IMDb-BEWERTUNG
7,4/10
29.107
IHRE BEWERTUNG
Das Fantasieland "Pepperland" wird von den Blaumiesen angegriffen und verliert damit alle seine schönen Farben. Der Lord Mayor befiehlt Fred in seinem gelben Unterseeboot die Beatles zu hole... Alles lesenDas Fantasieland "Pepperland" wird von den Blaumiesen angegriffen und verliert damit alle seine schönen Farben. Der Lord Mayor befiehlt Fred in seinem gelben Unterseeboot die Beatles zu holen.Das Fantasieland "Pepperland" wird von den Blaumiesen angegriffen und verliert damit alle seine schönen Farben. Der Lord Mayor befiehlt Fred in seinem gelben Unterseeboot die Beatles zu holen.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Paul McCartney
- Paul
- (Nicht genannt)
George Harrison
- George
- (Nicht genannt)
Ringo Starr
- Ringo
- (Nicht genannt)
John Lennon
- John
- (Nicht genannt)
The Beatles
- The Beatles
- (Gesang)
- (as Sgt. Pepper's Lonely Hearts Club Band)
Paul Angelis
- Ringo Starr
- (Synchronisation)
- …
John Clive
- John Lennon
- (Synchronisation)
Dick Emery
- Jeremy Hillary Boob, Ph.D. - Nowhere Man
- (Synchronisation)
- …
Geoffrey Hughes
- Paul McCartney
- (Synchronisation)
- (as Geoff Hughes)
Lance Percival
- Old Fred
- (Synchronisation)
Peter Batten
- George
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
"Yellow Submarine" is a great film but it's not because of the plot or even the whimsical, non-sequitur filled dialogue. "Yellow Submarine" works best as a series of loosely connected music videos that pre-date MTV by 12 years.
If you grew up with MTV and you think that most music videos consist of 80's Hair-Metal bands "in concert" or rappers in hot tubs with women in bikinis, take a look at some of the musical numbers in "Yellow Submarine".
You have "Only a Northern Song" which is presented with Andy Warhol style pop-art images. "Nowhere Man" is a whimsical, trippy, rainbow colored cartoon. "When I'm Sixty Four" is illustrated by a "Sesame Street" style numerical countdown. Even "All Together Now", for which The Beatles themselves actually appear on screen, contains little camera tricks and quick cut edits that are common tools of more recent music videos.
The two best segments in the movie, in my opinion, are "Eleanor Rigby" and "Lucy in the Sky with Diamonds". "Eleanor Rigby" uses black and white still photos of what is apparently Liverpool rotoscoped with occasional splashes of color to illustrate the dreariness of the lives of "all the lonely people." The full-color rotoscoped images for "Lucy", such as the can-can dancing chorus line and the horse running in the field, are beautiful.
If you are a fan of The Beatles, great animation, or music video, this film is for you.
If you grew up with MTV and you think that most music videos consist of 80's Hair-Metal bands "in concert" or rappers in hot tubs with women in bikinis, take a look at some of the musical numbers in "Yellow Submarine".
You have "Only a Northern Song" which is presented with Andy Warhol style pop-art images. "Nowhere Man" is a whimsical, trippy, rainbow colored cartoon. "When I'm Sixty Four" is illustrated by a "Sesame Street" style numerical countdown. Even "All Together Now", for which The Beatles themselves actually appear on screen, contains little camera tricks and quick cut edits that are common tools of more recent music videos.
The two best segments in the movie, in my opinion, are "Eleanor Rigby" and "Lucy in the Sky with Diamonds". "Eleanor Rigby" uses black and white still photos of what is apparently Liverpool rotoscoped with occasional splashes of color to illustrate the dreariness of the lives of "all the lonely people." The full-color rotoscoped images for "Lucy", such as the can-can dancing chorus line and the horse running in the field, are beautiful.
If you are a fan of The Beatles, great animation, or music video, this film is for you.
After learning that my girlfriend had only see Yellow Submarine while stoned, and seemed convinced that was the reason she liked it, I insisted she watch it unstoned. She still liked it, and it was every bit as good as I recalled.
The story makes no sense, as the movie struggles to turn a bunch of random songs into some sort of narrative, but that hardly matters. The pun-filled script is blithely entertaining, the scenarios are wonderfully imaginative, the songs are terrific (of course), and the visuals are beyond amazing. The animation has a lose, experimental feel that was extraordinary at the time and is even more so in the days of digital animation.
Surprisingly, the weakest aspects of the movies are the Beatles' contributions, which consists of four of their lesser songs (although I do really like Only a Northern Song even though my girlfriend points out it's quite similar to Harrison's previous If I Needed Someone). None of the new songs really helped with creating the story and thus feel a little shoehorned in.
The first time I saw this movie I was 10 years old and I loved it. Now I'm 58 and I still love it. It is a gloriously colorful display of 60s pop art that should be seen by anyone who loves animation, the Beatles, or weird psychedelic art.
The story makes no sense, as the movie struggles to turn a bunch of random songs into some sort of narrative, but that hardly matters. The pun-filled script is blithely entertaining, the scenarios are wonderfully imaginative, the songs are terrific (of course), and the visuals are beyond amazing. The animation has a lose, experimental feel that was extraordinary at the time and is even more so in the days of digital animation.
