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Allegro non troppo

  • 1976
  • 6
  • 1 Std. 25 Min.
IMDb-BEWERTUNG
7,4/10
3339
IHRE BEWERTUNG
Allegro non troppo (1976)
ParodySatireSlapstickAnimationComedyFantasyMusicRomance

Zu Werken wie Ravells Bolero oder Stücken von Debussy, Stravinsky und Vivaldi lässt der Erfinder von "Herr Rossi sucht das Glück" die wildesten Fantasiefiguren über die Leinwand tanzen.Zu Werken wie Ravells Bolero oder Stücken von Debussy, Stravinsky und Vivaldi lässt der Erfinder von "Herr Rossi sucht das Glück" die wildesten Fantasiefiguren über die Leinwand tanzen.Zu Werken wie Ravells Bolero oder Stücken von Debussy, Stravinsky und Vivaldi lässt der Erfinder von "Herr Rossi sucht das Glück" die wildesten Fantasiefiguren über die Leinwand tanzen.

  • Regie
    • Bruno Bozzetto
  • Drehbuch
    • Bruno Bozzetto
    • Guido Manuli
    • Maurizio Nichetti
  • Hauptbesetzung
    • Maurizio Nichetti
    • Maurizio Micheli
    • Marialuisa Giovannini
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    3339
    IHRE BEWERTUNG
    • Regie
      • Bruno Bozzetto
    • Drehbuch
      • Bruno Bozzetto
      • Guido Manuli
      • Maurizio Nichetti
    • Hauptbesetzung
      • Maurizio Nichetti
      • Maurizio Micheli
      • Marialuisa Giovannini
    • 49Benutzerrezensionen
    • 19Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 1 Nominierung insgesamt

    Fotos42

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    Topbesetzung10

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    Maurizio Nichetti
    Maurizio Nichetti
    • The Animator
    Maurizio Micheli
    • The Presenter
    Marialuisa Giovannini
    • The Cleaning Girl
    Néstor Garay
    • The Orchestra Master
    Mirella Falco
    • Non-Exercising Orchestra Member
    Osvaldo Salvi
    • Man in gorilla costume
    Jolanda Cappi
    • Fallen Orchestra Member
    Franca Mantelli
    • Dancing Orchestra Member
    Bruno Bozzetto
    • Man in Rocking Chair
    • (Nicht genannt)
    Angela Finocchiaro
    Angela Finocchiaro
    • Orchestra's Member
    • (Nicht genannt)
    • Regie
      • Bruno Bozzetto
    • Drehbuch
      • Bruno Bozzetto
      • Guido Manuli
      • Maurizio Nichetti
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen49

    7,43.3K
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    Empfohlene Bewertungen

    7raymond-15

    A light-hearted musical smorgasbord

    If you are feeling at all depressed or bored with psychological thrillers, this is just the film to brighten up your dark moments. It's not hilarious, it won't have you rolling about in hysterical laughter, but it will put a smile on your face and you may even manage a chortle or two. It's pure fantasy, the stuff that dreams are made of....Debussy, Dvorak, Ravel, Sibelius whose music forms the basis of this film would probably be amused at how their music has been interpreted.

    While the black and white scenes of the compere, the conductor, the orchestra and the cartoonist are amusing enough, they seem a bit forced in their attempt at humour (the cartoonist is no Charlie Chaplin) and the transition from black and white to colour is never very smooth. Even the sound level is not constant.

    Wherever did they get the old ladies to represent the orchestra? They looked as if they stepped straight out of a Fellini film. In a couple of farcical scenes one old girl while blowing a fanfare on her trumpet ran out of breath and fell over backwards. Another was knocked off the stage when she was struck by a cork propelled from an exploding bottle of champagne.

    While the film lacks the technical quality of Disney's Fantasia, it still has some amusing and original ideas. To the sound of Ravel's Bolero, we see some sludge at the bottom of a bottle give way to primitive life and then follows in rapid succession the origin of the various species of life on earth. Even Darwin would have been fascinated by this interpretation of his theory of evolution.

    Allegro Non Troppo is far more sexual than any of Disney's work. The faun is depicted as a lecherous old man, an interpretation never seen before in any of the great ballets. There are heart-tugging moments too, particularly to the beautiful music of Sibelius, when we see a starved cat searching for food, warmth and company amongst the ruins of a home.

    When one ponders over the number of hours the artists worked on this film, one can only admire their competence and artistry. See it at your first opportunity.
    10suicidea

    simply perfect

    This very hard-to-find mix of animation, music and comedy is a real treat for those who can appreciate it. I recorded it from TV some years ago, and it's still one of the most valuable articles in my archive. Very clever use of in-between b/w passages, great classical music and animations of totally different styles, concepts and attitudes, but each so well-blended with the music and the whole picture that you hardly get distracted.

    I don't agree with the comparisons to Fantasia, this is something different. It deals with things (and uses imagery) that a Disney product would never dare, let alone in the days Fantasia was made.

