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Die Unbestechlichen

Originaltitel: All the President's Men
  • 1976
  • 12
  • 2 Std. 18 Min.
IMDb-BEWERTUNG
7,9/10
132.412
IHRE BEWERTUNG
BELIEBTHEIT
2.558
424
Dustin Hoffman and Robert Redford in Die Unbestechlichen (1976)
Trailer for All the Presidents Men
trailer wiedergeben2:49
3 Videos
99+ Fotos
Arbeitsplatz-DramaPolitischer ThrillerPolitisches DramaVerschwörungsthrillerDramaGeschichteThriller

Die Washington-Post-Reporter Bob Woodward und Carl Bernstein decken die Hintergründe des Watergate-Skandals auf, der zum Rücktritt von Präsident Richard Nixon führt.Die Washington-Post-Reporter Bob Woodward und Carl Bernstein decken die Hintergründe des Watergate-Skandals auf, der zum Rücktritt von Präsident Richard Nixon führt.Die Washington-Post-Reporter Bob Woodward und Carl Bernstein decken die Hintergründe des Watergate-Skandals auf, der zum Rücktritt von Präsident Richard Nixon führt.

  • Regie
    • Alan J. Pakula
  • Drehbuch
    • Carl Bernstein
    • Bob Woodward
    • William Goldman
  • Hauptbesetzung
    • Dustin Hoffman
    • Robert Redford
    • Jack Warden
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,9/10
    132.412
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.558
    424
    • Regie
      • Alan J. Pakula
    • Drehbuch
      • Carl Bernstein
      • Bob Woodward
      • William Goldman
    • Hauptbesetzung
      • Dustin Hoffman
      • Robert Redford
      • Jack Warden
    • 317Benutzerrezensionen
    • 171Kritische Rezensionen
    • 84Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 4 Oscars gewonnen
      • 17 Gewinne & 23 Nominierungen insgesamt

    Videos3

    All the President's Men
    Trailer 2:49
    All the President's Men
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    What Movies Make Up the DNA of "Utopia"?
    Interview 2:50
    What Movies Make Up the DNA of "Utopia"?

    Fotos150

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    Topbesetzung99+

    Ändern
    Dustin Hoffman
    Dustin Hoffman
    • Carl Bernstein
    Robert Redford
    Robert Redford
    • Bob Woodward
    Jack Warden
    Jack Warden
    • Harry Rosenfeld
    Martin Balsam
    Martin Balsam
    • Howard Simons
    Hal Holbrook
    Hal Holbrook
    • Deep Throat
    Jason Robards
    Jason Robards
    • Ben Bradlee
    Jane Alexander
    Jane Alexander
    • Bookkeeper
    Meredith Baxter
    Meredith Baxter
    • Debbie Sloan
    Ned Beatty
    Ned Beatty
    • Dardis
    Stephen Collins
    Stephen Collins
    • Hugh Sloan
    Penny Fuller
    Penny Fuller
    • Sally Aiken
    John McMartin
    John McMartin
    • Foreign Editor
    Robert Walden
    Robert Walden
    • Donald Segretti
    Frank Wills
    Frank Wills
    • Frank Wills
    F. Murray Abraham
    F. Murray Abraham
    • Arresting Officer #1
    David Arkin
    David Arkin
    • Eugene Bachinski
    Henry Calvert
    • Bernard L. Barker
    Dominic Chianese
    Dominic Chianese
    • Eugenio R. Martinez
    • Regie
      • Alan J. Pakula
    • Drehbuch
      • Carl Bernstein
      • Bob Woodward
      • William Goldman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen317

    7,9132.4K
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    Empfohlene Bewertungen

    7thinker1691

    " There is no greater weapon in a democracy, than a free press "

