The Wicked Dreams of Paula Schultz

This movie, like many comedy pictures from earlier in the sixties and the prior decade, includes some slapstick humor, a guy and a girl being pursued by bad guys, and a series of romantic misunderstandings that lead to outlandish situations and humorous dialog. In addition to that, add some major characters from Hogan's Heroes to a film that, again, pokes fun at some seriously misguided Germans, and you have a picture that is fun to watch, for those who get it. The setting for the picture is Germany in the cold war era, so in this case, the bumbling villains are East German communists instead of world war two Nazis.

This movie is probably not for everyone. If you are not fond of fifties and sixties romantic comedies that substitute somewhat risqué innuendo for graphic sex scenes, then you may find this movie to be too mild. If you thought that Hogan's Heroes' theme of mocking Europe's second world war oppressors was in poor taste, then you may find this film to be just as distasteful. If you hold the view that soviet communism was a great idea that was misunderstood and you can't wait for Vladimir Putin to restore it to eastern Europe, then you will probably hate this movie. However, if you are not among those who hold such views, then you may find that this picture contains some enjoyably ironic humor and is fun to watch. Just sit back and enjoy this light comedy with Bob Crane and Elke Sommer.

This film begins with a beautiful Olympic athlete by the name of "Paula Schultz" (Elke Sommer) constantly at odds with the communist establishment in East Germany and wanting the freedom to express herself as a woman. As far as the East German authorities are concerned, they only care about her fame as an athlete and want to use her simply for propaganda purposes. So, when she shows up in a stylish outfit for a photo session intended to publicize the latest tractor, things soon become quite heated to the point that her boss "Director Klaus" (Werner Klemperer) decides to personally intervene. To that effect, one thing soon leads to another and, after he attempts to seduce her in his bedroom, she utilizes her athletic ability to escape into West Berlin. From that point on Director Klaus does everything he can to bring her back--which includes making a deal with a black marketeer named "Bill Mason" (Bob Crane) who promises to betray her for $75,000. For his part, Director Klaus would rather capture her without paying anything in return and sends in a specialist by the name of "Agent Weber" (John Banner) to try to accomplish that task first. What he doesn't count on, however, is just how incompetent he and his men turn out to be. Now, rather than reveal any more, I will just say that this turned out to be a little bit better than I expected due in large part to the casting of Bob Crane, Werner Klemperer, John Banner and Leon Askin (as "Oscar") from the popular television series "Hogan's Heroes." I especially liked the performance of John Banner who, I believe, stole the show. Likewise, having a stunning beauty like Elke Sommer certainly didn't hurt either. Admittedly, the script wasn't nearly as good as it could have been, and the actors suffered to a certain extent because of it. But even so, I enjoyed this movie for the most part, and I have rated it accordingly. Slightly above average.

I, too, tuned in to see the cast members of "Hogan's Heroes" in different roles, though other than Leon Askin, most of them are playing very similar characters. After a time, one gets used to the novelty casting, and the movie itself begins to show through.

Leading lady Elke Sommer is beautiful and genuinely charming, at least in those scenes where she is allowed to act. (An aside: I wish she had been given more to do during her film career.)

On the whole, however, this movie is very poorly written and directed. Most of the physical humor is silly rather than funny, as well as being badly choreographed. Take at most 15 minutes to appreciate said cast members and then turn to something riveting and intellectual, like a rerun of Gilligan.

was Ed Wood to direct it.

I saw this on TV when I was about 10 years old and a rabid Hogan's Heroes fan. I was horrified. Yes, even at the tender age of ten I could recognize a terrible film with actors I admired trapped inside it. There's a big difference between playing a not-too-bright character skillfully, and playing a pointless buffoon.

How much of a masochist am I? Enough to re-watch this piece of crud again, 40 years later, when I spotted it online. The ten-year-old me still wanted to cry for my old TV friends, but the 50-year-old me, fortified with copious amounts of cheap wine, managed to appreciate the amusing aspects of Leon Askin's character being Werner Klemperer's flunky instead of the other way around, and to enjoy John Banner's performance… the man never missed; I can't understand why he never won an Emmy. Klemperer in his underwear groping a mostly-naked Elke Sommer was just gross… whose idea was it to give Sommer's character the last name of 'Schultz', providing Klemperer the unenviable challenge of saying lines like "my darling Schultz"? We get it; it's a gimmick film with a gimmick cast, and that's about as subtle as a sledgehammer between the eyes. I'm sorry, Mr. Klemperer; you were better than that.

And Bob Crane was there. Mostly being Bob Crane. Nothing much to report.

I'd love to see the Rifftrax guys get their hands on this one someday.

The idea of using the Hogan's Heroes cast in a cold war farce could have been delicious. The Paula Schultz character, her circumstances, and goals, could have made for a very interesting cold war farce. Bob Crane, stepping out of character, to form a complex blend of con man, sadist, and American patriot, had definite possibilities. Unfortunately, when they put them all together. This is the mess they got. I can hardly believe that George Marshall (!!!) is the credited director on this disjointed, slapsticky, murky mess.