Teufelskreis Y

Twisted Nerve is a rather well made film about a psychopathic young man who regresses to an infantile, rage filled personality when stressed or sexually atracted to another person. Released in the United States in 1968 by National General Pictures, the film was controversial for its suggested link between downs syndrome and psychopathology.

The film was a box office disapointment probally because it was marketed as an axe-killer psycho movie, which it is not. Although there are a few shocking scenes, this film is a character study of a person damaged by his herediary and his overly protective, seductive mother.

This film is nearly impossible to see if you didn't catch it in 1968. It was available from Thorn/Emi in Austraila, but I believe its OOP.

Something I've always liked to do is look through classic horror gems, and unearth some truly forgotten gems, like this one which was hampered with controversy when released and sadly failed to make any impact. This is a shame given that this is a well and truly crafted thriller with great performances that does echo tension with the actions of the lead character.

The biggest strength relies on Martin who has an alter ego who pretends to be a simpleton, just so he can con his way into a woman's affections. Despite living a lift of wealth and good looks, his mind is anything but stable, with an overbearing mother and a down syndrome brother who is put away for just being handicapped and is more or less forgotten about, apart from by Martin, a deep hatred for his stepfather, his mind begins to shatter like a broken mirror which sends him into a spiral. It is often difficult to pull this kind of thing of convincingly, but here it is done right and slowly builds throughout the movie.

Okay this isn't a perfect movie and does have some lower points, like there is just way too much time focused on Martin's descent into madness, instead of moving along at a quicker pace, it seems that other elements of the film suffers in a way, and also the message at the beginning of the movie just contradicted the events of what happens, is also just silly. But asides from this is a really good movie with camera styles and technique that echoes Hitchcock, along with well written main characters, something that's rare these days, does make this viewing a treat.

The casting like I already said is excellent Hywel Bennett who plays Martin was the clear standout, his performance was chilly and captivating, his pleasant features and broad range are both hypnotic and terrifying. Hayley Mills who plays the female lead was also excellent and pulls off the victim angle and of course has great chemistry with the male lead. Billie Whitelaw gives a great sympathetic turn as the owner and Susan's mother, she felt very tragic as a woman whose just wants to be loved.

All in all "Twisted Nerve" is a very complex thriller that may be slow burning at times, but well worth a watch.

Twisted Nerve is a rather well made film that deals with the psychopathology of a 21 year old man. His illness is "triggered" when he leaves his troubled home (a rich demanding father and infantilizing mother) to live as a border in the home of a college student (Haley Mills) and her mother (Billie Whitelaw).

The film works especially well when his sexuality is aroused by both Haley Mills and Billie Whitelaw, with disastrous results.

The movie takes its time to unfold. Although it does have some shocking scenes, this film isn't your typical slasher/psycho movie, as the advertisements suggest, its much more than that.

Like many I knew this film only from the review in Phil Hardy's "Encyclopedia of Horror Films." Based on that I expected a piece of totally exploitative trash that would prove highly offensive. Having now seen it, I ask "what film did he watch?" The Twisted Nerve I just watched is a surprisingly good, well made thriller that does not deserve it's critical drubbing or audience ignorance (It is also not a Splatter" movie as the review states). Back in the day it seems that it caused a firestorm of controversy in it's native England as many mistook Martin/Georgie's split personality for mental retardation. It is his brother, not Martin, that is mentally retarded and in no way a threat to anyone. Martin is in fact, a split personality. As Georgie, he is a very likable man/child, sweet and innocent. But as Martin, he's cold, calculating, and dangerously clever. I think this makes for a fascinating hero/villain and Hywell Bennet carries it off with extreme effectiveness. Hayley Mills and Billie Whitelaw are at their loveliest, and overall the cast does extremely well. Could be a tad overlong at nearly 2 hours, but the film never drags once. Forget what the critics say and it's controversial legacy. Give it a chance, you'll be rewarded.

When I watched Twisted Nerve I wasn't aware of its controversial reputation and that it was quite a difficult film to get hold of. I was a little surprised to discover both those facts to be honest. The controversy that it caused in its day was due to the genetic theory put forward that siblings of Down's syndrome children are predisposed to criminal behaviour. The main character in the film suggesting that this theory to be true. I can see the offence that could cause but at the end of the day this is a thriller and not really to be taken very seriously. I have seen lots of murder-mystery's where the culprit is unmasked and their actions are explained by some ridiculous pseudo-science. And I think that is what needs to happen with Twisted Nerve – take it with a pinch of salt. As far as it being hard to get hold of and not seen by many – I have even noticed it appear on a public domain collection – that is even more surprising because this is a pretty solid thriller with a lot of good things about it. It doesn't exactly break the mould but it is still very good.

It centres on a young rich layabout called Martin who is molly-coddled by his mother but disliked by his step-father. The feeling is mutual though and Martin is forced to leave home but with murderous intent. He adopts the persona of Georgie – a boy with the mental age of a child – in order to dupe his way into the boarding house of a girl he is obsessed with and to enact his deadly scheme.

There's a pretty good cast in this one. Hywel Bennett is very good in the central role of Martin/Georgie. It's a character that requires a fair bit of range from cold psychopath to wide-eyed innocent. Bennett delivers the goods though and ensures that we believe in his character. Hayley Mills plays the girl he lusts after; she is good in the role and cute as a button. The cast is rounded out with a couple of strong performers. Billie Whitelaw is Mill's mother, who is a lost soul who takes in extra money by sleeping with the guests, one of which is played by Barry Foster, an obnoxious fellow not a million miles away from the character he would play in Alfred Hitchcock's Frenzy. In fact the film as a whole owes a fair bit to Hitchcock itself, especially Psycho but also the likes of Marnie. Its emphasis on the psychological but with moments of violence and suspense certainly puts it in the Hitchcockian ball-park. Another similarity is the Bernard Herrmann soundtrack. In this one he once again shows he has an ear for the eerie with the disquieting main whistling theme which is very distinctive indeed. It was unsurprisingly and tediously stolen by Quentin 'I've seen lots of films and I want you to know about it' Tarantino for Kill Bill Vol.1.

I guess you would have to classify Twisted Nerve as a cult movie. One that seems to operate under the radar and one that is well worth checking out if you enjoy psychological thrillers.