    On June 17th, 1972 a security guard (Frank Willis) discovered a small piece of tape covering the latch on the basement door of the Headquarters of the National Democratic Committee in Florida. Calling for the police, they quickly arrested five well dressed burglars, one with $800 in his wallet. What few people knew was that these individuals would become the foundation of a massive conspiracy which involved the entire Federal community including the F.B.I, C.I.A. and other agencies working for the President of the United States. Attending the burglars at their court arraignment, rookie reporter Bob Woodward (Robert Redford) is astounded to learn one of the burglar's previously worked for the C.I.A. in the White House. The senior reporter who is later paired with him is 14 year veteran Carl Bernstein (Dustin Hoffman). What transpires in the next three years will illuminate the secret illegal activities, covert operations and deep paranoia of the Nixon Administration. In this movie, audiences are privy to the workings of The Washington Post and the enormous efforts of these two Pulitzer Prize winning journalists. Jack Warden plays Harry M. Rosenfeld the Metroploitan editor who despite his own doubts believes in the future of the promising investigative journalists. Martin Balsam is Howard Simons and Jason Robards plays stanch Ben Bradlee, the Executive Editor of the Post. Even though they realized the risks involved, they stood their ground and allow the citizens of America to see the importance of a free press. In retrospect, America also learns of the immense risk and hazardous undertaking assumed by Woodward's 'invisible' source by the then Assistant Director of the F.B.I. 'Mark Felt' who has come to be known as "Deep Throat." (Hal Holbrook) With his invaluable help, Americas' press reveals how even a man so powerful as a sitting President must not be allowed to believe he is above the law. The film is a great example and tribute to men of the Forth Estate. Today it stands as a Classic movie in it's own right. ****
    8calinchiriac

    Ever Heard of Watergate?

    "All the President's Men" (1976) follows the investigation led by Washington Post journalists Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) on the Watergate scandal, running parallel with President Nixon's campaign for reelection. As the two lead characters see their investigation unfold, hardly, must I say, they get banged down by your usual, but not quite so, "newspaper" drama : missing sources, pettiness of the story, abstinence and denial by the witnesses, lack of hard evidence and, above all, threat to the survival of the Post itself.

    This is a gripping time piece. Almost half of the story is spent at the newspaper's offices, overshadowed by the permanent key-tapping of ardent typewriters and the constant chatter of young secretaries, which add a great sense of urgency and authenticity to a typical 1970s Washington workplace, where Woodward and Bernstein, sitting face-to-face in an odd, diagonal line that becomes a subtle symbol for a head-butting professional relationship, learn to first tolerate each other (and each other's egos) before uniting to unveil the truth. The interactions between Hoffman and Redford throughout the movie are as delightful to watch as they are crucial to making William Goldman's Academy Award-winning script reach its climax. We, as spectators, pay attention to these two very powerful actors' every word with such care and eagerness without even seeing through their banter and mistakes, breathing sighs of relief when catching a loose second and setting the alarm as the next one arrives. In the meantime, we get glimpses of written notes swinging in every direction from Woodward, mainly, creating a true journalistic feel, and enthralling conversations over the phone from both characters, desperately attempting to connect with not only the people behind the scandal, but also with the obscure situation on which they vainly light their lamps on, to a point where the phone becomes a mere extension of the hand and the absence of voice on the other end of the wire provokes an expression of total indifference. The story hides behind this progressive and discreet line of events without ever declaring "right" or "wrong", and plays with the writers' heads, leading them to frustration, unaided by the pressure of their superiors, the Metro News' supervisor Harry Rosenfeld (Jack Warden) and the Post's Ben Bradlee (Jason Robards, in a sublime performance).

