Sie nannten ihn El Lute

When Home Box Office was in it's early days movies like this one & Outlaw Blues were among the films used to try to draw viewers. The main draw to this one was to see Linda Carter (Wonder Woman) out of that curve hugging outfit with her chest free to grace the screen. She certainly does that here.

This is one of the films on HBO then which made me think that the "B" Hollywood films were alive & well in the 1970's. It was amazing how successful they were promoting this one. This film wets the whistle for seeing Ms. Carter do an X rated feature though I don't think she ever did one.

Put your brain away and enjoy the natural assets on display here, don't take the plot too seriously of you will lose your perspective.

Lynda was an awesome physical specimen in her prime, as this movie captures. Good action flick, good nudity, good 1970s drive-in movie. Lynda is not back in emoting, certainly not as wooden as she was in the first Wonder Woman episodes. Marjoe Goertner is adequate, how he starred in Earthquake latter on is beyond me. And Lynda's sidekick girlfriend is CUTE. It's got the 1970s look from the film stock they used, which is cool. Its sad how gravity has taken a toll on Lynda's awesome physique. Pop in this DVD, watch her undress and it's 1976 all over again. And that's a good thing, as far as Lynda's bod is concerned.

Even if just for the classic cars and how truly gorgeous Lynda Carter is!

I am a fan of the drive-in movies American-International Pictures made, so I wanted to see this particular effort, and it took me a long time to track down a copy. However, after watching it, I felt kind of underwhelmed. Some people will probably be confused by this, because the movie certainly makes an effort to deliver the goods. There's sex, there's nudity (including Carter), several car chases and wrecked vehicles, and there are a lot of machine-gunned victims (whoever provided the bloody squibs for this movie probably comfortably retired after this movie.) Despite all of that, I didn't particularly care for this movie. I think the problem I had was that the central characters of the movie are (1) unlikable, doing stuff like gunning down innocent people, and (2) not interesting in their unlikable behavior. Also, the movie takes a LONG time to get going with the main plot, over a half hour. I admit there are probably some people who will like this movie, but don't count me among them.

Actress Lynda Carter, a.k.a. TVs' 'Wonder Woman', makes her film debut alongside the legendary Marjoe Gortner in this sleazy and pleasing trash flick. She plays Bobbie Jo Baker, a carhop who hooks up with Gortners' easygoing charmer Lyle Wheeler. She has ambitions of being a country & western singer, he's a self styled loner who idolizes Billy the Kid. Soon after their meeting, they start to get involved in a series of crimes that spiral out of control. Along for the ride are Bobbie Jo's spunky older sister Pearl (Merrie Lynn Ross), her boyfriend Slick Callahan (Jesse Vint), and Bobbie Jo's sweet best friend Essie (Belinda Balaski). Producer / director Mark L. Lester, working from a screenplay by Vernon Zimmerman, keeps the action moving and makes great use of the assorted New Mexico locations. Zimmerman's script has a sometimes episodic nature; for one example, there's an interlude with Lyle, Bobbie Jo, and Essie where they gather in a lake and feast on mushrooms with an aged Indian. It also has an in-joke here and there, such as a portly deputy named Abel Gance. There are enough glimpses of Lyndas' left breast to tantalize the viewer while also making them wish there could have been some real nudity. Still, there is a grim and gritty quality to the movie, a refreshing sense of humour at times, and some scenes of bloody gunshot violence. The principal actors are all extremely easy to watch: Gortners' inherent likability shines through, Carter is lovely as always, Vint is engaging while his character also shows an impulsive and deadly side, Balaski is adorable, and Ross (who takes a co-producer credit) adds irresistible sex appeal. Gene Drew is a typical hick sheriff who's coldly determined to stop our protagonists, Peggy Stewart is Bobbie Jo and Pearl's alcoholic mother, Gerrit Graham has a fun cameo as commune leader Magic Ray, "Devil Times Five" screenwriter John Durren plays the ill-fated Gance, Virgil Frye is a service station attendant who makes the fatal mistake of challenging Lyle on his quick draw abilities, James Gammon plays an amiable leather salesman, and future director Chuck Russell, who's production supervisor and second assistant director here, is one of Drews' deputies. Stanley Wright and Gil Hubbs do the sunny and slick cinematography, Barry De Vorzon composes the score, and there are two very nice songs to hear: Bobby Bare sings "Those City Lights", and Carter herself performs the beautiful "Are You Lonely Like Me" written by J.C. Crowley. All of these elements make "Bobbie Jo and the Outlaw" fun, as well as the kind of downbeat ending we can often expect in this sort of thing. Eight out of 10.