    If you have the slightest admiration for art, and can stand movies without the standard hollywood cliches, grab this one (though that won't be easy) and you'll not be sorry. 10 / 10
    8Vastarien202

    Lovely!

    I was introduced to this obscure gem by my mom when I was 9 years old. I have not seen it since, but I have looked for it since then, and now found it on DVD from Netflix. Reading the reviews of some more recent viewers has brought back many memories. I never forgot the "Bolero" evolution, and the poor kitty DID make me cry so...I didn't understand everything, and our TV was too old and small to let us see the subtitles at all, so no wonder I couldn't get it all. My favorite part was the little man that outsmarted the evil dictator. That still makes me laugh, although it's been so long (17 years!) I eagerly await the little red envelope to bring back some memories and strange fun! Please give this one a chance..I'm proof that it will stay in your heart for a long time.
    JonP

    Better than Fantasia

    Allegro non troppo is one of my all time favorite movies. I am somewhat unique in that I saw this movie before Fantasia. Frankly, once I saw Fantasia, I was sadly disappointed. The spoof was more intelligent, better crafted, and more thought provoking. I never cry at movies - except for the Valtzer Trieste (sad waltz) section of this movie. I know if I saw it again, I would well up. Hey, I even liked the gorilla suit.
    10tuco73

    as chinotto stands to coke

    Surely not all of you know the Italian version of Coca Cola... it is called Chinotto, it has better (healthier) ingredients, got more flavour, a bitter-sweet taste, less sparkling effects... in a few words it is pretty good. (Un-)fortunately it cannot challenge the American giant, but for those who know... In a very similar way Allegro Non Troppo stands compared to Fantasia. Fantastic and funny animations, clever and never vulgar, made without a big budget, but with lot of thinking and skills, it creates something quite different from its original model. Obviously the music choice is also very good and both animations and movie (it is not only animation) work fantastically well with the musical selection...You may like it or not, but it surely is a very good and enjoyable effort. Try it once, and you might change your (mass-production) habits...

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Ward Kimball once called the "Bolero" sequence one of the greatest pieces of animation he had ever seen and would recommend it to students learning about the medium.
    • Patzer
      Since this film is a parody AND a cartoon, it's arguable whether anything can be legitimately considered a goof. However, at the end of the film, when the director sends Franceschini down to the archives, each time he pulls a finale off the pile the same animation is reused all three times. The effect is that Franceschini takes the same stage each time, only to have it reappear when he goes back for the next.
    • Zitate

      [last lines]

      The Orchestra Master: We're unemployed, then.

      The Presenter: Unemployed...until the next movie. I've already got an idea. A brand-new idea. We could do a love story.

      The Orchestra Master: A love story?

      The Presenter: But not the usual kind about men and women. Lots of men and lots of women.

      The Orchestra Master: Wife-swapping?

      The Presenter: No, not that same old stuff. Something different. I like asymmetry. Seven men and one woman.

      The Orchestra Master: That'll cost a lot.

      The Presenter: No, not at all. We'll get little tiny men and make the woman real tall. It'll be fantastic!

      The Orchestra Master: Sounds scary.

      The Presenter: What do you mean scary? Seven little workers, so you get the social context, too. A mine! They'll work in a min! I can see them now, singing happily.

      The Orchestra Master: Have you thought of a title?

      The Presenter: That'll be easy. Let's see..."Sleeping Beauty". Now keep it under your hat or some screenwriter hack might steal the idea. You can't trust anyone these days. He'll change the title, play up the sex. And give it some crazy name like "Snow White and the Seven Dwarfs. And then we'll be screwed.

    • Crazy Credits
      L'orchestra rappresentata nel film non ha alcuna connessione con le orchestre sinfoniche che hanno realmente eseguito i brani musicali. [The orchestra represented in the film has no connection with the symphony orchestras who actually performed the music.]
    • Alternative Versionen
      There are two cuts to be found on home video. A 1985 release by RCA/Columbia Home Video on VHS and LD is English dubbed and edited for content. These edits appear only within the live-action interludes, a full 10 minutes worth though - this version is 75min run time. Interesting what they chose to remove, considering that much of the animation itself could be seen by some as rather risqué and probably intended for an adult audience. The removed bits generally are those containing abuse by the conductor upon the orchestra and animator. This is the version that was theatrically released in the U.S.. The video transfer (both tape and LD) is somewhat green throughout, unlike the current version available from HomeVision on DVD and VHS which is the original Italian w/English subtitles and appears to be uncensored.
    • Verbindungen
      Featured in Le ciné-club de Radio-Canada: Film présenté: Allegro non troppo (1983)
    • Soundtracks
      Prélude à l'après-midi d'un faune
      Written by Claude Debussy

      Performed by the Berliner Philharmoniker (as Berlin Philharmonic Orchestra) conducted by Herbert von Karajan

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    Details

    Ändern
    • Erscheinungsdatum
      • 22. Dezember 1977 (Italien)
    • Herkunftsland
      • Italien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • Det våras med musik
    • Produktionsfirmen
      • Bruno Bozzetto Film
      • Ministero del Turismo e dello Spettacolo
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 25 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

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