Cannonball

During the 70s/80s, many films were made that revolved around a coast-to-coast road-race across the USA ("Cannonball Run" and "The Gumball Rally" for example). This is another one of those films, an illegal road-race from LA to New York City. While other similar films took a more light-hearted and comedic approach, "Cannonball" has more action and drama than comedy, and it's hard to say if it was done on purpose or not. First off, the pacing in the movie is better than the other road-race movies I've seen. While "Cannonball Run" took 40 minutes until the race actually begun (most of which was useless to the plot and was just a way to squeeze in some hit-or-miss jokes), "Cannonball"'s race begins within the first 15 minutes, and by then we already know enough about the main cast, and more details about their characters are shown on the way to New York. The action in the movie is really good, and while the comedy aspect is only there every 3+ minutes, most of the jokes are a bit funny. It also has a much darker tone than the usual standards for this movie sub-genre, and features a lot of violence, death, and explosions. So, if your looking forward to a funny comedy, this movie doesn't have much, But if you're looking forward to an action-packed racing drama, then I would recommend it. Combined with some good acting, you get a good movie. 7/10.

Cannonball.

The movie that broke the dam and started a flood of films revolving around illegal coast to coast car races, really isn't half bad. That is so long as you don't forget its a B grade film. There are moments during it's one and half hours of engine revving running time that you are could be duped into thinking that the film makers had something higher purpose in mind they fleshed out the script on an empty pizza box to this masterpiece. The opening scene (a dream scene no less) just oozes style and stinks and I mean that in a (it reeks like gym socks kind of a way) of finesse. It comes complete with a cryptic voice over and a heart beat soundtrack...enthralling.

David Carradine plays the titular Cannonball. He's the strong silent type with a dodgy past, he's out to win the Trans American to get his life back on track, after spending some time in the slammer for a crime he didn't commit. In what 70's film didn't he play this guy? There's your token bad guy complete with a black Dodge Charger that is looking to do him (being titular Cannonball) in at any cost. Why? Because you can't have a movie like this with out a bad guy. Its like sex with out the wet patch, they come hand in hand.

Made in that 70's dirty "we couldn't afford to buy better film" style that is normally reserved for Porn films and early sword and sorcery flicks the film makers have covered off all the stereotypes that we have come to know and love from these kinds of movies. We have a European with an exotic car, a couple of girls in a car going fast and wearing little, a ethnic minority character with little luck when it comes to cars or women. The a fore mentioned brooding anti-hero good guy type, the maniacal bad guy and a host of token others that matter little to the grand scheme of things, oh and of course more than its fair share of stupid cops.

The real stars of this movie however are the cars, let's be honest it's the only reason this movie was made. A showcase of some of the most popular American and a token European muscle car, ever to make their way on to the road. Let us review; Dodge Charger, Trans Am's (must be popular because there are two of them), a Corvette, Mustangs and all the hotted up customs you could ever want. They are all thrown though their paces but though the budget prevented any real fancy camera work really show off their moves. However there is some really decent action sequences here, that exceed the movie's standing as an the aforementioned 'we couldn't afford to buy better film' and make it memorable even by today's blockbuster standards. The highlights to look for, the massive car pile up on the interstate towards the end and the trashing of the Detomaso Pantera. So as you can imagine there's enough car carnage to make even the most Blues Brother hardened fan giddy with excitement.

To sum up, Cannonball is a bit of Tuesday night fun and to be enjoyed at its best, watched with a few friends and some strong liquor. Don't for get to look for Martin Scorsese and Sylvester Stallone in early cameo roles.

Here's yet another reason to accentuate the 1970's was the absolute greatest decade for cult-trash cinema output (as if we weren't convinced enough already): Carsploitation movies! There are only a handful of them, they all look alike and most film-loving audiences will probably detest them, but … damn, are they ever entertaining! "Cannonball!" – although I must say I prefer the much cheesier video title "Carquake" – is brought to us by the same team that made the brilliant and unequaled "Death Race 2000" one year earlier, and it many ways it feels as if writer/director Paul Bartel injected all the silly comedy that he couldn't put in "Death Race" into this film instead. This film is more of a straightforward comedy whereas "Death Race" was a black comedy (apparently not everybody finds the idea of wiping pedestrians off the road for points funny). The concept of this film is much simpler: bunch of eccentric people participate in an illegally organized cross-country race from California to New York City. Ex-convict Coy Buckman is obviously the most talented racer, so his competitors will have to revert to ingenious cheating if they want to stand a chance. The main storyline as described here is obviously very simplistic, but one could also claim there are numerous little sub plot story lines that are all terrific and imaginative. The lead character Coy Buckman is already quite intriguing. He dragged his sexy female parole officer along in the race and has a mechanic who idolizes him so much that he literally wants to be Cannonball! Every contestant in the race is worth mentioning, like the obnoxious German in his canary-yellow sport car and the psychopathic Redman and his country-singing and guitar-playing co-pilot. Outside the race there's quite a lot going on as well, like Coy's sleazy brother Bennie trying to sabotage the most important rivals because he bet a huge some of money on the winner. Although the comical ambiance definitely overrules, "Cannonball!" nevertheless remains a bona fide action/spectacle movie with copious crashes, macho showdowns, explosions and violent painful deaths. The climax, which features a mass accident with cars piling up seemingly forever, exactly demonstrates the blending of humor and action. The cast is full of pleasingly familiar faces, especially if you know a thing or two about B-movies. Apart from the brothers Carradine (David and Robert), there's Mary Woronov, Dick Miller, Carl Gottlieb and director Paul Bartel himself (in a hilarious role). Buckle up for some sheer cult-excitement!

This film is proof positive that you do not need a large budget, an A-list cast, or a complex script to entertain. Some times ya just need Fast cars, beautiful girls, and quirky characters(some played way over the top). Cannonball delivers just that,and becomes a joyride of a film. One of the first two car films based on the real"CANNONBALL SEA-TO-SHINING SEA RACE",(the other being"THE GUMBALL RALLY")it is far better than Hal Needhams "CANNONBALL RUN" films. Where they are goofy,and unintresting, "CANNONBALL" and "GUMBALL RALLY" are funny, and entertaining.

The acting,and directing while not awe inspiring is consistent.(comon we have seen much worse). And I love the seventies(porno film) stock that this was shot on. Maybe im just too sentimental, but at two in the mornin,fix some hot pockets, open a cold beer, and start your engines. Unfortunately this film is not available on dvd, and even Amazon doesnt show a copy on vhs.

Rev up your engines and buckle up for Cannonball-a turbo-charged, fire-spewing spectacle of car carnage from the glorious pre-CGI era. Yes, folks, back when stuntmen didn't just risk their careers, they risked their limbs-and possibly their mortgages-for your entertainment. Respect where it's due, because these crashes are gloriously real and undeniably explosive. Michael Bay, take notes.

Plot-wise, it's not half bad, though its structure feels like a road map where someone spilled coffee. The story zigzags from thrilling to, "Wait, what now?" faster than a careening Dodge Charger. Spot a young Sylvester Stallone in a blink-and-you-miss-it role-before he found the Eye of the Tiger and became, well, Rocky.

The direction, while above average, sometimes stalls in key scenes that should be burning rubber. Martial arts moments? Think less Bruce Lee, more "dad at a wedding trying to breakdance." Comedy? More of a sputter than a roar. And some of the acting-wooden enough to double as set pieces.

Still, if you love your thrillers messy, chaotic, and unapologetically gritty, Cannonball delivers enough fumes and flames to keep gearheads grinning. It's no Bullitt, but it's also no Speed 2: Cruise Control. And for that, we're grateful.