Füge eine Handlung in deiner Sprache hinzuA Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and ... Alles lesenA Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and full of prehistoric monsters and cavemen.A Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and full of prehistoric monsters and cavemen.
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This movie is hysterical. Even allowing when it was made, the monsters are just bad, bad, bad, bad, bad! All rubber suited things with people inside. There's even a fire-breathing beastie, but don't look at it's mouth too close or you'll see the flame-thrower nozzle poking out. Couple that with Peter Cushing's wonderfully useless "old professor" routine and Doug's stoic hero performance and you'll laugh the whole way through. Carolyn Monroe plays Dougies love interest, though I did wonder where she got cosmetics from, living deep in the Earth. Perhaps the Avon lady calls there.
The flying monsters at the end are particularly silly. They have all the aerodynamic properties (and believability) of a concrete block. Just a bunch of fat blokes in rubber suits. All they do is sit on a ledge and hypnotise people. It's only when that fails, or it's feeding time, that they "swoop" down to attack. And when I say swoop, I mean someone prods the rubber thingy in the back and it swings down on a cable.
Total B-Movie delight. Watch it and be amused. Be very amused.
Case in point: At The Earth's Core, a ropey adaptation of an Edgar Rice Burroughs story (which I caught on its original release in '76) that presents creatures so pathetic that I'm surprised that any of the actors in the film managed to keep a straight face. To their credit, though, B-movie hunk Doug McClure and horror legend Peter Cushing do manage to hold back the laughter, playing a couple of Victorian explorers who travel under the Earth's crust in a mechanical 'mole', only to discover lost civilisations and prehistoric monsters.
Even as an 8 year old kid, I remember being distinctly unimpressed with this pretty poor effort from director Kevin Connor, finding not only the effects to be laughably bad, but also the acting to be of a pretty poor standard (Cushing, in particular, gives an amazingly hammy performance that still makes me cringe to watch). Nowadays, however, I find this whole sorry affair just about watchable thanks to the gorgeous Caroline Munro, a major hottie of the 70s who spends this film prancing around in a skimpy outfit that reveals her ample cleavage, and the unintentional laughs that can be had from the awful dialogue, bargain basement visuals, and general atmosphere of cheesiness.
Now how can you resist any hokum featuring those elements? Produced by Amicus, and scripted by Milton Subotsky (based on the novel by Edgar Rice Burroughs), this is decently executed by director Kevin Connor, who was a real go-to filmmaker for this kind of fantasy material in the 1970s. McClure is a jut jawed hero, and Cushing seems to be relishing a rare opportunity to ham it up. His performance may not be one of his most accomplished, but it's certainly a fun one. Caroline Munro is *extremely* alluring as cave girl Dia. Also performing this amiable nonsense with straight faces are Cy Grant as the helpful Ra, Godfrey James as the stolid Ghak, and Sean Lynch as the devious Hoojah (just to be sure we get the point, Hoojah is nicknamed "The Sly One").
The movie begins in grand style, with some striking opening titles and a beautiful, rousing piece of music. It promises a solid diversion, and that's what it delivers. The understandable criticisms often leveled at the production are its obvious budget issues, and rubber monsters. But these monsters are just so damn amusing, especially the exploding fire breathing frog. All of this is done in an agreeable tradition of the Saturday matinée feature. The sets and the visuals are reasonably impressive, and Connor keeps things moving along nicely (the movie hits the ground running), and building to an exciting and destructive finale.
"At the Earth's Core" does put a goofy smile on *this* viewers' face.
Seven out of 10.
I can't help it. At the Earth's Core is one of my all-time great guilty pleasures. I only wish I could see it properly in a movie theater with an audience some day before I die.
Generally speaking, this movie has awful production values. Flying rubber pterodactyl creatures ruling the underworld. Piggish humanoid servants of said pterodactyls. A vapid, vacant-eyed Caroline Munro. An oh-so-macho leading man who, when you really look at him, doesn't look all that tough.
Still, At the Earth's Core has a charming innocence about it that gives it a bit of appeal. Best viewed by 10 year old boys on rainy Saturday afternoons, it's all in good fun.
Wusstest du schon
- WissenswertesActor/stuntman Bobby Parr lost a finger during a fight sequence with Doug McClure that went wrong.
- PatzerThe guards in front of the White House are dressed in British police uniforms.
- Zitate
Dr. Abner Perry: You cannot mesmerise me! I'm British!
- VerbindungenFeatured in Troldspejlet: Folge #1.12 (1989)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Angriff der Dinosaurier
- Drehorte
- Pinewood Studios, Iver Heath, Buckinghamshire, England, Vereinigtes Königreich(studio: made at Pinewood Studios, London, England)
- Produktionsfirma
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Box Office
- Budget
- 1.500.000 $ (geschätzt)