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Im Reich der Sinne

Originaltitel: Ai no korîda
  • 1976
  • 18
  • 1 Std. 49 Min.
IMDb-BEWERTUNG
6,6/10
24.326
IHRE BEWERTUNG
Tatsuya Fuji and Eiko Matsuda in Im Reich der Sinne (1976)
Eine TragödieDramaRomanze

Eine leidenschaftliche Erzählung der Geschichte von Sada Abe, einer Frau, deren Affäre mit ihrem Meister zu einer sexuellen Obsession führte, die dann ein gewaltsames Ende fand.Eine leidenschaftliche Erzählung der Geschichte von Sada Abe, einer Frau, deren Affäre mit ihrem Meister zu einer sexuellen Obsession führte, die dann ein gewaltsames Ende fand.Eine leidenschaftliche Erzählung der Geschichte von Sada Abe, einer Frau, deren Affäre mit ihrem Meister zu einer sexuellen Obsession führte, die dann ein gewaltsames Ende fand.

  • Regie
    • Nagisa Ôshima
  • Drehbuch
    • Nagisa Ôshima
    • Kôji Wakamatsu
  • Hauptbesetzung
    • Tatsuya Fuji
    • Eiko Matsuda
    • Aoi Nakajima
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    24.326
    IHRE BEWERTUNG
    • Regie
      • Nagisa Ôshima
    • Drehbuch
      • Nagisa Ôshima
      • Kôji Wakamatsu
    • Hauptbesetzung
      • Tatsuya Fuji
      • Eiko Matsuda
      • Aoi Nakajima
    • 133Benutzerrezensionen
    • 114Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 wins total

    Videos1

    Trailer
    Trailer 2:21
    Trailer

    Fotos103

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    Topbesetzung26

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    Tatsuya Fuji
    Tatsuya Fuji
    • Kichizo Ishida
    Eiko Matsuda
    Eiko Matsuda
    • Sada Abe
    Aoi Nakajima
    • Toku
    Yasuko Matsui
    • Tagawa Inn Manager
    Meika Seri
    • Matsuko (Yoshidaya maid)
    Kanae Kobayashi
    Kanae Kobayashi
    • Old geisha Kikuryû
    Taiji Tonoyama
    Taiji Tonoyama
    • Old Beggar
    Kyôji Kokonoe
    Kyôji Kokonoe
    • Teacher Ômiya
    Naomi Shiraishi
    • Geisha Yaeji
    Shinkichi Noda
    • Street Restaurant Owner
    Komikichi Hori
    • Mitsuwa Geisha
    Kikuhei Matsunoya
    • Hôkan jester
    Akiko Koyama
    Akiko Koyama
    • Mansaki Geisha
    Yuriko Azuma
    • Mitsuwa Geisha
    Rei Minami
    • Mitsuwa Geisha
    Machiko Aoki
    • Mitsuwa maid
    Mariko Abe
    • Kinu (Yoshidaya maid)
    Kyôko Okada
    • Hangyoku…
    • Regie
      • Nagisa Ôshima
    • Drehbuch
      • Nagisa Ôshima
      • Kôji Wakamatsu
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen133

    6,624.3K
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    Empfohlene Bewertungen

    mgangadeen

    Good!!

    Nagisa Oshima has achieved what few other directors have managed in dealing with the very touchy subject of sex, in this instance, with sexual obsession. If you plan to watch this movie for a cheap sexual thrill, you will be most disappointed. Oshima has drawn from a real incident reported in a 1936 Japanese newspaper. The film centers around the love between two people expressed physically, graphically, into realms of the senses where few dare to tread. And with good reason. This is a very intense film as it progresses from the attraction of two people through increasing experimentation in an effort not only to express their passion but to try to find the outer most limits of passion itself. Oshima must have had something metaphorical in mind but the journey as chronicled in the film also has retained the feel of the specifics. It's quirkey and eccentric. The backdrop of the story is as interesting as the story itself. It is an amazing spectacle to observe, giving the viewer a perspective on Japanese life not usually rendered but often alluded to in some historical accounts. One wonders what this experience must have been like for the actors. Oshima has managed what I have always believed should be done in order to treat the subject of sex fully and without shrinking from its' less savory aspects. This is serious minded erotica and quite unlike anything else on screen. The only other film I can recall that compares at all is "Taxi Zum Klo" which was autobiographical and starred a number of actual people playing themselves.Obviously a different catagory in that regard from what is going on here, but both films draw much of their power from explicitly sexual scenes without compromising the integrity of the story being told. This is a film experience that should not be missed.
    Infofreak

    Overshadowed by the pointless "art" versus "porn" debate!

