBLY bad that it actually left an impression on you.......like a Mack truck does when it runs over your face. I did a Google search and couldn't believe I could now own this wretched movie.

    I sat down with my wife (whom I excitedly told over and over again how bad/ funny this movie was) and for the first time in more than 25 years "experienced" Curse of Bigfoot. Just as I remembered, it was the most boring piece of garbage ever put on film.

    First of all, imagine a film where they don't hire an editor. It seems that EVERY piece of film shot for this movie (including outtakes, flubs, and any other time the camera might have been accidentally left in the "on" position) was stitched together, in sequential order or not."Don't worry Jimmy if you have a temporary case of dyslexia with that line, just keep going. We'll use it somewhere in the picture!" Obviously the director thought (in his own mind, sadly) that he was creating SUCH an "every frame could be a postcard" cinematic achievement that he didn't want to see any valuable frames left on the cutting room floor. Everything moves at a super slow motion speed, also. The few motor vehicles shown NEVER go more than 5 mph. I think the gear boxes were ripped out the night before just so it would be impossible to go faster than "idle".....and to not give any of the "amateur hour" actors a means of escape off the set of this ticking time bomb of boredom.

    Now imagine an entire cast, and no doubt crew, who look like they don't even want to have anything to do with this film. Almost as if being there were the raw end of a losing wager, or maybe the final humiliating prank before joining a fraternity. The acting (more like "bad cue card reading") is also a thing of beauty. "Method" acting? Try Methadone acting. No emotion, no feeling, and barely any eye contact. It seems as if everyone just wants to say their lines like a robot and get the heck home.

    And being a serious amateur photographer myself, let me tell you about the fine cinematography. They probably had only a week to shoot this entire movie (before word got out to the authorities / film reviewers/ investors about how REALLY awful this disaster was turning out ) so there are plenty of "let's squeeze every ounce out of daylight we can and just keep shooting no matter what" type scenes scattered all over this thing, including those super cheap "let's shoot this night scene in broad daylight and just add a dark blue filter over the lens to fool our way less sophisticated than us audience into thinking it's really dark" visual tricks. It's a miracle anyone actually remembered to take their sunglasses off. And how many shots of looking up at the top of trees, or slowly panning through bushes (trying to maybe remotely cause some accidental suspense) can one movie have!?! If these scenes alone were cut the movie would probably be only 15 or 20 minutes long.

    The background music, or whatever that sound is keeping you awake through this exercise of unending visual and mental torture, has all the rhythm and snappy beat of a machine gun firing at close range over your head. It's about as memorable as verses 62 and 61 of "99 Bottles of Beer".

    You're probably wondering if there are any Special Effects in Curse of Bigfoot. If using someone else's stock footage of 45 or so logs rolling into the water, one after the other, after the other, after the other, after the other, is what you call "special" then march right into the boss's office and demand a raise because this IS your lucky day! And how about earth moving vehicles? Have you waited all your life to see a Bigfoot movie with earth moving vehicles in it!? Pinch yourself......hard, because you're NOT dreaming. Watch them going into a ravine about 10 or 20 stories deep. Maybe it's a mass grave for all those who had anything to do with this film (including all original negatives and prints).It's at about this point in the film that the normal person would start cursing up a blue streak, wanting to know exactly what the heck they're supposed to be watching. Maybe this is where the "Curse" in Curse of Bigfoot comes from. Maybe the original title was simply "Bigfoot".

    And what about the actual bigfoot itself? Imagine a drunken homeless guy sprawling around from scene to scene, dressed in an old Halloween paper mache mask looking for a handout. Tape on some of grandma's old wigs to a hockey mask, plop in a ping pong ball in one of the eye sockets for a "creepy" bulging eye, spray paint everything sorta black and red, and you have one the most embarrassing attempts at horror since the Kerry-Edwards ticket.

    A movie like this is so fascinating to watch because it dawns on you (in those rare fleeting moments of lucidity) that someone thought they were actually making a GOOD movie. One that people might want to tell everyone they knew to go see, and maybe see over and over again. This IS one of those movies, but sadly not for the reasons they'd hoped for.
    e_radicator

    Campy Fun

    Growing up in 1960s and 70s Montana I first saw Curse of Bigfoot on a classic late night movie program called Creatures Features hosted by Bob Wilkins and later John Stanley out of Stockton California. Curse of Bigfoot was of course made like other cheap horror films of the day, like The Creeping Terror, on a shoestring budget in B&W with the cast also the same people making the movie. But I do remember being scared by the monster in Curse of Bigfoot. If I remember it right it had a cooked egg like thing over each eye. This movie was great fun and very funny. It is currently about to be released on DVD with documentary on the making and other behind the scenes materials. If you are a fan of this movie email me for details about the upcoming DVD release..I believe it is in January 2002.

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    Handlung

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    • Wissenswertes
      Parodied by MST3K alums Mike, Kevin, and Bill on an episode of Rifftrax.
    • Patzer
      The early scene featuring the black dog is clearly intended to take place at night. Cricket sounds are heard, a filter is used to darken the image, and the actress makes reference to it being night. But the opening shot of the scene aims the camera right into the sun!
    • Verbindungen
      Edited from Teenagers Battle the Thing (1958)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 27. September 1975 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Teenagers Battle the Thing
    • Drehorte
      • Vasquez Rocks Natural Area Park - 10700 W. Escondido Canyon Rd., Agua Dulce, Kalifornien, USA
    • Produktionsfirmen
      • Etiwanda Productions
      • Universal Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 28 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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