    The remainder of the movie explores Woodward and Bernstein's (or "Woodstein", as Bradlee once cries out, interrupting the high-pitched noise of the office for more than two seconds) attempts to force the truth (or, at least, parcels of it) out of various mouths (White House bookkeepers, attorneys, lawmen, you name it) and shows with true excitement the abusive paraphrasing and deduction the two men make with a less-than-minimal amount of words or simple nods from the speakers (or non-speakers). In fact, the two are so convinced of the story's credibility that they unequivocally trade sentences for common sense, really. This is where the movie falters; its will and urgency to depict these moments rapidly makes them seem trivial and forgettable. For instance, an "informant" of Woodward's ("Deep Throat", as they call him) only agrees to meet with him in a dark, underground parking, but the movie never truly gives his character the proper gravitas and importance that his name really bears, historically speaking.

    Nevertheless, "All the President's Men" is the prototype of a solid and honest depiction of a historical event or, in this case, a more or less extended period of time marked by historical events. Alan J. Pakula's camera is turning around America's capital with remarkable ease, giving us the feeling that we have already been there, with Woodward and Bernstein, and capturing the charm of residential homes, the cacophony of midnight streets and the peacefulness of everyday places, such as libraries and diners. As already mentioned, the dynamics of the characters and of their relationships elevate the movie way above average, but the thoroughness to get the story "just the right way" makes it even greater. At some points during the movie, we are projected with real-time speeches from Nixon and his entourage or with journalistic coverage from 1972 and 1973 on a small television set in the office, further down the road from Woodward's small cabinet. As we exchange glances from the coverage on TV to Woodward's continuous typing, we take a step back and contemplate the successful effort of converting the broadcasted story into a much more intimate one.
    9paul2001sw-1

    Truth is stranger...

    A central problem for all thrillers is that the need to find twist after clever twist means that stories escalate quickly into realms of implausibility; an apparently boring tale of low level corruption soon brings down the President of the United States. Which gives 'All the President's Men' a huge advantage over most thrillers, because this film (based on the Watergate incident in 1972) can tell such a story and support it on the basis that all of it is true. Director Alan Pakula, something of a conspiracy thriller specialist, here does a great job in adapting the book written by the journalists who broke the story: the film is never overly melodramatic, but is always tense, and although it has pair of heroes, we're left in no doubt of their selfish motivations as they work potential witnesses any way they can in their bid to nail the truth. Unlike most clichéd detective thrillers, the true nature of the crime is unknown (and arguably, remains unknown to this day), so even though we know what happened, there's an air of unpredictability to the story; reporters Woodward (played by Robert Redford) and Bernstein (Dustin Hoffman) don't know what they are looking for, even though they are certain that (somewhere) it is there. The plot is nicely paced, and even dares to skip lightly over the eventual vindication of the journalist's hunches, preferring to concentrate on how it felt for them, chasing this huge story, over a mere historical reconstruction of President Nixon's demise. Indeed, although Nixon appears in this film, it's only on television, and played by himself. This means that what we don't get is a wider analysis: a theory as to the true motive of Nixon's actions is hinted at but nothing more; nor does the film tell us whether it regards his behaviour as a disgrace to modern politics, or an mere symptom of them. In this respect, Oliver Stone's (more fanciful) 'Nixon' makes an interesting companion piece. But as a complex, gripping and understated thriller, 'All the President's Men' has few equals. Truth is stranger than fiction indeed.
    8Rathko

    Heroic Journalists? Those were the days...

    After the flawed but fascinating 'Parallax View', Alan J. Pakula learns from his mistakes, and delivers a more logical and satisfying story in 'All the Presidents Men'. Everything about this movie is of the highest quality. Another bravado turn from cinematographer Gordon Willis creates a world of intensely glaring lights and ominously inky shadows. Subtle and realistic performances from the entire cast create a believable pressroom atmosphere of rivalry, idealism and integrity.

    The story has been the prototype for every conspiracy thriller since, establishing all the motifs that would eventually be exhausted by 'The X-Files' and become cliché. The narrative flows smoothly, and Goldman does an excellent job of reigning in a potentially incomprehensible plot line, a feat that won him a much-deserved Oscar. The story does, however, slow down in spots, becoming repetitious, and could have benefited from a little judicious pruning.