    'Empire Of The Senses' is one of the least seen and much debated movies of the Seventies. "Least seen" because in many countries, including the one I live in, it has been banned, or only available in censored versions for many years. This movie divides people - those that like it hail it as ART, those that don't dimiss it snobbishly as PORN. Both camps are fooling themselves! 'Empire Of The Senseless' is BOTH.

    Is it "serious"? Yes. Is it voyeuristic and prurient? Yes. Is it a masterpiece? Not quite. Is it worth watching? Very much so. In fact I'd say it was essential viewing for anyone interested in extreme or taboo-breaking movies.

    The Seventies were the decade where the boundaries of screen sex, violence and disturbing imagery were repeatedly stretched. Peckinpah's 'Straw Dogs' and 'Bring Me The Head Of Alfredo Garcia', Bertolucci's 'Last Tango In Paris', Scorsese's 'Taxi Driver', Kubrick's 'A Clockwork Orange',were all milestones, and the the art movies of Herzog, Warhol, Pasolini, and Jodorowsky battled it out with the horror and exploitation of Russ Meyer, Dario Argento, John Waters,and David Cronenberg. Add to that the unexpected crossover success of 'Deep Throat' and the very existence of shockers like 'Ilse, She Wolf Of The SS' and 'Cannibal Holocaust', and what do you get? The artificial and meaningless divisions of genres, "high art" vs "trash", new ways of thinking vs new ways of making money, it was all on the table. For one brief decade it looked like a brave new world.

    Then everything that was gained was lost - Spielberg and Simpson/Bruckheimer cleaned up (financially and aesthetically), and things have never been the same since. Watch 'Empire Of The Senseless' with that in mind. It may be flawed - you'll be alternatively fascinated and bored - but it is an important movie from an important period in movie history.
    roerkav

    You should see this film if you're interseted in sex and good movies

    I saw this film the first time in the movies in holland about 78; I was sitting next to a nice girl wiht her boyfriend and felt terribly upset. I knew this was very real. Not romantic at all. It shows what sex can do to people and although in the ending the dramatics are overdone to my taste; this is a classical tragedy. The acting is incredible; i think the one big problem making movies showing real sex that the actors can't cope with it. These actors could. Everybody who can't see through the pornografic explicities is sexually unfree and morally limited. This film isn't a happy one and doesn't show us the freedom that sex can bring us; it shows the slavery which sex can bring about; it's problably the best film ever about sex addiction there is. It's a problem that is hardly publicly debated; or if in the hands of Christian crusaders, who want to take us all the fun. In other critics you read about th Art question : "is this Art?" Not an important question, but for me it is; it has learnt me very much about the human condition and how we cope with it.
    edwjoolee

    A story about sexual obsession.

    This movie was quite a shocker when my friend and I rented it a few years back. It was clear from the first explicit sex scene that this movie was going to be different from the types of movies my friend and I were generally used to.

    After having viewed it recently again, and this time focusing more on the intrinsic value of the film rather than just on the shocking images alone like I had the first time I viewed it, I was surprised to find a dark, disturbing psychological drama about sexual obsession that really held my interest. It is interesting to note how the male and female leads, who both seem emotionally sterile to the world around them and are barely communicative towards one another in the traditional and normal sense, are inseparably bonded by a strange and sexual attraction they have for eachother. It is a fatal attraction of the darkest kind I've ever witnessed in a movie.