Surprisingly, the weakest aspects of the movies are the Beatles' contributions, which consists of four of their lesser songs (although I do really like Only a Northern Song even though my girlfriend points out it's quite similar to Harrison's previous If I Needed Someone). None of the new songs really helped with creating the story and thus feel a little shoehorned in.
The first time I saw this movie I was 10 years old and I loved it. Now I'm 58 and I still love it. It is a gloriously colorful display of 60s pop art that should be seen by anyone who loves animation, the Beatles, or weird psychedelic art.
Over 35 years later, this is still an innovative animated film: colorful, clever and different. In fact, you'd have to look hard to find a more colorful film ever made.
The Beatles characters are fun, spouting a number of good puns and inside jokes concerning lyrics from some of their past songs. The bad guys here, the "Blue Meanies," are also fun to watch and really different from anything you've seen.
This is wild stuff which can appeal to adults even more than kids. The only improvement I would have made would have been to shorten it a bit. Even at a fairly short 90 minutes, some could have been trimmed.
The DVD is fine, except for the last 30 minutes when it gets grainy. However, the 5.1 surround sound more than makes up for that, affording the viewer to hear all these famous Beatles songs in a better format that surrounds you as a CD could never do.
The Beatles characters are fun, spouting a number of good puns and inside jokes concerning lyrics from some of their past songs. The bad guys here, the "Blue Meanies," are also fun to watch and really different from anything you've seen.
This is wild stuff which can appeal to adults even more than kids. The only improvement I would have made would have been to shorten it a bit. Even at a fairly short 90 minutes, some could have been trimmed.
The DVD is fine, except for the last 30 minutes when it gets grainy. However, the 5.1 surround sound more than makes up for that, affording the viewer to hear all these famous Beatles songs in a better format that surrounds you as a CD could never do.
'Yellow Submarine' is a visual stunner and an extremely well-scripted movie. There are lots of Beatles in jokes, George's fascination with Indian music and John's fascination with scientific theories are lampooned, the Beatles' power is joked about ("Nothing's Beatle Proof!") and poor old Ringo is just plain made fun of. The movie itself is arguably the most psychedelic ever made. The Beatles' descent into Pepperland is just one psychedelic scene after the other. The animation isn't great, but everything is just done so strange and fun that it becomes absolutely irresistible. The colors, landscapes, and creatures are just really different and vivid and vibrant. The songs are fit in very, very well (although "Nowhere Man" is undoubtedly the best sequence). Overall this works great as a musical or as an animated film, and there's definitely a lot of priceless, subtle dialog. I would name it one of the top 20 animated films of all time, really. Definitely worth watching, just because there simply isn't any movie like it.
10/10
10/10
I bet you're thinking, "another Beatles movie?" but that's not really what this is. A wonderfully vibrant and gorgeous cartoon, and a treat for the eye and ear. This is how vivid and bright all cartoons should be. Great soundtrack of course, and the Beatles make a real cameo at the very end. Watch if you are a Beatle fan like me, or simply if you want a fun cartoon. They did a wonderful job remastering and cleaning it up.
Wusstest du schon
- WissenswertesIn summer 1967, director George Dunning brought German artist Heinz Edelmann to London to work as production designer on this movie. The script wasn't ready, and Edelmann wasn't given a specific assignment. After two months of inactivity, he decided to quit. He vented his frustrations by drawing a series of villainous characters, which ultimately became the Blue Meanies, the Apple Bonkers, and The Glove. Dunning loved the sketches. From then on, Edelmann was a guiding force in the production, designing most of the characters and backgrounds and helping to develop the story. He let his imagination run rampant and cultivated a style of "visual overload" (his words) to cover the plot holes and maintain interest. Many viewers assumed Edelmann got his ideas from using hallucinogens. He said, "I had never taken any drugs. I'm a conservative, working class person who'd stick to booze all his life. And so I just knew about the psychedelic experience just by hearsay. And I guessed what it was."
- PatzerThe Beatles spot five Apple Bonkers taking apples off a tree. Only four Bonkers march and sound off before a Meanie Squad Leader.
- Crazy CreditsThe lyric "All Together Now" is shown in several different languages while the song plays at the end.
- Alternative VersionenThe American version had several alternative shots during the "All You Need Is Love" song, among others: the population of Pepperland moves in at the Blue Meanies; Paul McCartney doing a somersault, a brief scene of Old Fred and the Mayor dancing together happily. The UK version featured alternate footage, like George floating down from Sgt Pepper's head, saying "It's all in the mind, you know".
- VerbindungenEdited from Ich tanze nur für dich (1933)
- SoundtracksYellow Submarine
Written by John Lennon and Paul McCartney
Performed by The Beatles
Published by Apple Records
Courtesy of Apple Records
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Box Office
- Budget
- 250.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 992.305 $
- Eröffnungswochenende in den USA und in Kanada
- 107.105 $
- 8. Juli 2018
- Weltweiter Bruttoertrag
- 1.273.261 $
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