    An excellent movie, that not only sheds light on a historic episode without the usual glossy spin, but highlights the pitiful condition of modern journalism, a fall from grace that in time will prove to far more terrifying and long reaching than anything perpetrated by Nixon and his cronies.
    10duffjerroldorg

    A Powerful Reminder

    We're in June 2017 and "All The Presiden's Men" from 1976 reminds us that film, sometimes, is the strongest historical document we've got. The Washington Post raising alarm signs then and now. Alan J Pakula is one of the greatest directors of his generation. Jane Fonda during her AFI Lifetime Achievement Award told us that working with Alan J Pakula was like dancing with Fred Astaire. Here the chemistry between Robert Redford and Dustin Hoffman is such that, at times, it feels like a romantic comedy, warts and all. Astonishing. Hal Holbrook as Deep Throat gives the feeling of "thriller" to this incredible story. We know how the story ends but that doesn't diminish our nervousness that it's perhaps a bit of impatience, just like now in 2017, to see justice be done.

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    Handlung

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    • Wissenswertes
      One scene involving Robert Redford on the phone is a continuous six-minute single take with the camera tracking in slowly. Towards the end, Redford accidentally calls the phone caller by the wrong name. But as he stays in character, it appears genuine, so the take was used in the final cut.
    • Patzer
      When Bernstein is questioning Judy Hoback in her home, she tells him that "In one two-day period, $6 million came in." In the following scene, in which Bernstein is explaining his notes to Woodward, he repeats the information as "In one six-day period."
    • Zitate

      [last lines]

      [last lines excluding archive footage]

      Ben Bradlee: You know the results of the latest Gallup Poll? Half the country never even heard of the word Watergate. Nobody gives a shit. You guys are probably pretty tired, right? Well, you should be. Go on home, get a nice hot bath. Rest up... 15 minutes. Then get your asses back in gear. We're under a lot of pressure, you know, and you put us there. Nothing's riding on this except the, uh, first amendment to the Constitution, freedom of the press, and maybe the future of the country. Not that any of that matters, but if you guys fuck up again, I'm going to get mad. Goodnight.

    • Crazy Credits
      The opening Warner Bros. Zooming \\' logo is in black and white.
    • Alternative Versionen
      German theatrical version was cut by. ca 7,5 minutes (ie. a conversation between Rosenfeld and Simons, Woodward asking a woman about Hunt, Woodward and Bernstein being dismissed by Mrs. Hambling, Woodward on the way to a meeting with Deep Throat). DVD release is uncut.
    • Verbindungen
      Edited into La classe américaine (1993)
    • Soundtracks
      Concerto in C for two trumpets
      (RV 537)

      Written by Antonio Vivaldi

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    FAQ25

    • How long is All the President's Men?Powered by Alexa
    • At 59.20 there is guy in the Chief Editors office trying to sell weather reports then crosswords and enjoying a bit of banter. We only see him from behind and when he stands up the shot cuts off at his shoulders until he walks out and turns and asks Woodward to get his boss to buy something - we get a glimpse of the side of his face. His voice and brand of humor delivery really does remind me of Mel Brookes. Even the way the actors react to him doesn't look scripted. Does anyone think that was Mel Brookes making an unscripted appearance?
    • Why did the pages that the journalists used in their typewriters have wide red margins on the left and right with the number 6 on them?
    • Is "All the President's Men" based on a book?

    Details

    Ändern
    • Erscheinungsdatum
      • 30. September 1976 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Warner Bros.
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Todos los hombres del presidente
    • Drehorte
      • Parking garage, ABC Entertainment Center - 2040 Avenue of the Stars, Century City, Los Angeles, Kalifornien, USA(Deep Throat meeting site)
    • Produktionsfirma
      • Wildwood Enterprises
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 8.500.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 70.600.000 $
    • Weltweiter Bruttoertrag
      • 70.601.199 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 18 Min.(138 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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