    This movie is definitely not for all tastes or who are easily offended by graphic scenes of sex. But for those adventurous souls looking for something different and interesting, I recommend this film. Nagisa Oshima's other films of interest are Merry Christmas, Mr. Lawrence and the recent Taboo.
    tranquilbuddha

    One of the most extraordinary films I have ever seen

    There is nothing in cinema that I can think of that compares to In The Realm Of The Senses. It is in a class of its own: beautiful, tender, sensual, erotic, horrifying. I can still remember the shock of seeing it perhaps twenty years ago: not just at the explicitness of the images, in every sense, but at the extraordinary passion and honesty of the two central performances, and Oshima's direction.

    Despite the violent nature of the film, and the fact that it is based on a true event, I cannot think of another film that so truly captures the intensity of any emotional and sexual relationship at some point in its incarnation. If you have ever felt love and desire at their most powerful - the wish not to possess someone, but to become part of them and share with them how they experience the world - then you will recognize that feeling here. While certainly not a map for any relationship you might wish to have (I pray!), this film says more about what it means to be a man or woman than any other film I have seen.

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    Handlung

    Ändern

    Wusstest du schon

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    • Wissenswertes
      Demand to see the film at its first appearance at the Cannes Film Festival was so high, 13 screenings were arranged.
    • Zitate

      Kichizo: I've got to pee. Okay with you?

      Sada Abe: There's no need to leave. Do it here.

      Kichizo: Where?

      Sada Abe: Inside of Sada, all nice and warm.

      Kichizo: You're mad! It's impossible to do both at the same time.

    • Alternative Versionen
      The original version ran 108 minutes. Producer Anatole Dauman received Oshima's permission to recut the film, resulting in a shorter 102-minute edit. This version has been distributed theatrically in some countries (such as France) and is available on video in Australia, the UK, the United States, and France. The French DVD includes both versions (via seamless branching), while the U.S. Criterion DVD features the cut footage as an extra. The PAL releases run 97 minutes. This shorter version makes the following changes:
      • An early scene in which Sada has sex with Ishida while playing a shamisen has been cut by about a minute and a half. In the original version, Sada seemingly goes unconscious and Ishida checks for her heartbeat.
      • A brief shot (12 seconds) of Ishida and Sada on a bridge has been added to the scene in which the couple goes out walking at night.
      • A later scene (in which the geishas assault one of their own with a dildo) is cut by 14 seconds to remove a shot of Ishida and Sada's faces in mid-copulation.
      • An entire two-minute scene is deleted about an hour into the film. This scene features Sada and Ishida having sex behind a thin screen, while Ishida speaks of the "darkness" he feels inside Sada.
      • The scene in which Sada first strangles Ishida is cut by just over one minute. In the short version, the scene ends when Ishida starts coughing and Sada releases his throat. In the original version, Ishida asks her to resume, which she does (only to stop when he begins coughing again).
      • The scene in which Ishida becomes drowsy while having sex with Sada is edited differently. The original version has slightly different dialogue and has an additional minute of footage where Ishida actually does fall asleep for a short time.
      • The scene in which Sada wakes up after her final night with Ishida is cut by one minute. The original version shows Sada lying on the floor and apparently panicking, walking around the room and opening doors for no obvious reason. The short version cuts straight from Sada waking up to the shot of her standing over Ishida's body.
    • Verbindungen
      Edited into Video Macumba (1991)
    • Soundtracks
      Ballades for koto II-Spring: Mebae (Seeding)
      Composed by Minoru Miki

    Top-Auswahl

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    FAQ21

    • How long is In the Realm of the Senses?Powered by Alexa
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    Details

    Ändern
    • Erscheinungsdatum
      • 27. Januar 1978 (Westdeutschland)
    • Herkunftsländer
      • Japan
      • Frankreich
    • Offizieller Standort
      • Official site (Japan)
    • Sprache
      • Japanisch
    • Auch bekannt als
      • El imperio de los sentidos
    • Drehorte
      • Daiei-Kyoto Studios, Kyōto, Japan(Studio)
    • Produktionsfirmen
      • Argos Films
      • Oshima Productions
      • Shibata Organisation
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 569 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 49 Min.(109 min)
    • Seitenverhältnis
      • 1.37 : 1

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